In the following two sections, I compare the late Jimmy Ponder's recording and performance experiences so to explore processes outside of artistic creation that shape albums. Ponder, like many other creative artists, has faced recording both as an extension of their creative life and a means to make a living. At the center of this dichotomy is the widely addressed conflict of economic and creative interests, a concept central to most discussions concerning musician integrity and creative authenticity. In producing a viable commodity, Ponder has faced the task of communicating his musical voice, or creating an original and meaningful musical experience, within the constraints of commercial interests. Ultimately, recording becomes an important element in shaping one's musical identity because it is more widely consumed than live performance and hence more widely representative of one's playing abilities. However, I hope to show that commercial recordings subject musicians to different creative processes and hence form creative identities apart from those developed in live performances.