The Architecture of the City
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a closer look at urbanism and architecture
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BIG's Smithsonian Plan is the Latest Museum Design to Go Underground

BIG's Smithsonian Plan is the Latest Museum Design to Go Underground | The Architecture of the City | Scoop.it

The Bjarke Ingels Group (BIG) plan for the Smithsonian follows a current trend in museum design to put things underground. The strategy makes sense on several levels. First, it preserves public open space. Second, it avoids making monuments that can make art precincts seem forbidding and inaccessible, as well as sidestepping approval processes in which authorities or neighbors might object to new buildings. Third, it lets institutions connect spaces below ground, and then pop up objects to catch light and signal the museum's presence. Finally, it makes a certain amount of sense from a sustainability standpoint to reuse the land by placing functions underneath public space and using the earth for insulation.


Via Lauren Moss
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Bjarke Ingels designs a new public park in Copenhagen that celebrates diversity

Bjarke Ingels designs a new public park in Copenhagen that celebrates diversity | The Architecture of the City | Scoop.it

Superkilen is a new urban park that cuts through the heart of Copenhagen’s diverse Nørrebro neighborhood.

The kilometer-long “Super Park”, which consists of three themed parts–is dotted with various pop artifacts and cultural mementos “sourced” from the home countries of the area’s inhabitants. Here, you’re just as likely to stumble across manhole covers from Paris and Islamic tiled fountains from Morocco as you are (ironic) neon Communist signage from Moscow and curvy benches from Brazil.

Designed in collaboration with art group Superflex and Topotek 1 architects, BIG conceived of the park as a “fusion of architecture, landscape, and art”. The team was invited to participate in the 13.4 million euro project, which aims to revitalize the neighborhood while forging a global identity capable of unifying the city’s urban fabric.

View more images and read about how the designers were able to achieve a “maximum freedom of expression”, which, according to Bjarke Ingels, transforms “public procedure into proactive proposition we curated a park for the people by the people.”

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Via Lauren Moss, F|Mattiuzzo
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