Architecture and narrative, as Victor Hugo nostalgically pointed out in The Hunchback of Notre Dame in 1831, have walked hand in hand through history, crossing paths without really risking the extinction that the archdeacon of Notre-Dame gloomily predicted.
Today, in a moment where the conjunction of the crisis and the entrance into a new stage in the communication era impulse the discipline into new, multiple directions, the narrative aspects of architecture come to the front. This issue tackles the intersections between architectural practices and different forms of visual narrative. Within this overall theme, our NARRATIVE issue moves on both sides of the line that separates these two disciplines, presenting three different perspectives, organized in three consecutive parts.
The first section of the issue deals with the presence of graphic narrative in disciplinary architecture, both past and present while the second one discusses the crossing of borders portrayed by comics artists who also make forays into the built world. Finally, the third one moves towards both sides of the spectrum, briefly covering the tangents with (implied) written narratives and emerging animation practices in architecture.
Contributions by Andrea Alberghini, Ethel Baraona Pohl, Sir Peter Cook, Manuele Fior, Factory Fifteen, Iker Gil, Jones, Partners: Architecture, Tom Kaczynski, Jimenez Lai, Klaus, Léopold Lambert, Luis Miguel (Koldo) Lus Arana, Marc-Antoine Mathieu, Clara Olóriz Sanjuán, Cesar Reyes Nájera, François Schuiten, Joost Swarte, Mélanie van der Hoorn, and Chris Ware whose work is featured in our cover.