I definitely recommend everyone to watch this well-argued interview with Steve Keen. To many conservative and neoliberal politicians and economists there seems to be a spectre haunting the United States and Europe today -- Keynesian ideas on governments pursuing policies raising effective demand and supporting employment. And some of the favourite arguments used among these…
After studying Alien in intimate detail, it’s time to look at the typography and design of Ridley Scott’s other classic sci-fi movie, Blade Runner. Based on Philip K. Dick’s novel Do Androids Dream of Electric Sheep?, Blade Runner cements Scott’s reputation for beautiful, gritty, tech noir science fiction. (As with my previous articles, I should note that there are spoilers aplenty throughout the next…
While Oscar Sharp was thinking up ideas for a film submission to Sci-Fi London's 48-Hour Film Challenge, he read a lot of sci-fi screenplays. In fact, he read all of the sci-fi screenplays he could find on the internet. That's when he had the idea: why not feed an algorithm these scripts—ranging from The X-Files to Ghostbusters toInterstellar to The Fifth Element—and let the movie write itself?
Sharp contacted his long-time collaborator Ross Goodwin, an AI researcher at NYU, who put a certain AI bot called Benjamin to the task. Benjamin is an LSTM recurrent neural network, which is often used for text recognition. It worked by ingesting the screenplays, dissecting them down to the letter, and learning to predict which letters, words, and phrases were likely to appear together. Eventually, Benjamin even learned to write in screenplay format with stage directions and dialogue.
"As soon as we had a read-through, everyone around the table was laughing their heads off with delight," Sharp told Ars Technica. The resulting screenplay and film, Sunspring (which you can and definitely should read), is dramatic and absurdly funny. The characters speak in enigmas befitting of the film's futuristic world. (One of the stage directions Benjamin wrote: "He is standing in the stars and sitting on the floor.")...
Eerie images of America’s most abandoned places, from theme parks to shopping malls and stadiums, have been documented by one photographer hoping to raise awareness of the spaces left behind. Shopping malls once teeming with people are shown empty with indoor escalators covered in snow, the interior of a once grand theatre is seen empty and derelict, and the busy theme parks of old are seen as a pile of lifeless rubbish and abandoned machinery.
Introduction It is very tempting to think that post-processing in photography is something disconnected from the rest of the photographic process, and particularly so from the capture of images in the field. The truth, however, is that post-processing should not be considered a separate step in photography, but rather as the continuation, or should we… Continue Reading
Stefano Klein was born to travel: Raised in Vienna but graduating from Imperial College London, he embarked upon a voyage of self-discovery that took him through the remote hinterlands of Ethiopia, Venezuela and Trinidad & Tobago, alongside stays in the USA, Japan and South Africa.
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