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NHK's 8K Super Hi-Vision is an extremely bandwidth-heavy format -- so much so that earlier tests used gigabit-class internet links rather than traditional TV broadcasting methods. Thankfully, both the broadcaster and Mitsubishi have developed an encoder that could keep data rates down to Earth. The unassuming metal box (above) is the first to squeeze 8K video into the extra-dense H.265(HEVC) format, cutting the bandwidth usage in half versus H.264. Its parallel processing is quick enough to encode video in real time, too, which should please NHK and other networks producing live TV. We'll still need faster-than-usual connections (and gigantic TVs) to make 8K an everyday reality, but that goal should now be more realistic.
With over-the-top content delivery, HEVC and 4K becoming hot topics for this year's NAB Show, Harmonic is unveiling significant enhancements to its ProMedia suite of adaptive bit rate (ABR) solutions for multiscreen processing and delivery that include support for HEVC and Ultra HD.
The product is also now more closely integrated with the Harmonic MediaGrid shared storage system and is offering improved support for closed captioning, regional blackouts, and Nielsen ID3 tagging.
4K/HD HEVC CODEC for Video Streaming : We exhibit some types of our HEVC Encoder. These achieve UHD Video Streaming, HD mobile video streaming, and live streaming also, because of high compression efficiency and stable CBR of our HEVC encoders. - High Quality and Stable CBR Software HEVC Encoder SDK responded up to 4K - HD Real-time Software HEVC Encoder - Real-time FPGA HEVC Encoder, this is the first step to the ASIC Encoder
Neil Hunt is likely the most important Netflix executive that nobody's ever heard of. While everyone in tech media knows CEO Reed Hastings and Chief Content Officer Ted Sarandos, Hunt's kept a low profile despite the pivotal position he holds as the company's chief product officer. Hunt looks after the video service's technology, including the streaming platform, as well as the tech behind the new feature announced yesterday, which will enable subscribers to share what they watch with their Facebook friends. Hunt also oversees the unprecedented amount of user data that Netflix sits on. The data helps his team create the algorithms that support Netflix's recommendation features. At a time when the cost of licensing content is spiking, Hunt said in an exclusive interview withThe Verge that these recommendations help Netflix and its subscribers get the most out of Netflix's video library by suggesting titles that customers are more likely to enjoy. Hunt also talked about those nasty holiday site outages, why Hollywood and Web movie distributors need better supply-chain technology, and why he thinks the film industry places too much emphasis on pixel counts when the sweet spot for improving viewing quality is higher frame rates.
Designed to support next-generation GPU and CPU architectures, release 2.0 is now available for Elemental’s suite of products for video processing, packaging and streaming live and on-demand video. The release brings together a host of features for multiscreen video delivery to create a unified platform providing substantial benefit to Elemental customers: •Increased performance – With next-generation processor architectures and an optimized video pipeline, Elemental systems offerdouble the performance and density of previous generation solutions in asingle RU footprint. Increased throughput allows customers tobring multiscreen assets to market more quickly and in a smaller footprint than ever before. •Comprehensive codec support – Support for multiple codecs running simultaneously on a single platform provides customers with aseamless migration path from existing video delivery standards tofuture compression technologies. Elemental solutions offer MPEG-2,H.264, VC-1 and HEVC / H.265 encoding with patented compression technology as well as support for JPEG 2000 and ProRes mezzanineassets. •Current and future standards – In addition to support for common video streaming protocols such as Adobe RTMP and HTTP DynamicStreaming (HDS), Microsoft Smooth Streaming and Apple HTTP LiveStreaming (HLS), Elemental software supports newly emergingtechnologies including MPEG-DASH, Ultraviolet and 4K Ultra HD. •Advanced encryption and protection – Secure content with a variety of integrated technologies including Civolution forensic watermarkingfor both live and VOD content, Adobe Flash Access, Apple Sample-AES and Microsoft PlayReady as well as DRM solutions from NDS, Verimatrix and Widevine. •Increased monetization – Support for ESAM dynamic ad insertion and Nielsen ID3 tagging give pay TV operators a path to multiscreenvideo delivery and a way to deepen audience engagement andinteraction. Media companies can also take advantage of the Adobe Primetime ecosystem for ad insertion as well as ad integration solutions from BlackArrow and mDialog. •Augmented audio options – With release 2.0, robust support for audio encoding is available across the Elemental product line, includingsupport for DTS Express, Dolby Digital, Dolby E and Dolby DigitalPlus. In addition, release 2.0 features support for Dolby Digital Plus inApple HLS and Microsoft Smooth Streaming, raising the bar for audio fidelity in the streaming market. •Accessibility features – Audio loudness management lets broadcasters adhere to the CALM Act and new captioning features, includingcaption burn-in, SMPTE-TT and SCC file creation let content creatorsadhere to captioning requirements coming into effect later this year.Elemental makes it easy to caption content originally aired on television and destined for delivery over the Internet.
Japan just announced that in July 2014 they would begin transmission of their first ever 4K broadcast. The 4K services will be transmitted directly from Japanese satellites, then onto the broadcasters on the ground. The Japanese government is hoping the announcement will spur sales of super HD television sets, which will in turn boost sales of Japanese electronics makers. Super HD 4K televisions have approximately four times the regular resolution of the currently sold HD TVs. Many South Korean electronic producers have begun sales on their 4K TVs along with some of Japan’s big brands such as Panasonic, Sharp and Sony. The Ministry of Internal Affairs and Communications previously announced that the TV service would start sometime in 2016.
UltraHD and 4K have been the big talk at CES this year and it seems the terms has been getting some mix up.
Just in case anyone was in doubt that the 4K revolution is happening, Nvidia has just announced that its much anticipated Tegra 4 mobile chipset will include "4K Ultra-High-Def video support"
The Tegra 4 is significant because it has six times the GPU horsepower of the Tegra 3, and also incorporates ARM's most advanced CPU core, the Cortex A15. Just a few days ago, we predicted that ARM was going to be a technology to watch this year. The new chipset will obviously be used in mobile platforms, from phones to tablets, and quite possibly games controllers and consoles, and the raw video processing power is unmatched in what is already a feverishly active area for technical innovation.
Japanese public broadcaster NHK will present the latest iteration of its 8K Super Hi-Vision system at the 2013 NAB Show. The demo will be a highlight of the NAB’s 2013 Futures Park area of the show. It will feature a presentation theater for viewing the system’s 8k video and 22.2-multichannel sound, including content recorded at the London 2012 Olympic Games.
The system’s 7680x4320 video format provides 16 times more pixels than HDTV. Its multichannel audio system produces a 3D sound space for viewers located anywhere within a large viewing area. Besides the presentation in the theater, NHK will also show for the first time outside Japan the real-time, over-the-air transmission and reception of Super Hi-Vision broadcasts, using two UHF television channels.
Hot of the presses, RED has just announced — as they said they would — their REDRAY 4K playback system, a 6-pound, DVD Player-sized playback device for $1,450. It has built-in 3D capabilities, offers 802.11N wireless connectivity/playback, is DCI-compliant, and debuts with it new security and file formats to make 4K distribution a reality — along with a brand new delivery network to debut at Sundance in January. The player itself is scheduled to ship in early 2013.
As consumers increasingly view live and VOD television on a broader range of IP-connected devices, broadcasters are struggling to deliver these high-bandwidth services. However, a new video compression standard called High Efficiency Video Coding (HEVC) promises to improve upon the current compression standard H.264, also known as MPEG-4 AVC, easing broadcasters’ pain. Using HEVC, broadcasters can reduce the data rate needed for high-quality video coding by approximately 50 percent, enabling them to deploy higher quality OTT video services using the same amount of bandwidth, or half the bandwidth at the same quality. In addition to improving OTT delivery, HEVC also has the potential to support a broad range of current and future applications, including 4K x 2K Ultra High Definition Television (UHDTV), making it an extremely exciting technology that pushes the consumer experience to the next level.
With UHDTV standards in place, broadcasters are getting ready to tackle new challenges. The administrations of the International Telecommunication Union recently agreed on two levels of Ultra High Definition Television (UHDTV), making it officially a worldwide standard. David Wood, who chairs the ITU working group that drafted the UHDTV recommendation, noted that a tough decision would be whether broadcasters would look to start a transition with level one or move immediately to adopt level two. Wood told THR that many broadcasters view the move from HD to 8K as perhaps too great and thinks it is prudent to start with 4K. But NHK, he related, doesn’t see an advantage in shifting to 4K and then making a second jump to 8K.
The London 2012 Olympics is remarkable for its television coverage in many ways, not least the use of an ultra-high-definition system called Super Hi-Vision, developed by the Japanese national broadcaster NHK and demonstrated in conjunction with the BBC. Promoted as the future of television, it has sixteen times the resolution of a high-definition image. Seen by informitv on an 8-metre wide screen at BBC Broadcasting House in London, the picture quality is phenomenal. At 7680 x 4320 pixels, the 8K UHDTV2 image has a resolution of 33 megapixels. The projected result is rather like looking through a window direct to the venue, supported by an immersive 22.2 channel surround sound system. The coverage of the opening ceremony put the audience in the best seats in the stadium and allowed them to survey the scene, taking in every detail. Whereas television traditionally cuts from shot to shot in order to provide continuous visual novelty, the wide static shots enabled the viewer to explore the image as if they were actually present. This was partly because of the limited number of camera positions, but also suited the aesthetic of the big screen presentation.
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European-based satellite bandwidth provider SES has succesful tested an end-to-end file transmsission solution for UltraHD content using the H.265 coding scheme. The compressed 3840×2160 pixel (4K) signal was broadcast from an Astra satellite at 19.2 degrees East in DVB-S2 using a data rate of 20 Mbps. According to those that saw it, the live transmission provided significant improvements in file size and image quality when compared to H.264 (MPEG-4 AVC) compression. The company used technology from Harmonic and Broadcom Corp. to show that it can be done at the SES Industry Days in Luxembourg (April 18-19), using Harmonic’s ProMedia Xpress and a HEVC decoder reference-design system based on Broadcom’s BCM7445 Home Gateway Chip for receiving and displaying HEVC encoded UltraHD television transmissions.
At NAB, taking place in Las Vegas April 8-11, Envivio will introduce new products and showcase new developments in next-generation software-based video processing that optimize the convergence of traditional TV and multi-screen services : - An Ultra HD 4K technology demonstration - HEVC HDTV video compression, enabling up to 50 percent bit-rate savings while preserving video quality - HEVC video streamed to a tablet in MPEG-DASH format - TV Anytime capabilities including applications such as Catch-up and Start-over TV, highlights creation, ad insertion and nPVR - Introduction of a new product that further personalizes the multi-screen user experience - High efficiency MPEG-2 and MPEG-4 AVC (H.264) statistical multiplexing - Envivio True Motion Experience, a new technology for high-quality streaming in MPEG-4 AVC format to connected TVs - Video packaged by Envivio Halo(TM) network media processor in the Adobe HTTP Dynamic Streaming (HDS) format, protected by Adobe Access
Ericsson recently demonstrated how live UHDTV could be enabled via a next-generation delivery system during the European Broadcasting Union (EBU) Production Technology Seminar in Geneva, Switzerland. The demo, focused on interoperability and using Ericsson technology to receive an off-air feed of a 4:2:0 file-based system and receive and decode as 4K UHDTV, showed how high quality fast moving images can be captured for sports and live action broadcasting, which are seen as a key driver for the uptake of UHDTV. Central to both parts of the 4K UHDTV demo was the ‘Simulsync' synchronisation technique, the technology used by Ericsson to accurately synchronise the left and right channels of 3D contribution feeds. In this case, the UHDTV 4Kp25 content feed was split into four 1080p25 quadrants, synchronously encoded into MPEG-4 AVC and transmitted. Four receivers, in phase lock, decoded the received bitstream to reproduce the 4Kp25 content feed.
Pay TV operators in all categories have welcomed HEVC (High Efficiency Video Coding) as a game changer following its recent ratification by the ITU (International Telecommunications Union), although for varying reasons. There is broad agreement that HEVC will be the codec to usher in Ultra HDTV (UHDTV) services, but also that adoption will proceed gradually over some years as the whole broadcast ecosystem will have to be upgraded.
CES 2013 is officially concluded. With over 150,000 people in attendance and almost 2 million square feet of exhibit space, the CEA has stated that it was their largest convention since its founding over 45 years ago. I journeyed to Sin City to get an up-close look at the Ultra HD offerings from some of the biggest display manufacturers in the world, including Sharp, LG, Samsung, ViewSonic, Toshiba, Sony, Westinghouse, and Vizio. I will share my impressions of each in a few moments.
There appears to be plenty of cynicism regarding the future of Ultra High Definition technology. Many believe that price, lack of content, insufficient bandwidth, and enormous screen size will inevitably lead to its failure. While some of these limitations are apparent, one cannot simply dismiss the adoption of new technology because it sounds impossible or impractical. Technology is always evolving, and sometimes rapid changes in infrastructure allow for further adoption of new technology. Remember the incredible doubt when flat panel TV’s first debuted? These display companies know that their Ultra HD products are very expensive, and many of them intend to bring manufacturing costs down over the next few years. So why should we doubt progression? Ok, moving on to the summary…
While today’s price tag for most Ultra High Definition (UHD) televisions are around $10,000, Strategy Analytics expects prices to fall to the sub-$2000 range within the next five years, a factor that will help drive global sales to over 50 million units per year by 2020. The company made these forecasts on the eve of CES 2013 and set the scene for UltraHD to take its bow as possibly the next big thing in TV.
The next step change in video displays will be a move to a resolution four times that of high-definition television. That is the message from the International CES trade show in Las Vegas, which provides an annual high-pressure barometer check for the winds of change blowing through the consumer electronics industry. If the manufacturers have their way it will be only a matter of time before we all want even higher-definition television. So-called 4K displays, with a resolution of around 4,000 pixels across, were a prominent theme of the show, displacing the emphasis of previous years on smart and 3D-capable televisions, although these are still prevalent. So is this just another fad, in an attempt to create premium products as high-definition displays become commoditised, or does this represent the next natural evolution in television?
Eutelsat is launching a dedicated demonstration Ultra HD channel for Europe on the Eutelsat 10A satellite. The first transmissions of content filmed in 4K will start on Tuesday, January 8. Delivering a resolution of eight million pixels, four times the resolution of HDTV, Ultra HD (4K) is poised to mark the next big leap forward in the immersive viewing experience.
EyeIO said its next generation of H.264 software encodes video 45 percent faster and reduces bit rates by an additional 26 percent using studio-level profiles that improve video data on several fronts by more than 50 percent. A company called EyeIO, based in Palo Alto, CA, has announced new technology that enables delivery of ultra-low-bandwidth Internet video in full HD, 3-D, StudioHD and UltraHD (4K Video) formats.
New product suite achieves new levels for ultra-low-bandwidth Internet video – enabling delivery of full HD 3D, StudioHD, and UltraHD (4K Video) : • eyeIO StudioRes. Built to Hollywood's 4K requirements, eyeIO StudioRes delivers UltraHD, studio-grade H.264 videos (10 bit, 4:2:2 video, xvYCC). eyeIO StudioRes is available for both package media and Internet streaming delivery to bring no-compromise pictures to the next generation of 85" and larger UltraHD/4K screens. • eyeIO.265. Brings eyeIO technology to the coming H.265 HEVC ITU standard and long-term industry efforts. • eyeOS. The eyeIO video operating system. A superior, true UNIX™ Operating System featuring advanced kernel enhancements achieving ultra-stability, bare-metal virtualization performance, automatic load-balancing transcoding, closed-environment security, elastic scalability, and advanced 4K video processing including native support for the forthcoming Interoperable Master Format (IMF). eyeOS will be available in beta form for larger enterprises in the spring of 2013.
Delegates to this year’s IBC expo in Amsterdam have been able to sample a variety of future displays and file formats, among them an improved Super Hi-Vision. The NHK-backed Super Hi-Vision is a project familiar to RAI attendees and one the Japanese broadcaster and its industry partners have been been working on since the beginning of the Millennium. The year-to-year advances have been plain to see. The Sharp prototype 85″ 8K LCD displays clearly performed much better than the ones shown only last year. A further improvement on show this year was the doubling of Ultra High Definition (UHD) or Super Hi-Vision (SHV)’s frame rate. The side-by-side demo in the show’s Future Zone was so obvious, from completely blurred fast-moving pans on one screen to a very watchable version shot with the 120 frames per second version from NHK’s 8K camera. UHDTV was ratified by the ITU earlier this year in both the original 60 fps and the 120 fps variety. The demo at this year’s Future Zone, next to hall 8, makes clear that 120 frames per second is an acceptable starting point.
A new high-resolution television format has been approved by the UN's communication standards setting agency. Broadcasts in 8K will offer a resolution of 7,680 by 4,320 pixels - roughly the equivalent of a 32 megapixel pixel photo. That is 16 times as sharp as current HD TVs offering about 2MP resolutions. The UN's Internationalal Telecommunication Union (ITU) discussed the standard in May and offered broadcasters the opportunity to file objections. Because no-one did, a letter was sent out this week confirming the format's approval.
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