|
Easily Publish Gorgeous Magazines with Scoop.it.
Catch attention on what matters by curating content on your favorite topic. |
See How |
|
|
|
George Washington III - voevolution.com shared this post on Facebook. (March 6, 2011 5:32 PM) |
|
|
George Washington III - voevolution.com shared this post on Twitter. (March 6, 2011 5:32 PM) |
voiceover and voice acting
|
David Brower gives a good guide on finding an agent (or a few). He also makes the good point that agetns are not th ebe all, end all...you must market yourself to make this your profession.
My friend, voice artist and engineering rock star Dan Friedman has posted a short and sweet article on the Sound4VO blog about having a backup plan for home studios. As I am not ISDN equipped at home, I know that my backup plans are not complex, but it reminds me that i should have one.
Technical difficulties are a part of the business, and you have to be prepared to find another way. Maybe it involves having a fully loaded laptop ready to go in the event of a main studio computer meltdown, a standing agreement with another talent or local studio to duck in when all else fails, things like that. Now if you'll excuse me, I have a backup to do...
Its National Financial Literacy Month, and we voice-over actors need to wake up and smell the derivatives... or is that residuals!? ... Freelancetaxation.com – a site by financial planner, Susan Lee, which has a wealth of information on taxes for ...
VoiceOverXtra provides two great articles on marketing by longtime talent Alan Sklar. I also note that the message is similar to Kat Keesling's earlier blogpost on working your own backyard. Check them all out!
I'm pretty sure that I have a rather pollyanna-ish view about getting into the voiceover field. I encourage people to look into it, but with open eyes: no one becomes Don LaFontaine, Nolan north, or Bob Souer overnight. It's going to take time and effort. But if you have skills, there is work out there. Stephanie Ciccarellli has a post up on Voices.com about the relative abundance of work out there. Again, it's not always going to be an earth shattering worldwide influencer....but it is work that will get you on your way to the next thing.
Casting director Laurie Records (@laurierecords) writes this great post about placing blame for a bad read. That is, don't do it. At least not in the room aloud. Go check it out, and make sure you are not falling into any of these habits.
There is no doubt that tenseness in the body, wheter in the fac, head or neck, or in the torso, has an effect on the voice. Singers know this, and other people who depend on their voice for their living should too. Dr. Ann Utterback writes about the effect tenseness hass on teh voice, and how to avoid, or at least minimize, those effects.
Kat Keesling (@KatsVoice) answers the question "What kind of voice is best for children to learn from, ages 2-5?"{ She has researched this particular subject, and has a great post regarding the answer. Well worth your time to read, especially if you are interested in e-learning for the very young.
A marketing consultant discusses the possibility of offering money-back guarantees. For some freelancers, it makes sense. but how about for voiceover? In our case you, are talking about a loss of time and opportunity in the event the guarantee is exercised. That may not be a fair trade. Thanks to Paul Strikwerda (@nethervoice) for passing this article along.
Once again, Thanks to Tim Keenan for pointing this one out. Social media is an unavoidable aspect of business today. making sure you present a unified front, combining the channels you use, is a must.
Dr. Ann Utterback writes more about taking care of your voice. When I was in college as a voice major, learning how to manage the impact of colds and illness on your voice was a big part of learning to sing again. Moderating coughing, sneezing, and even laughing are important to keeping your voice healthy and functioning in the face of illness. As a side note to a portion of her article, I have been able to see my own vocal folds thanks to being 'scoped before an opera performance years ago, and yes...it's not for the squeamish. But you should take a look at the link in the article to see what the mechanism that generates your sound looks like.
Kat Keesling puts up a great post about the necessity of working your own backyard for business, no matter what your industry is.
A good question: is the acting diminished without the physical aspect of actually being in front of a camera? My family absolutely loves "The Fantastic Mr. Fox," which would have been much less entertaining without the stellar voice acting by George Clooney, Meryl Streep, Jason Schwartzmann, Bill Murray, et al. I strongly believe that the voiceover category will continue be ghettoized by the American mindset that cartoons are still always for kids. With that in place, it is acceptable to not give full credit to the artists that don't actually appear on screen. Your thoughts?
|
From an unlikely source comes this story: "10 Voice Actors Who Shaped Your Childhood and You Didn’t Even Know It." Some of them are names easily recognized in the industry, including the legendary Daws Butler and Mel Blanc, but includes some that you may not truly may not know.
My personal favorite on the list is Bill Melendez the voice of both Snoopy and Woodstock, if only because over this Thanksgiving weekend, we watched "A Boy Named Charlie Brown" and "Snoopy Come Home." By the way, if you have a need to hear a sad song, check out "Do You Remember Me (Lila's Theme)" from "Snoopy Come Home." Never fails to draw a tear for me.
Another one of special note here is Kevin Clash, the voice of Elmo. He recently was the subject of a film titled "Being Elmo," and from all accounts is definitely something to check out. Even though Elmo's voice tends to grate on us as adults, we cannot deny the impact that Clash has had on a generation of children through Elmo and Sesame Street.
Are there any voice artists from your childhood that had an impact on you?
My friend Ann Utterback returns with another great article on VoiceOverXtra about eating right for vocal performance.
I am a "man of substance." That is, I'm large in the normal scheme of things, 6'4" and closer to 240 pounds than 220. And every so often I am possessed by the "you must get fitter" idea, particularly in light of my family history of diabetes and knee problems. So I am aware that too often, this can lead to not eating for performance, but eating only to lose weight, cutting back on things in a willy nilly fashon that makes you crave things you shouldn't have, having them, then overcompensating out of a sense of guilt or obligation.
As Ann points out, moderation is the key in everything, but remember that your vocal performance is just that: a performance. One that requires energy, and maybe more than you recognize right out of the gate. Eating right is one of the little known aspects of the craft, especially if you are one of the many involved in long term projects or regular multi hour sessions required by audiobook projects. Keep this in mind when you grab that coffee in the morning and go all day without eating. Your performance will suffer, and so will you!
There is a Twttier fellow you should be following: @SomeAudioGuy. He is an audio engineer that works heavily in the voiceover field, and his daily observations about what actually goes on in some pretty high profile sessions are invaluable to the beginner in pointing out what kind of preparation you should have going into a session and the etiquette you should follow if you ever want to come back. He also blogs at his site, http://someaudioguy.blogspot.com/.
Back in March of last year, he wrote "An Open Letter to Skype on Behalf of Audio Engineers," in which he asks Skype to do something that doesn't seem that far fetched anymore: "See, if you're capable of linking our computers to engage in real time 720p video calling at 30 frames per second, SURELY you'd be capable of granting us a 256kbps or higher audio only connection." He proposes this as a way to get past the cost and technical difficulties of ISDN, and even as a competitor to the growing Source:Connect platform. I have used Skype in place of a phone patch in the past, and will likely do so again. but if Skype were to offer such a thing, this would be revolutionary. Enter Microsoft. On Monday, the Redmond software giant entered into an agreement to purchase Skype for over $8 billion dollars. Considering the company was valued at $2.7 billion during the worst of times at the end of it's ill fated time as part of eBay, this is a huge jump. Skype as a company has bounced around over the last few yearrs. They started as an independent company, were inexplicably purchased by eBay in 2005, spun off again in 2010, and now this. Over this time, they have introduced and discontinued many features, but the core functionality has remained and been improved. Now Microsoft steps in with its $55 billion dollar warchest and takes on a company currently provides about 13% of the international call market share. Microsoft has the money and incentive to make Skype a viable rival to any number of telephony solutions. Skype on its own probably did not have the funding to go this route. This opens the door for Skype to provide exactly the level of quality that SomeAudioGuy asked for back in March of 2010. He said: "You would become the hero of studios nation and world wide. You could single-handedly lift the entire recording industry out of the data dark ages. And We would gladly pay for a stable service." I think more than just the audio engineers would rejoice. Love them or hate them, Microsoft has this power. I say keep your fingers crossed for developments in this area to end the "tyranny" of ISDN.
Voice actors who envy the new Aflac duck are missing the point...again. It's not about you, but the client. And if you aren't getting this work, there's more work. Let it go.
Freelance Folder (@FreelanceFolder) is a resource every freelancer should be following regardless of your area of expertise. A new article about rate setting is a great example: should you lower your rates in order to get more business? The topic of rates is always a hot one for voice actors, so as always, that depends. But you must be careful about setting rates so low that you can fall into a couple of traps. Read this article and let me know what you think.
Kat Keesling has been on fire the last few weeks, with great stuff about e-learning for kids, working your own back yard, and now this: the bane of every voice actor's existence, mouth noise.
Sirenetta Leoni, a fellow Scoop.it user and voice talent, found this absolutely spot on article speaking to every performer's greatest enemy; self sabotage. There are more than enough ways to be told "you can't do it." Your biggest job is often to mitigate these messages with positive believe that, in fact, hell YEAH you can. Thanks to Sirenetta for finding this, and to Wendy Braun from my homeland of Chicago for putting up this very important message for any performer. Go. Read. And get your head up!
Two in a weekend! Karen Commins with a good piece on agents: how to get one, what to look out for, and...why and when you shouldn't worry about it so much.
I met Karen Commins at Faffcon 2 back in February, and she is a fabulous person. She also went the distance in setting up her home studio to completely isolate it from external sound. This is not an adventure for the fainthearted, but if you want to go all the way in getting your space sound isolated, you could do much much worse than following the steps she lays out in her article. Go, Karen!
Dr. Ann Utterback gives us a few pointers about how to manage your speaking voice while in the throes of springtime allergy season.
Bonnie Gillespie points out something we all have to remember from time to time: there is ALWAYS something new you can learn about your craft. The world weary know it all stops learning, and stops progressing. Don't be that person.
Sam Chwat, a dialect specialist who worked closely with people in business, politics and the film industry who wanted to lose their regional accents, died last Thursday. In 1994, Chwat explained how he helped clients like Robert DeNiro and Julia Roberts lose their famous regional dialects.
|
| 1 | 2 | 3 | 4 | ![]() |
6 |
|
Next |

