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Evolution de l'industrie musicale : Tout s’écroule – et c’est pour le mieux.

Evolution de l'industrie musicale : Tout s’écroule – et c’est pour le mieux. | Wiseband | Scoop.it
La révolution numérique remet en cause tous les intermédiaires qui captaient traditionnellement une commission sur les ventes sans ajouter la moindre valeur

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Ivan Wyschnegradsky: un compositeur philosophe révélé par ses écrits « À Emporter « ResMusica

Ivan Wyschnegradsky: un compositeur philosophe révélé par ses écrits « À Emporter « ResMusica | Wiseband | Scoop.it
Ivan Wyschnegradsky Libération du son. Ecrits 1916-1979; textes réunis, présentés et annotés par Pascale Criton. Editions Symétrie; collection Symétrie…

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Quand Marseille réinvente le jazz : Lucky Peterson, Roberto Fonseca & Fatoumata Diawara, Ibrahim Maalouf et Ahmad Jamal au Festival des 5 Continents

Quand Marseille réinvente le jazz : Lucky Peterson, Roberto Fonseca & Fatoumata Diawara, Ibrahim Maalouf et Ahmad Jamal au Festival des 5 Continents | Wiseband | Scoop.it
Mais quelle subtile mécanique phocéenne conduit les artistes invités du Festival de Jazz des 5 Continents (FJ5C) à pousser aussi loin la...

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Major Labels Buying Into Soundcloud Sets It Up For Acquisition

Major Labels Buying Into Soundcloud Sets It Up For Acquisition | Wiseband | Scoop.it
There are multiple well-founded rumors abounding that the three major record labels will soon purchase anywhere from 9 to 14 percent of the Soundcloud streaming music service. On the surface this might seem like a natural progression for both Soundcloud and the labels (who have done this sort of thing [...]

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Christophe Peckeu's curator insight, July 28, 9:21 AM

add your insight...

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YouTube's music subscription service could be called MusicKey

YouTube's music subscription service could be called MusicKey | Wiseband | Scoop.it

YouTube is launching a music subscription service later this year — and around a dozen domain name registrations suggest that it could be called MusicKey.


Via Christian Menez, mediathequeArgentanIntercom
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Wiseband E-boutiques : new way to empower the Artist !

Wiseband E-boutiques : new way to empower the Artist ! | Wiseband | Scoop.it
Ouvrez une boutique sur votre site et votre page Facebook
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#Artists

Customize your online shop to sell directly to your fans
Build a long term relationship with your fans
Create a custom shop in a few seconds thanks to our online assistant : FB, web, blog ...
Créez votre boutique en ligne !
Construisez une relation durable avec vos fans !
Publiez en quelques clics une boutique personnalisée sur votre site, blog, Facebook...
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[Infographie] le baromètre pub de la #RADIO 2.0 par Kantar Media via - Offremedia. Prochaines Rencontres #RR20 le 13 Oct [SAVE THE DATE]

[Infographie] le baromètre pub de la #RADIO 2.0 par Kantar Media via - Offremedia. Prochaines Rencontres #RR20 le 13 Oct [SAVE THE DATE] | Wiseband | Scoop.it
Kantar Media Ad Intelligence a publié le premier baromètre de la radio 2.0 qui observe l’activité publicitaire sur la radio digitale en 2013 sur la base des impressions servies.
En 2013, 468 millions d’impressions publicitaires ont été servies sur les radios digitales. Les secteurs du Commerce et de l’Automobile représentent respectivement 35% et 25% des impressions servies. Kantar Media Ad Intelligence dénombre 124 annonceurs, dont un tiers du top 100 plurimédias. Citroën devance E.Leclerc avec 60,1 millions d’impressions, contre 33,7. 55% des campagnes intègrent une bannière display en plus du spot audio. Ce dispositif est privilégié par 85% des constructeurs automobiles.

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Audentifi, le Shazam des vidéos YouTube

Audentifi, le Shazam des vidéos YouTube | Wiseband | Scoop.it
Les chiffres d’usage de YouTube sont renversants : chaque mois, d’un milliard d’internautes accèdent au service, pour environ 120 milliards de vues. Un quart des visionnages a lieu sur mobile et 72 heures de vidéos sont ajoutées sur YouTube chaque minute. Beaucoup utilisent YouTube pour regarder des vidéos. D’autres laissent tourner YouTube en boucle pour...

Via Christophe Peckeu, Lucie Pires
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Simmons: Poor people owe me

Simmons: Poor people owe me | Wiseband | Scoop.it
Kiss star Gene Simmons says he's proud to be among the One Percent of the world's richest people – and insists everyone else owes him a debt of gratitude.

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Pierre Priot's curator insight, July 23, 3:03 AM

You can thank the record industry for nursing the world biggest cunts.

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Senzari's MusicGraph.ai Digs Deep Into Music Data With Analytics and Intelligence Algorithms

Senzari's MusicGraph.ai Digs Deep Into Music Data With Analytics and Intelligence Algorithms | Wiseband | Scoop.it
Senzari continue the evolution of their MusicGraph platform with the introduction of MusicGraph.ai at the Graphlab Conference 2014.

Via Yvan Boudillet, Vincent Castaignet
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Spotify is Joining Forces With Viacom, Hopes to “Bring Back the Music in MTV”

Spotify is Joining Forces With Viacom, Hopes to “Bring Back the Music in MTV” | Wiseband | Scoop.it

"We can bring back the music in MTV and bring its programming to a wider audience again," says Spotify founder and chief executive Daniel Ek.


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The Future of the Music Industry: Selling Audiences to Advertisers

The Future of the Music Industry: Selling Audiences to Advertisers | Wiseband | Scoop.it
Rebirth will be fueled by the downturn of the $16 billion broadcast radio industry.


Ad-supported and subscription streaming services have tripled revenue paid to artists and labels, growing from seven percent to 21 percent of digital revenues in the last four years, according to the RIAA. Strengthened by investments of more than $432 million dollars just last year, streaming radio services like Pandora and Spotify are booming, while broadcast radio struggles. And many of broadcast radio’s top ad-sellers have jumped ship to these Internet radio companies, helping to capture the dollars now fueling an important growth category for the music industry.


Forty-four percent of online radio listeners say their online listening comes mostly at the expense of their FM/AM listeningSeventy-five percent of people age 12 to 24 listen to online radio monthly, andalmost two-thirds of them listen weekly.

In fact, radio broadcasters are not only seeing their FM consumers listen less, but, according to Triton Digital, at any given moment among online listeners (Monday-Friday, 6 am to 8 pm), Pandora has more than three times the audience of all of the thousands of radio stations owned by Clear Channel (iHeart), CBS (Radio.com), Cumulus, Entercom and the next six broadcasting companies combined. Borrell Associates predicts “time spent listening” to pure-play mobile services will grow by 38 minutes over the next four years — while broadcast radio will decline 42 minutes over the same period.


Arbitron

Arbitron’s (now Nielsen Audio)own data shows a steady “Average Quarter Hour” rating decline of “Persons Using Radio” over decades. In 2009, Arbitron apparently stopped releasing the national AQH rating data, perhaps because there was a severe decline from the previous year, conceivably triggered in part by the launch of Nielsen’s Portable People Meter (PPM) ratings system, the rise of Pandora and other non-broadcast competitors, both and/or other factors.

Online radio offers advertisers data-driven, advanced technology delivering more efficient ad buys — an area where broadcast radio lags.

Eighty-eight percent of Pandora’s revenue is derived from advertising, not subscriptions. The future will tell whether or not the subscription model offered by Beats and Rhapsody has legs. Meanwhile, the time-tested business model most widely embraced by listeners is ad-supported radio.

As broadcast radio (and its fledgling online offshoots) treads water, it’s inevitable that a sizable portion of its $16 billion ad empire will follow the audience as it migrates from FM to online radio. Clip Interactive’s SVP/Labels Michael Fischer suggests that “record companies and artists need to go all in. That means embrace and cooperate with existing streaming services to further expand their audiences.” At the same time, they must build their own unique audio media strategies and online radio brands to attract listeners with dazzling original content


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The data has a little something to say about what you'll be listening to in the future

The data has a little something to say about what you'll be listening to in the future | Wiseband | Scoop.it

Launched in 2009, and widely consulted by the mainstream music industry, the company crunches consumption data from social media and music-streaming sites, tracks buzz on Facebook, Twitter, SoundCloud, and YouTube, and collects private sales figures from clients and partners to inform its predictions. Its engineers and analysts—some of whom hail from data positions at Microsoft, the New York Yankees (think Moneyball), and the Department of Defense—compile everything into a ranking system.

...

"It is sort of a mix of art and science," Zopf explains, one that combines calculation, curation, and strategic analysis.

...

This makes Next Big Sound attractive to corporate clients outside of the music industry who are eager to tap into the youth market—NBS signed its first Fortune 50 brand deal last fall and is ramping up that end of the business. "Brands recognize that it is a great way to attract their target customer," White says. "I think it's a great opportunity for our existing customers to measure and engage and work with artists that really resonate in the marketplace."

Yet "there is a downside to the belief that the data is a crystal ball, or that by having this data we suddenly now can learn things that we have never known before," Feinberg says. "As much as I am a believer in this, I think the downside is when people rely too heavily on it for something they don't know, or jump to conclusions based on just a small subset of data."


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"I am hoping that marketers can interpret the data and say, 'Here is where the core fans are for this particular artist, and we are going to reach out with the right content on the right platform.'"

...

Feinberg agrees, adding that the data needs to be interpreted by people who understand the artistic landscape. "You can't just look at it and make decisions based on it," he says. "You have to mix it in with all the other data you have, as well as all the expertise of the people in the room. Then you have something useful."


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The Importance of Music Video Promotion - hypebot

The Importance of Music Video Promotion - hypebot | Wiseband | Scoop.it
Jesse Cannon of Musformation.com talks to Andy Gesner of HIP Video Promo. The following is a transcript of their discussion. Jesse: This interview is rewarding for anybody who’s an artist or in a band and wants to see some of the hidden gears of how a music video secures exposure. I highly suggest reading the whole interview; Andy’s incredibly insightful, and you can check him and his company out at hipvideopromo.com. Jesse: How long ago did you start HIP Video Promo? Andy: The beginning of the millennium; October 26th, 2000. Jesse: Wow… And what made you want to start doing...

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Universal Entices Audiences to “Get On Up” by Reversing Pandora’s Music Genome Project | Pandora Advertising

Universal Entices Audiences to “Get On Up” by Reversing Pandora’s Music Genome Project | Pandora Advertising | Wiseband | Scoop.it

Getting the funky fans of James Brown to see a movie about James Brown? Not a problem. Getting a younger, wider audience to appreciate the breadth and depth of the Godfather of Soul’s impact on music and inspire them to get on up to see the film as well? That’s a bit more of a challenge!

So when Universal Pictures wanted to widen the funnel for the Aug 1st release of Get On Up — a chronology of James Brown’s rise from poverty — they partnered with experts in music discovery and education here at Pandora. Here some extraordinary teams met this challenge with a three-stage strategy: (1) identify fans of the music of James Brown and fans of the artists influenced by him then; (2) invite them to deepen their knowledge and appreciation of Brown’s impact on music so that; (3) they would be inspired to get on up to see the film!

To get a full picture of the influence of James Brown on modern music, Pandora’s research, musicology, and curator teams dug deep into Pandora’s Music Genome Project: First, Pandora Sales Research Manager Erik Brinsmead explains, “We selected legacy artists such as The Supremes, The Jackson 5, Maceo Parker, and Ray Charles by ranking artists most frequently played on James Brown’s stations.” Then Pandora’s team of music curators began exploring the songs of modern artists in the genres of R&B, Rock & Roll and Hip-Hop whose musical traits and attributes connect to the late great James Brown. Through this exercise, Pandora was able identify more than 300 songs and 250 popular artists who were directly or indirectly influenced by James Brown, including modern artists such as 2PAC, Beastie Boys, Justin Timberlake and Janet Jackson. By targeting fans of those artists, Pandora was able to more than TRIPLE the reach of the campaign beyond consumers that may self-identify as James Brown fans and appeal to a younger wider audience that might not engage in another context.

In order to engage these fans, Pandora’s teams hyper-targeted the listeners with innovative ad banners that dynamically surface insights from the genome in a way that is directly and immediately relevant to the listener. Listen to Bruno Mars and you’ll discover that the R&B connection between him and James Brown. Listen to the Black Eyed Peas and discover Brown’s influence on Hip-Hop. The banners then invite listeners to learn more by clicking through and adding the Get On Up mixtape.


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Facebook s'envole grâce à la pub mobile et aux dépens de Google - ElectronLibre

Facebook s'envole grâce à la pub mobile et aux dépens de Google - ElectronLibre | Wiseband | Scoop.it
Jeudi, Facebook a dévoilé ses résultats financiers pour le trimestre écoulé, avec une confirmation de sa poussée dans le mobile, tant en termes d'utilisate

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Casting Call! Attention: Country Music Singers and Songwriters

Casting Call! Attention: Country Music Singers and Songwriters | Wiseband | Scoop.it
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New Wiseband partnership - Cover Art Factory & Wiseband

New Wiseband partnership - Cover Art Factory & Wiseband | Wiseband | Scoop.it
Wiseband is pleased to announce its new partnership with the Cover Art Factory platform - What is Cover Art Factory ? Cover Art Factory provides graphic design services to the music and media industry. Customers include record labels, media companies and DIY artists. - How it works ? Cover Art Factory offers customized, high quality, digital cover art – [...]
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- What is Cover Art Factory ?

Cover Art Factory provides graphic design services to the music and media industry. Customers include record labels, media companies and DIY artists.


- See more at: http://blog.wiseband.com/new-wiseband-partnership-2/#sthash.RcOAiCfq.dpuf

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YouTube Music’s Head Quits, a Setback to Paid Service

YouTube Music’s Head Quits, a Setback to Paid Service | Wiseband | Scoop.it

The head of YouTube's effort to launch a music subscription service is leaving, marking yet another hurdle for the long-delayed project. Chris LaRosa, YouTube's product manager in charge of music, will be leaving Google this Friday to join a startup.


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What music will work best for your campaign? Spotify explains

What music will work best for your campaign? Spotify explains | Wiseband | Scoop.it
Marketers, here’s a guide of things to note when looking to incorporate music in your campaigns.

Via Thomas Faltin
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Le Royaume-Uni se dote d'une simili-Hadopi, les...

Le Royaume-Uni se dote d'une simili-Hadopi, les... | Wiseband | Scoop.it
Soutenus pas le gouvernement, plusieurs acteurs majeurs des médias britanniques viennent de s'unir pour constituer une autorité privée chargée de faire connaître l'offre légale et de prévenir le partage illégal...

Via mediathequeArgentanIntercom
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Universal Music Looking for Next Big YouTube Star With New Record Label

Universal Music Looking for Next Big YouTube Star With New Record Label | Wiseband | Scoop.it
The venture signals that YouTube stars with palpable buzz and inbuilt fan bases have become increasingly enticing to the world’s biggest music corporations.

Via Pierre Priot
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Pierre Priot's curator insight, July 23, 2:59 AM

Universal is wisely shifting its investments from TV to Youtube.  

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Universal Music looking to cater to the YouTube crowd

Universal Music looking to cater to the YouTube crowd | Wiseband | Scoop.it
Universal Music is looking to YouTube to spawn the next generation of pop stars. The music major has partnered with TV producer Brian Robbins, Loud Records' Steve Rifkind and hip-hop impresario Russell Simmons to form record label Awesomeness Music.

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Wiseband Reporting Royautés

Wiseband Reporting Royautés | Wiseband | Scoop.it
Regroupez et analysez vos ventes physiques et digitales par artiste, par produit, par pays
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Des outils d’analyse statistique à votre disposition pour observer votre croissance !
Un système de paiements sécurisés !
Vendez votre musique et touchez votre argent dans les plus courts délais !
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Radioline, le compagnon radio de l’été

Radioline, le compagnon radio de l’été | Wiseband | Scoop.it
Radioline (ex-Liveradio), présent sur le paysage de l’agrégation de radios depuis 2007, vient de mettre à disposition de ses auditeurs une sélection de radios pour les accompagner pendant l’été : 
"En voiture" : pour rester à l’écoute des dernières actualités et apporter une ambiance musicale européenne aux longs trajets en voiture. 
"A la plage" : pour accompagner les après-midi de farniente, et pouvoir être informé sur l’actualité en temps réel directement depuis sa serviette de plage. 
"Party & night" : pour accompagner les soirées avec cette sélection de radios allant des années disco aux musiques les plus actuelles.


Plus de 35 000 radios et podcasts !

Radioline est disponible sur iPhone (http://bit.ly/14VMe7e), iPad (http://bit.ly/1230ZxZ), sur téléphones et tablettes Android (http://bit.ly/1hIh5cf), sur TV et sur le web (http://fr-fr.radioline.co) et permet à ses utilisateurs d’écouter et sauvegarder toutes leurs radios favorites sur leurs appareils connectés partout dans le monde. 



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NoMadMusic | Label classique, jazz, monde & Webzine

NoMadMusic | Label classique, jazz, monde & Webzine | Wiseband | Scoop.it
NoMadMusic, label de classique, jazz, monde & webzine, est une plateforme innovante de partage et de découverte de musiques.
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