Pre-CES 2011: Samsung has introduced the SH100 Wi-Fi enabled digital camera allowing users connect to wireless networks for ...
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Photography Gear News
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Fuji will announce several new EXR cameras, including a HS-10 replacement with a new 16 MP EXR BSI CMOS sensor. The camera will ...
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The firmware is available on this site: https://network.pentax.eu. You have to be a registered user in order to download the ...
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Artisan & Artist introduced a new leather case for the Leica D-lux 5 in Japan (price: 15,750 yen/190 USD): Posted by ...
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Amazon.de has stopped selling Pentax K-5 cameras, probably because of a high return rate from customers due to the K-5 sensor ...
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CES 2011 show is starting next week in Las Vegas. This is what is known so far in terms of announcements from the major ...
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Zoomar Zoomatar 180mm f/1.3 (Nikon mount) for sale on eBay for US $10,480.00. More info on that lens is available here. BCN ...
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Photographer Chase Jarvis departs from his high-end equipment and shares 12 Tips for making great photos&videos on almost any budget.
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In today's guest blog post, Scott answers a popular question about making great black & white images, with our latest Seattle 100 aesthetic as the case study.
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Ever since Nikon went full frame with their high end DSLRs, one lens has been really missing from their portfolio: a reasonably fast, high quality and stabilized standard zoom. There was (and still is) the AF-S 24-120/3.5-5.6 VR, of course, but it has a mixed reputation on FX and certainly doesn't qualify as a professional grade lens mechanically. Not only those who had switched from Canon to Nikon recently kept eyeing Canon's 24-105 L IS lens, it was pretty obvious that Nikon needed to offer a competitor in this focal range.
Announced and released around photokina 2010, this often requested lens is finally available. With a constant f/4 maximum aperture throughout the zoom range, which goes down to 24 mm at the short and up to 120 mm at the long end, it outspecs its main competition. Since it's primarily targeted at FX users, let's find out how it performs on our FX test camera.
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Detailed analysis of how brand-new Nikon and Canon lenses show optical problems, sometimes severe. Lenses include the Canon EF 70-200 f/4L IS and the Canon EF 85mm f/1.8, Nikon 70-200mm f/2.8G VR II...
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This is how the previously rumored Samsung 85mm f/1.4 NX lens will look like. The details: 1 low dispersion glass 67mm diameter ...
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Pre-CES 2011: Samsung has announced the NX11 large-sensor mirrorless interchangeable lens camera. The update to its existing ...
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Pre-CES 2011: Kodak has announced its latest additions to be exhibited at CES 2011 including its first waterproof camera, ...
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Pre-CES 2011: Lexar has released the industry's first 128GB Class 10 SDXC (Extended capacity) memory card. With a maximum data ...
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The quality of the kit lens matters especially in systems with a very limited choice of lenses. Mirrorless systems ...
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It was just 10 days ago when the first RED Epic-M camera got shipped and now it’s stolen. The above is an actual picture ...
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A versatile bag with a padded space for your camera gear and an unpadded section for sandwiches, or whatever else you may carry ...
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DSLR magazine has a whole article on the upcoming Nikon mirrorless camera. The two interesting bits of information are the ...
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Erik, the video guru over at Chase Jarvis Inc reminds us of yet another magical thing about the new wave of HDSLR video cameras...They shoot stills too.
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Usually our videos are directed towards advanced amateurs and professionals but if you are new to DSLR video, these videos will ...
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Preface — there is a simple solution for me: ditch the Nikon 35/1.4G, and snap up the Zeiss 35mm f/1.4 Distagon as soon as it appears (I'll have one of the first in the country to review, and I already posted a preliminary review of the prototype). I can live without autofocus, certainly without autofocus that fails 90% of the time, so far has never delivered spot-on focus, not even for one frame. The Nikon 35/1.4G is a very sharp lens (comparison coming soon)., but there is no point owning a sharp lens that cannot be focused, unless one resorts to Live View with contrast-detect AF every time, or one masks the issue by stopping well down and praying.
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I know many of our readers do not like being told how to shoot their images and many more even hate watching promotional videos for companies trying to sell them on a new way adjust their workflow. That being true, this video of photographer Seth Resnick explaining the X-Rite ColorChecker Passport made me stop and think, “are photographers who shoot RAW this obsessed with perfect color?”
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Judging to this picture, the new the Olympus XZ-1 compact camera will have a 6-24mm Zuiko zoom lens (28-112mm equivalent) with ...
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