Desdemona Bandini: "Not just a new film, “The Cosmonaut” is a labor of love four years in the making, crowdsourced and created with a plan to test the boundaries of transmedia content distribution worldwide."
RGB is a work about the exploration of the “surface’s deepness”.
RGB designs create surfaces that mutate and interact with different chromatic stimulus.
RGB’s technique consists in the overlapping of three different images, each one in a primary color. The resulting images from this three level’s superimposition are unexpected and disorienting. The colors mix up, the lines and shapes entwine becoming oneiric and not completely clear. Through a colored filter (a light or a transparent material) it is possible to see clearly the layers in which the image is composed. The filter’s colors are red, green and blue, each one of them serves to reveal one of the three layers.
I'm a visual artist living and working in Montreal, Canada. I studied Fine Arts at l'Université du Québec à Montréal (UQAM). I co-founded Studio CINQUNQUATRE (FIVEONEFOUR), a place of study of and experimentation with various printing techniques, in 2004. The main technique is silkscreen printing.
I work with original photographs and drawings as well as found images for their iconic value. I bring them together through screen printing. My work is represented by galleries in Montreal, Toronto, Paris and San Francisco.
Have you ever wondered how your favorite place used to look like 50 or 100 years ago? Would you like to refresh your childhood memories and find out what your native town looked like when you were a kid.
Jim Stewartson: "Friends, it’s time to get serious. The ongoing debate between (intelligent, well-meaning) people about what “transmedia” means and even whether defining the word matters at all, is killing our common cause."
"A small Philadelphia-based company called New Paradise Laboratories is re-creating theater for the connected generation. It’s incorporating social networks like Facebook, Skype and Chatroulette into the production and presentation of shows, pulling theater into the virtual space."
DRC: It's an immersive experience for both the cast and the audience.
When London’s Punchdrunk Theatre Company opened Sleep No More in March 2011 in an abandoned warehouse block in New York, few imagined it would still be running a year later...
Frank Rose: "People have always wanted to immerse themselves in stories, and digital media have given them any number of ways to do so, from Grand Theft Auto and L.A. Noire to alternate-reality games like Why So Serious?, which drew more than 10 million people into the saga of The Dark Knight before the movie opened. But the desire for immersion has spilled over into the purely analog world as well, as Sleep No More attests."
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