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Sweet...

If you DL the original file, there is a surround mix in there... QT does not handle all the highlights, that is no blaming on Dragon. In a wider DR format like…
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Red Dragon sensor test, love how there's a narrative story within the test shots, everyone should follow this route in their camera tests

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WorkingCinematographer
All about The Art of Cinematography and related
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Blackmagic Design: URSA

Blackmagic Design: URSA | WorkingCinematographer | Scoop.it
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The future is here! 4K super 35mm modular camera

The 3 zone monitors for DP, AC and sound recorder is an amazing feature, all for $6K (EF mount), hope they can fulfill their orders though with no delay :) 

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Manios Digital & Film Drops Low-Cost High Resolution 7″ HDMI Field Monitor at NAB 2014:

Manios Digital & Film Drops Low-Cost High Resolution 7″ HDMI Field Monitor at NAB 2014: | WorkingCinematographer | Scoop.it
Manios Digital & Film will introduce a 7-inch LED 1080p HDMI field monitor at NAB 2014 for $450.
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it's seems a really affordable and interesting product, they also have jibs

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Capturing the Bleak NY Winter for the Coens: Behind the Cinematography of 'Inside Llewyn Davis' « No Film School

Capturing the Bleak NY Winter for the Coens: Behind the Cinematography of 'Inside Llewyn Davis' « No Film School | WorkingCinematographer | Scoop.it
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if you're interested to know how he achieved that "look"

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Cinematic Shooting Principles: Medium Lens - Tuts+ Photography Tutorial

Cinematic Shooting Principles: Medium Lens - Tuts+ Photography Tutorial | WorkingCinematographer | Scoop.it
The medium lens creates shots that look like normal human vision, but when used creativity this can still lead to cinematic imagery. | Difficulty: Beginner; Length: Short; Tags: Video
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This time, medium lenses :"The medium lens creates shots that look like normal human vision, but when used creativity this can still lead to cinematic imagery"

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Simplicity & Beauty: DP Sean Bobbitt Discusses the Stunning Cinematography of '12 Years A Slave' « No Film School

Simplicity & Beauty: DP Sean Bobbitt Discusses the Stunning Cinematography of '12 Years A Slave' « No Film School | WorkingCinematographer | Scoop.it
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I haven't seen this film yet, but Steve McQueen's films (Hunger, Shame) always have amazing color palettes and cinmeatography

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3 Simple Tips For Shooting With Available Light

3 Simple Tips For Shooting With Available Light | WorkingCinematographer | Scoop.it
Using only available light maybe a stylistic choice for your film project - but it must be executed well. In this post, I share 3 tips for effectively shooting with natural light.
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Very good advice

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“Walter Murch: From The Godfather to the God Particle” | Filmmaker Magazine

“Walter Murch: From The Godfather to the God Particle” | Filmmaker Magazine | WorkingCinematographer | Scoop.it
Legendary film editor, sound designer, writer, translator, amateur astronomer and director Walter Murch needs no introduction. (Oh, what the hell, his credits
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This is not cinematography-related , but Walter Murch is a sage everyone should watch this #blinkofaneye

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Roger Deakins Has Been the Victim of Many Coen Brothers Pranks

Roger Deakins Has Been the Victim of Many Coen Brothers Pranks | WorkingCinematographer | Scoop.it

With 10 past nominations, will he finally win an Academy Award this year?


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Well, it's Deakins

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How Camera Movement Shapes A Narrative | Filmmaker Magazine

How Camera Movement Shapes A Narrative | Filmmaker Magazine | WorkingCinematographer | Scoop.it
Ryan Connolly of Film Riot is a rather perky fellow, but he's also got some good insight into how camera techniques affect a film's narrative. Connolly begins
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good read

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All Aspiring Cinematographers Need To Know How To Color Grade - Here's Why

All Aspiring Cinematographers Need To Know How To Color Grade - Here's Why | WorkingCinematographer | Scoop.it
Every director of photographer should be skilled at color grading. In this post, we make the case for a multi-faceted approach to cinematography.
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This is what I've been doing on my shoots in the past 2 years, shoot and grade myself

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Panasonic GH4 in a professional setting - FAQ » EOSHD.com

Panasonic GH4 in a professional setting - FAQ » EOSHD.com | WorkingCinematographer | Scoop.it
http://vimeo.com/86130834 Above: interview with Illya Friedman of Hot Rod Cameras, by Dan Chung The GH4 is a consumer camera but one which has the most pro
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interesting FAQ for Pros

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With 4K GH4, Panasonic Comes Out Swinging | Filmmaker Magazine

With 4K GH4, Panasonic Comes Out Swinging | Filmmaker Magazine | WorkingCinematographer | Scoop.it
Tetraphobia is the east Asian practice of avoiding the number 4 because it sounds like the word for death. But to ignore 4K would be certain death for any
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4K for $2K

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How the ARRI Alexa plays with color saturation to pursue a film aesthetic

How the ARRI Alexa plays with color saturation to pursue a film aesthetic | WorkingCinematographer | Scoop.it
The ARRI Alexa has been a major player in digital cinema ever since its release and a large part of its success is because of its film-like image quality. As cinematographer Art Adams discovered, that quality may be due to the unique way Alexa handles color saturation and luminance.
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watercolor paintings vs ARRI ALEXA!

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The Life of a Camera Assistant as Told Through GIFs

It's been too long since we've explored what it means to be a camera assistant (AC) though the lens of the animated GIF. So here's 30 GIFs that illustrate life as an AC below-the-line and behind-the-scenes. You'll laugh, you'll cry, you'll question your career choice – well, you'll mostly laugh.
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this is pretty awesome!

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2013 Camerimage interview with John Schwartzman, ASC

2013 Camerimage interview with John Schwartzman, ASC | WorkingCinematographer | Scoop.it
Darek Kuzma talks with John Schwartzman, the cinematographer behind "The Rock", "Armageddon" and "Saving Mr. Banks", among many others. The crew behind the i...
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Interview with the DP of "Saving Mr. Banks"

 

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A Cinematography Masterclass from 'Anthony Bourdain: Parts Unknown' DP Zach Zamboni « No Film School

A Cinematography Masterclass from 'Anthony Bourdain: Parts Unknown' DP Zach Zamboni « No Film School | WorkingCinematographer | Scoop.it

interesting

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from the DP of Parts Unknown

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The Complete Guide to Getting Started with the ARRI ALEXA « No Film School

The Complete Guide to Getting Started with the ARRI ALEXA « No Film School | WorkingCinematographer | Scoop.it
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if you're an ALEXA shooter
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'House of Cards' DP Reveals the Camera & Lighting Techniques of the Popular Netflix Series « No Film School

'House of Cards' DP Reveals the Camera & Lighting Techniques of the Popular Netflix Series « No Film School | WorkingCinematographer | Scoop.it
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The more episodes i watch , the more I'm impressed with their cinematography and lighting

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Trusting My Meter: The Perception of Brightness at DV Info Net

Trusting My Meter: The Perception of Brightness at DV Info Net | WorkingCinematographer | Scoop.it
RT @DVinfo: Trusting My Meter: The Perception of Brightness
http://t.co/OLQYbKyLyS
#cinematography

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blackespresso's insight:

The link to Ansel Adam's Zone system by itself is worth your time, good read on getting proper and consistent exposure shooting digital

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Lighting for Matching Closeups: A Spectacular Lighting Workshop with Danish DP Eric Kress « No Film School

Lighting for Matching Closeups: A Spectacular Lighting Workshop with Danish DP Eric Kress « No Film School | WorkingCinematographer | Scoop.it
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Lighting closeups from ASC

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Cinematic Shooting Principles: Advanced Short Lens - Tuts+ Photography Tutorial

Cinematic Shooting Principles: Advanced Short Lens - Tuts+ Photography Tutorial | WorkingCinematographer | Scoop.it
The short lens isn't just for shooting wide-angles, but for controlling how your video conveys the scale of a scene. Use the short lens to increase speed, change perspective and affect motion. From distorted close-ups to rapid moves, this lesson covers the advanced techniques for shooting expert footage with the short lens. | Difficulty: Advanced; Length: Short; Tags: Video, camera
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part 3  on lenses, this episode, short lenses

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DLCVTA's curator insight, February 25, 2:21 AM

Wide angle shots

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So long, green! This camcorder has full-color night vision

So long, green! This camcorder has full-color night vision | WorkingCinematographer | Scoop.it
The KC-2000 is a camcorder that captures nighttime and low-light video in full color, allowing for better image quality with details and color accuracy.
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Interesting, if you ever wanted to shoot "“color night vision" now you have the option

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Cinematic Shooting Principles: Advanced Long Lens - Tuts+ Photography Tutorial

Cinematic Shooting Principles: Advanced Long Lens - Tuts+ Photography Tutorial | WorkingCinematographer | Scoop.it
The long lens can be used to enhance location shoots, create extreme changes of focus and strengthen your compositions. This lesson includes tips on lighting and controlling focus. These advanced techniques give you powerful ways to open scenes, direct attention and beautify a shot. | Difficulty: Advanced; Length: Short; Tags: Video
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good tips , part 2 of using long lens

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Here's a sample of what to expect from Panasonic's 4K-ready Lumix GH4

Here's a sample of what to expect from Panasonic's 4K-ready Lumix GH4 | WorkingCinematographer | Scoop.it
It's been a mere couple of days since Panasonic unveiled its next-generation GH camera, the Lumix GH4. But, since there's no release date information as
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make sure to watch in 2K in youtube

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Creatively Incorporating Photography into Filmmaking: A Tutorial from Stillmotion & Kessler « No Film School

Creatively Incorporating Photography into Filmmaking: A Tutorial from Stillmotion & Kessler « No Film School | WorkingCinematographer | Scoop.it
blackespresso's insight:

An interesting challenge: how do you shoot stills in your film?

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