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Curated by Elise Atangana
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“We Come Bearing Gifts”—iLiana Fokianaki and Yanis Varoufakis on Documenta 14 Athens | Art Agenda

“We Come Bearing Gifts”—iLiana Fokianaki and Yanis Varoufakis on Documenta 14 Athens | Art Agenda | art move | Scoop.it
Poster in Athens, Spring 2017.
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07/06/2017 : Bill Viola, le pionnier de l'art vidéo, exposé au Musée Guggenheim de Bilbao - RTBF

07/06/2017 : Bill Viola, le pionnier de l'art vidéo, exposé au Musée Guggenheim de Bilbao - RTBF | art move | Scoop.it

La chambre de Catherine (Catherine's Room), 2001 Polyptique vidéo couleurs sur cinq écrans plats LCD ; 18 min 39 s Performeur : Weba Garretson Courtoisie Bill Viola Studio - © Bill Viola Photo : Kira perov

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NTU: UBULAWU // Collaborative Transcontinental Healing Practices in East London’s Auto Italia - Bubblegumclub

NTU: UBULAWU // Collaborative Transcontinental Healing Practices in East London’s Auto Italia - Bubblegumclub | art move | Scoop.it

Auto Italia, Auto Italia LIVE: Double Dip Concession, 2012, live broadcast from the ICA, London, as part of the exhibition ‘Remote Control’. Photograph: Ryan McNamara

Elise Atangana's insight:
Mounds of earth erupt from a soft slate coloured screed floor. Soil cocoons containing rectangular white boxes pepper the project space. Informative posters hang vertically off the walls, divulging details about Ubulawu – a collection of plants traditionally used in South African spiritual practice. The exhibition explores an Afrocentric approach to decolonial healing through ancient systems, disseminated through the digital. A combination of sculptural pieces, video installation and symbolic imagery prompt potential prophetic dreamscapes. Channels for interdimensional communication are activated throughout the art-space.
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Le Cameroun a sa première galerie d’art contemporain

Le Cameroun a sa première galerie d’art contemporain | art move | Scoop.it

Elle a été inaugurée le 30 mai dernier à Yaoundé

Elise Atangana's insight:
La première galerie d’art contemporain de la ville de Yaoundé
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Art, Technology, and Humanism - Journal #82 May 2017 - e-flux

Art, Technology, and Humanism - Journal #82 May 2017 - e-flux | art move | Scoop.it
A 3-D model of a hammer rendered from below.
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Le SHED, Centre d'art contemporain de Normandie | Centre national des arts plastiques - Suite et fin EXPOSITION DE FAYÇAL BAGHRICHE

Le SHED, Centre d'art contemporain de Normandie | Centre national des arts plastiques - Suite et fin EXPOSITION DE FAYÇAL BAGHRICHE | art move | Scoop.it
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Elise Atangana's insight:
A VOIR ! Suite et fin EXPOSITION DE FAYÇAL BAGHRICHE - Exposition 21 mai • 15 juillet 2017 - Le SHED, Centre d'art contemporain de Normandie
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Black presences at the Venice Biennale

Black presences at the Venice Biennale | art move | Scoop.it
Abdoulaye Konate's joyful homage to Brazil acknowledges the significance of both football and Catholicism for the country, but also gently mocks these obsessions, writes Jayawardane [Getty Images]
Elise Atangana's insight:
African art might not have had the money to book fancy pavilions but it left a powerful mark on the Venice Biennale.
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May 2017 Opinion JJ Charlesworth Documenta / Opinion / ArtReview

May 2017 Opinion JJ Charlesworth Documenta / Opinion / ArtReview | art move | Scoop.it

That particular elephant in the room of Documenta should be evidence enough that ‘large international exhibitions’ are not good places to pretend to do politics, since the autocracy of such institutions is by definition incapable of accommodating the democratic participation of local art scenes artists or publics, of truly representing and experiences of those they claim to engage with. 

Elise Atangana's insight:
J.J. Charlesworth argues that Documenta’s top-down structure echoes Greece’s fraught relationship with the EU. Via Moses Serubiri 
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THE FISHER-FUNCTION

THE FISHER-FUNCTION | art move | Scoop.it
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The Fisher-Function: thinking-with-Mark Fisher
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Hackathon "Data & Art" 2 - Bétonsalon - Centre d'art et de recherche

Hackathon "Data & Art" 2 - Bétonsalon - Centre d'art et de recherche | art move | Scoop.it
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Elise Atangana's insight:
Du mardi 30 mai au jeudi 1er juin 2017 de 11h à 19h, à 42 Jury le ven­dredi 2 juin 2017 de 11h à 19h à Bétonsalon – Centre d’art et de recher­che Inscriptions jusqu’au 15 mai
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How Abstraction is Another Word for Freedom | Contemporary And

How Abstraction is Another Word for Freedom | Contemporary And | art move | Scoop.it

Adam Pendleton, Black Dada/Column (A), 2015. Courtesy of the artist and Galerie Eva Presenhuber, Zurich; Ian Wilson, Red Rectangle, 1966 (reconstructed in 2008). Courtesy of the artist and Jan Mot, Brussels. Installation view. KW Institute for Contemporary Art, 2017. Photo: Frank Sperling

Elise Atangana's insight:
Our author Gauthier Lesturgie met up with artist Adam Pendleton to talk about his show shot him in the face, currently on view at KW Institute for Contemporary Art in Berlin.
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The New Observatory, A collaboration between FACT, Liverpool and the Open Data Institute (ODI) - Artinliverpool.com

The New Observatory, A collaboration between FACT, Liverpool and the Open Data Institute (ODI) - Artinliverpool.com | art move | Scoop.it

Jeronimo Voss, Inverted Night Sky, single channel fulldome projection, 2016

Elise Atangana's insight:
The New Observatory transforms FACT (Foundation for Art and Creative Technology) into an observatory for the 21st century. Open from 22 June until 1 October 2017, and in collaboration with the Open Data Institute, the exhibition brings together an international group of artists whose work explores new and alternative modes of measuring, predicting, and sensing the world today through data, imagination and other observational methods.
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Arthur Jafa: Love Is The Message, The Message Is Death

Arthur Jafa: Love Is The Message, The Message Is Death | art move | Scoop.it
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Elise Atangana's insight:
Love Is The Message, The Message Is Death is a new video by artist, director, and award-winning cinematographer Arthur Jafa.
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'Zaire 74' legendary music festival now available!

'Zaire 74' legendary music festival now available! | art move | Scoop.it
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Elise Atangana's insight:
Magic moments extracted from the Zaire 74 music festival have just surfaced on album for the first time since it took place in Kinshasa 43 years ago. Franco, Tabu Ley, Makeba, Abeti… they all were recorded during these three crazy nights that announced the famous Ali vs Foreman boxing fight. Back to Kinshasa, Zaire, 1974.
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Exhibitions - La Chose / The Thing - CENTRE D'ART CONTEMPORAIN LA SYNAGOGUE DE DELME

Exhibitions - La Chose / The Thing - CENTRE D'ART CONTEMPORAIN LA SYNAGOGUE DE DELME | art move | Scoop.it
With : Adam Avikainen, Eva Barto, Mihut Boscu Kafchin, Miriam Cahn, Giorgio Andreotta Calò, Eugenio Dittborn, Meiro Koizumi, Jean-Lu
Elise Atangana's insight:
archive
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Viva Africa Viva? | Contemporary And

Viva Africa Viva? | Contemporary And | art move | Scoop.it

EJ Hill, An Arrangement of Perpetuities, 2017

Elise Atangana's insight:
Does the label “African” at events like the Venice Biennale finally expire?
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Hommage: Stanley Greene en 20 images – Polka Magazine

Hommage: Stanley Greene en 20 images – Polka Magazine | art move | Scoop.it
La Nouvelle-Orléans, Louisiane, Etats-Unis, 2006 série Katrina. © Stanley Greene / Noor / Courtesy Polka Galerie.
Elise Atangana's insight:
Retour sur 20 images iconiques d'une longue carrière qui l'a mené des scènes rock aux terrains de guerre.
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“Social Media is Killing Art” debate at Art Basel in Hong Kong 2017 – summary | Art Radar

“Social Media is Killing Art” debate at Art Basel in Hong Kong 2017 – summary | Art Radar | art move | Scoop.it

“Social Media is Killing Art” presented in conjunction with Art Basel in Hong Kong on Thursday 23 March 2017. Image courtesy Intelligence Squared

Elise Atangana's insight:
Does social media reduce art to a commodity? Or is it a democratic platform that facilitates a disruption of old ways of thinking?
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A Poetic Sharjah Biennial for a World in Turmoil

A Poetic Sharjah Biennial for a World in Turmoil | art move | Scoop.it
Abdelkader Benchamma, “Neither the sky nor the earth” (2017), site-specific installation, ink and felt pen on wall, dimensions variable (courtesy of Gallery Isabelle Van den Eynde, Dubai, and Galerie du jour agnes b, Paris)
Elise Atangana's insight:
Tamawuj, the 13th biennial organized by the Sharjah Art Foundation, is generous and speculative, unfolding into something almost hopeful.
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Voodoo and the Work of Zora Neale Hurston | JSTOR Daily

Voodoo and the Work of Zora Neale Hurston | JSTOR Daily | art move | Scoop.it
Zora Neale Hurston, photographed by Carl Van Vechten in 1938
Elise Atangana's insight:
Gabi Ngcobo
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Yinka Shonibare and David Adjaye, Series 1, Only Artists - BBC Radio 4

Yinka Shonibare and David Adjaye, Series 1, Only Artists - BBC Radio 4 | art move | Scoop.it
Chi-chi Nwanoku and Yinka Shonibare
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Olivia Lucca Fraser — Glass Bead : Artificial Intelligence in the Age of Sexual Reproduction: Sketches for Xenofeminism

Olivia Lucca Fraser — Glass Bead : Artificial Intelligence in the Age of Sexual Reproduction: Sketches for Xenofeminism | art move | Scoop.it
Elise Atangana's insight:
Artificial Intelligence in the Age of Sexual Reproduction: Sketches for Xenofeminism
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Where Conversations Need to Take Place | Contemporary And

Where Conversations Need to Take Place | Contemporary And | art move | Scoop.it

Em’kal Eyongakpa, Breath II (2013) and Rustle 2.0 (2016), mixed media. Courtesy of the artist, Em’kal Eyongakpa Intermedia Studios, KhaL!SHRINE. Image Courtesy of Sharjah Art Foundation

Elise Atangana's insight:
Our author Christine Eyene takes a closer look at the 13th Sharjah Biennial, a dynamic place of encounter between contemporary arts from the Middle East, Africa, and Asia.
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Athi-Patra Ruga, l’artiste aux mille visages à la Fondation Vuitton

Athi-Patra Ruga, l’artiste aux mille visages à la Fondation Vuitton | art move | Scoop.it
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Elise Atangana's insight:
Le travail pluridisciplinaire du jeune Sud-Africain, qui questionne la notion d’identité, sera présenté à partir du 26 avril dans l’exposition « Etre là  à la Fondation Louis Vuitton.
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