Ultra-HD broadcasts demand higher frame rates Broadcast Engineering Naturally, the production vehicle will include a 4K-ready Sony MVS-8000 production switcher, a set of PVM-X300 4K professional monitors and Sony's F65 and F55 4K cameras.
Things change over time. Famous logos morph from black and white text into ornately embossed colorful graphics. Home screens go from a few icons to pages and pages. Phones go from bricks with numbers to slates with touchscreens. It's just what happens. Little tweaks become overhauls. Just look at how your favorite soda cans have transformed.
Leica M240 Leica M type 240- video review. (Non of the written here is relevant to the photo section of this camera). Deep into the 4th year of the HDSLR revolution Leica released the M 240, their full frame camera costing ...
"I return to the doddleTALKS Tech podcast on episode 17. We discuss the approach to selecting cameras for Need for Speed, and by testing those cameras, how we found that they each had their own unique digital emulsion. It’s about each camera’s unique abilities and how to use those abilities to your advantage. Part of the challenge on Need for Speed is also managing the process of shooting with eight or nine cameras at one time. Today (April 30), we are on day 21 of the film and love the Canon 4k camera systems."
Best DSLRs: Top DSLR Camera for Videography Society and Religion Instead, they're trying to push people into their much more expensive Cinema line (C100, C300, C500). They also keep releasing the same camera (essentially) in different camera bodies.
In memory of Tim Samaras, Paul Samaras, Carl Young •
"So here it is… a short compilation of clips shot across 10 days in the US this May. To get these shots I drove over 3,500 miles criss crossing the states of Oklahoma, Texas, Nebraska, Kansas, Colorado and South Dakota. It was a trip that started and ended with some tragic events and left me quite unsure of my own emotions and thoughts with regard to storm chasing, something that has been a very big part of my career, business and life for nearly 15 years.
(...) My shooting kit included my PMW-F5 with R5 raw recorder, a selection of DSLR lenses (Canon mount), a Miller Solo tripod, media, batteries, chargers, and a whole bunch of storm chasing electronics and computers. When your packing in a hurry like this a check list can be a life saver. Forgetting something as simple as a cable when you won’t have time to find a replacement can ruin a shoot. 24 hours later, me and my 75Kg of gear were in Oklahoma City."
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