La riqueza actual no conecta con la propiedad, sino con la burocracia.
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Mario Pires's curator insight,
March 24, 2015 6:02 AM
"As World War II began in 1939, Henri Cartier-Bresson cut his 35-millimeter negatives apart from the frames adjacent to them in order to fit his favorite frames into a small Huntley & Palmers cookie tin for safekeeping. Nearly 50 years later, George Fèvre, Cartier-Bresson’s printer, at Picto Labs in Paris, put a 1932 negative on the light table." |