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3D realtime animation movies and more goodies
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Rescooped by Henrik Safegaard - Cloneartist from Transmedia: Storytelling for the Digital Age
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A More Authentic Transmedia: The Ethics of Transmedia Fatigue

A More Authentic Transmedia: The Ethics of Transmedia Fatigue | Machinimania | Scoop.it

Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:

Great article.

The Digital Rocking Chair's curator insight, July 19, 2014 5:17 AM


Shathley Q:  '“Sometimes…” as Stuart Moore writes on the first page the pre-Superstorm Sandy released Wolverine: Under the Boardwalk, “…you just gotta disappear for a while.”'

juandoming's curator insight, July 19, 2014 5:31 AM

add your insight...

Rescooped by Henrik Safegaard - Cloneartist from Transmedia: Storytelling for the Digital Age
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I, Frankenstein Creator (and Actor) Kevin Grevioux Talks Comics, Film and Storytelling

I, Frankenstein Creator (and Actor) Kevin Grevioux Talks Comics, Film and Storytelling | Machinimania | Scoop.it

Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:

The graphic novel has undergone some permutations since 2009 and will be released ahead of the movie (which comes out in January) but not by much, so many readers will go into the movie cold, knowing not much more than who’s in it and the basic sense for plot that the trailers give.

Click to read all about it.

The Digital Rocking Chair's curator insight, October 14, 2013 12:50 AM


Russ Burlingame:  "There are few comic book movies that fans will go into with less information than I, Frankenstein; the film was written by Kevin Grevioux and Scot Beattie and adapted to a graphic novel from Grevioux’s first-draft screenplay."

Rescooped by Henrik Safegaard - Cloneartist from Transmedia: Storytelling for the Digital Age
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Teaching Transmedia with Comics: A Conversation with Tyler Weaver

Teaching Transmedia with Comics: A Conversation with Tyler Weaver | Machinimania | Scoop.it

Peter Gutierrez:  "As a reference work on media/transmedia, both aesthetically and historically, as a how-to for student media-makers, or simply on the professional development shelf, so that teachers and librarians can mine it for ideas, [Tyler Weaver’s book is] a text that can fill many needs at once. I was delighted, then, when the author agreed to talk to me about this fascinating topic" …


Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:

Great Article - Very inspiring.

GwynethJones's comment, February 8, 2013 3:08 PM
Love me some Comics!
GwynethJones's curator insight, February 8, 2013 3:08 PM
Grrls like comics, too! Love me some Comics! @ComicLife
Andrea Deydén's curator insight, September 20, 2013 6:22 PM

Debo conseguir estos libros ASAP

Rescooped by Henrik Safegaard - Cloneartist from Transmedia: Storytelling for the Digital Age
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How to write a comic book

How to write a comic book | Machinimania | Scoop.it

Zack Smith:  "There's no one set formula for writing a comics script — but here are a number of great resources to give you some guidance" ...


Via The Digital Rocking Chair
Henrik Safegaard - Cloneartist's insight:

It's all about Visual Storytelling. If you make Comic's or Animation movies the most important thing is the story it self: Both genre is Visual but both need the same thoughts behind them to make a great script and  let it become alive. 

@safegaard

Rescooped by Henrik Safegaard - Cloneartist from Transmedia: Storytelling for the Digital Age
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Evil Genius Plots to Blow Up the Comics Universe [#Transmedia]

Evil Genius Plots to Blow Up the Comics Universe [#Transmedia] | Machinimania | Scoop.it

Scott Thill:  '“Anyone who loves comics and sees them as a vital art form capable of telling unique and challenging stories must recognize that [the industry's] business corpse has to be put out of its misery so a new one can be built,” said Pizzolo, a publisher and filmmaker who has been busy engineering the transmedia spine that will take comics into the future' ...


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Curated by Henrik Safegaard - Cloneartist
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