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« N’est-il pas temps de faire évoluer les CAUE? » - Profession - LeMoniteur.fr

« N’est-il pas temps de faire évoluer les CAUE? » - Profession - LeMoniteur.fr | The Architecture of the City | Scoop.it
Le projet de fusion des CAUE au sein de groupements d’intérêt public fait des vagues. Les réactions se multiplient. Après celle de la Fédération nationale des CAUE (lire ci-contre), de l’Union
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Sites de CURATION de CONCERT URBAIN + FACEBOOK + BLOG + JOURNAL

Sites de CURATION de CONCERT URBAIN + FACEBOOK + BLOG + JOURNAL | The Architecture of the City | Scoop.it

 

 

Des problèmes techniques perturbent l’accès à l’ensemble de nos sites.

Le transfert vers un autre hébergeur est en cours et se fera progressivement.

Merci pour votre compréhension.

 

 


BLOG

http://concerturbain.wordpress.com/


 FACEBOOK

http://www.facebook.com/pages/Concert-Urbain/216943278327209

 

JOURNAL

http://paper.li/paperliacu

 

Sites de CURATION

 

URBANmedias
“le mediation des aménagements urbains”
http://www.scoop.it/t/urbamedia

 

The Architecture of the City
“a closer look at urbanism and architecture”
http://www.scoop.it/t/urbanmedias

 

Actions de concertation citoyenne
“participation citoyenne aux prises de décision d'intérêt général”
http://www.scoop.it/t/actions-de-concertation-citoyenne

 

Le BONHEUR comme indice d'épanouissement social et économique.
Le bonheur c'est comment on fait pour vivre ensemble
http://www.scoop.it/t/le-bonheur-comme-indicateur-d-epanouissement-social-et-economique

 

Machines Pensantes
“La vie sous toutes ses formes”
http://www.scoop.it/t/machines-pensantes

 

Design participatif : méthodes, théories, approches multimédia.
“Comment impliquer le citoyen dans le design des outils de débat en-ligne.”
http://www.scoop.it/t/design-participatif-une-approche-systemique

 

Les moyens de sondage alternatif : comment "extraire" l'opinion de supports multimédias ?
“Comment cibler et ensuite représenter l'opinion de citoyens qui débattent sur des plateformes multimédia ? ”
http://www.scoop.it/t/quand-la-cartographie-devient-un-moyen-de-sondage-alternatif

 

Le contexte socio-politique de la démocratie participative : la question de "accountability", entre l’évaluation et la transparence.
“On écoute, on parle, on participe, on diffuse, on commente...et après, quoi ? Que faire de la concertation ? Que font les élus de notre parole, nos opinions, nos propositions ?”

http://www.scoop.it/t/rendre-des-comptes-entre-l-evaluation-et-la-transparence

 

Modèles et typologies du débat. La médiation de conflits
“Trouver des "modèles" de débat. Coment schématiser les lignes de tension lors d'un conflit ? Quelles méthodes de médiation pour arriver à la résolution de conflits ? ”
http://www.scoop.it/t/modeles-et-typologies-du-debat-la-mediation-de-conflits

 

Entre bonheur et bien-être : quels critères pour mesurer le progrès et la productivité ?
“We're looking for all leads that might help better understand how to define (and mesure) happiness.”
http://www.scoop.it/t/entre-bonheur-et-bien-etre-quels-criteres-pour-mesurer-le-progres-et-la-productivite

 

 

 


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Documentalistes Jacques Bujault's curator insight, October 21, 2013 8:48 AM

De nombreux sites, scoop it, sur différents sujets plus ou moins liés à la ville en mutation...

Teresa M. Nash's comment, November 28, 2013 2:27 AM
Great!
François Arnal's curator insight, December 23, 2013 8:46 AM

De la curation en géographie urbaine...

 

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Video: Serpentine Gallery Pavilion 2010 by Jean Nouvel

Video: Serpentine Gallery Pavilion 2010 by Jean Nouvel | The Architecture of the City | Scoop.it
Movie: next up in our exclusive video series with Serpentine Gallery director Julia Peyton-Jones, she discusses Jean Nouvel's bright red pavilion that featured a dramatic 12-metre-high angled wall.
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The Story Behind The Most Creative Job Application We've Ever Seen

The Story Behind The Most Creative Job Application We've Ever Seen | The Architecture of the City | Scoop.it
We've all been there: it's time to write a cover letter to apply for the job you've always dreamed of, but all that you can seem to muster are tired phrases and generic expressions. Well, in walks Étienne Duval to put us all to shame. Duval, a 30-year old architect, wanted to work at BIG, with "Yes is More"-man Bjarke Ingels. And what kind of cover letter did Étienne write? A rap... with an accompanying video. It's witty, well-done and (in our humble opinion) a perfect fit for BIG. 

After the video made the rounds here at ArchDaily, we had some burning questions for Étienne. Check out the video, which has racked up over 20,000 views, and the short interview below. 

ArchDaily: What inspired you to create a video for your application?

Étienne Duval: To catch a big fish you need a big hook! I began this application like an architectural project, by finding the key criteria and playing with it. A cover letter is an ego trip, so I thought about this hip hop video clips and told myself “why wouldn't I do the same?”
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RENZO PIANO, MUSEO ASTRUP FEARNLEY | TECNNE │ Arquitectura, Urbanismo, Arte y Diseño

RENZO PIANO, MUSEO ASTRUP FEARNLEY  | TECNNE │ Arquitectura, Urbanismo, Arte y Diseño | The Architecture of the City | Scoop.it
El Museo de Arte Contemporáneo de Oslo es un diseño de Renzo Piano, ubicado al suroeste de la ciudad, destinado a transformar el antiguo puerto cerrado en un espacio público a orillas del canal.
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NIGER. L’aéroport international du Niger à Niamey

NIGER. L’aéroport international du Niger à Niamey | The Architecture of the City | Scoop.it
L’agence hongkongaise n-Architectes vient de dévoiler leur projet d’aéroport international du Niger. L’équipement s’étend sur une superficie totale de 12 000 m2 et possède une capacité de 5 millions de passagers par an. L’équipe d’...
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Fernando Menis CAVERNOUS concert hall in Poland uses crushed brickwork

Fernando Menis CAVERNOUS concert hall in Poland uses crushed brickwork | The Architecture of the City | Scoop.it

Fernando Menis combines crushed brickwork and concrete for cavernous concert hall in Poland
Tenerife architect Fernando Menis claims to have developed a new construction technique, demonstrated by this concert hall in Poland featuring faceted surfaces of crushed brick and concrete (+ slideshow).


Fernando Menis mixed concrete and broken red brick – a technique he calls picado – to create the cave-like interior of the CKK Jordanki concert hall, which is intended to provide optimum acoustics during music performances.


"Besides achieving a rough expression, the picado allows excellent acoustics results," said Menis, who first experimented with the technique for the Tenerife-based Magma Art & Congress in 2005.

"The expression is more convincing, forceful and precise, the outcome has been finely tuned through advanced research."


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Plateforme de la Création Architecturale / FREAKS freearchitects

Plateforme de la Création Architecturale / FREAKS freearchitects | The Architecture of the City | Scoop.it

Architects : FREAKS freearchitects · Office Profile


Location : 25 Rue des Cascades, 75020 Paris20è,


Photographs : David Foessel · Photographer Profile


From the architect. FREAKS in association with graphic design studio FORMABOOM has won last July the competition organized by the Cité de l'Architecture et du Patrimoine to set up, within the east wing of the Palais de Chaillot, a new permanent venue dedicated to architecture exhibition and debates among invited French and foreign architecture practices that has opened last October 2015.


Named “Plateforme de la création architecturale”, this new place aims to confront architects' thinking and methodology in a shape of a battle through both an exhibition and a cycle of debates following a programming of 3 months cycles.


The Platform hosts three distinct programs : exhibition, debates and historical research. For those three programs FREAKS and FORMABOOM have designed three abstract black and white forms that work both as graphic signage as well as pedestal (in the shape of an half-pipe as a metaphor for the battle), bleachers (for lectures and debates) and picture rail (to display historical research).




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Architecture's Response to The Guardian Over their "Failed" Social Housing Project

Architecture's Response to The Guardian Over their "Failed" Social Housing Project | The Architecture of the City | Scoop.it
Early this month, The Guardian published a widely shared and debated article titled "Crime in the community: when 'designer' social housing goes wrong." The article told the story of Centre Village, a social housing project in Winnipeg designed by 5468796 Architecture and Cohlmeyer Architecture Limited, examining how noble intentions resulted in what they describe as "apartments poorly suited to family life, and a building structure that seems to act as a magnet for drinking and drug-taking at all hours."

Unsurprisingly 5468796 Architecture, who disagreed with much of the article's conclusions, wrote a response to the editor of Guardian Cities in the hope that their "letter to the editor" would provide some balance to the story. After The Guardian declined to publish the letter, the firm reached out to ArchDaily to ensure that their side of the debate was heard. Here is that letter in full.
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The Warp / Olivier Ottevaere & John Lin + The University of Hong Kong

The Warp / Olivier Ottevaere & John Lin  + The University of Hong Kong | The Architecture of the City | Scoop.it

Architects : Olivier Ottevaere & John Lin , The University of Hong

Kong


Location : Alcohol Room Villagers' Committee, Jiu Zhao Duan, Ludian Xian, Zhaotong Shi, Yunnan Sheng, China


Design : TeamJoyce Ip (Project Leader), Jason Chong, Tod Zhu, Yvonne Xu Meng, HKU Architecture Students


Area : 130.0 sqm


Project : Year2015


Photographs : Courtesy of Olivier Ottevaere & John Lin / The University of Hong Kong

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L'ÉCLATANTE revanche du béton

L'ÉCLATANTE revanche du béton | The Architecture of the City | Scoop.it
De nombreuses expositions et articles de presse réhabilitent un matériau longtemps mal aimé du grand public.

Il n’y a pas un matériau qui illustre mieux que le béton le fossé qui sépare les architectes et les habitants. Si les premiers y voient le «marbre du XXe siècle», pour paraphraser l’architecte japonais Tadao Andō, le grand public, lui, ne l’envisage bien souvent qu’en symbole de l’urbanisation à outrance des Trente Glorieuses.
Mais sur ce point, les mentalités sont peut-être en train d’évoluer. Porté par une médiatisation moins accusatrice et quelques actions pédagogiques notables, le matériau semble ces derniers temps se racheter une image auprès de la population. De quoi presque donner raison au titre «Le béton, c’est tendance!», paru en 2012 dans le visionnaire Journal de la maison.
Parmi les quelques manifestations d’intérêts, une exposition intitulée «Sacrée béton!» prend place au musée urbain Tony Garnier de Lyon jusqu’au mois de décembre 2016. À travers l’histoire de ce matériau millénaire, l’événement s’attacherait avant tout à «faire tomber les clichés», selon la directrice du lieu Catherine Chambon.
Et c’est vrai que des clichés sur le béton, il en a existé par kilomètres cubes, créant tout autant de quiproquo. Le premier d’entre eux date de la découverte du matériau par la population, au sortir de la Seconde Guerre mondiale.
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Louis Kahn, DON'T STOP talking! Architecture needs you more than ever

Louis Kahn, DON'T STOP talking! Architecture needs you more than ever | The Architecture of the City | Scoop.it
Two new books of and about Kahn talking provoke, re-frame and defy convention

Perhaps no architect in history has had his talks with students and colleagues as lovingly and comprehensively preserved as Louis Kahn. Since his death in 1974 there has been a cascade of books culled from taped transcriptions of Kahn teaching formally in classrooms and informally at other sites. What you make of this depends of course on how significant you think Kahn as philosopher and professor of architecture was. A value of Kahn at Penn: Transformative Teacher of Architecture (Routledge, 2015) is that editor and architect James Williamson included the scathing remarks of former Kahn students who felt Kahn’s language was unnecessarily abstract and obscure, even to their ears shallow and misleading. These accusations have been issued elsewhere in print before – but in the context of this kind of symposium on Kahn as architectural pedagogue the reports by naysayers assure this book won’t be taken as hagiography. Yet nowhere in Williamson’s worthy book (which contains assessments of the value of Kahn’s teaching by six former Kahn University of Pennsylvania students in addition to Williamson’s), is there a clear explanation of why exactly Kahn’s language was challenging even to his admirers. In his ‘Kahn Bible’ – carefully culled Kahn quotes taken out of their original context (and set in jewel-like glory, one epiphany per page) entitled Between Silence and Light: Spirit in the Architecture of Louis I Kahn – John Lobell is spot-on in answering that vexing question:

Kahn’s words are difficult for many. They were difficult for him. Through architecture Kahn experienced a world in which Order lies beyond the circumstantial, material is light that has spent itself, the human being is the seat of the immeasurable, intuition stores the journey of our making, and a building has an existence-will before it has a physical presence. The languages of science, psychology, and ordinary experience cannot describe this world, so     Kahn felt compelled to invent his own language. It came with great difficulty, and was eventually fit together as though he were working with great blocks of stone, awkwardly selecting each block, polishing it to gem-like hardness, and manipulating it until it fit properly. If he could not find a needed block, he fashioned one, as with ‘intouchness’ or ‘darkless’, words that do not exist but that he needed.
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Architectural Review

@ArchReview

The Architectural Review is the only 21st century global architecture magazine. The home of architectural criticism, culture and campaigning since 1896.

London

architectural-review.com

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MOBO Architects Win Competition to Design Government Building in Bogotá, Colombia

MOBO Architects Win Competition to Design Government Building in Bogotá, Colombia | The Architecture of the City | Scoop.it
MOBO Architects has won the Colombian Society of Architects’ (SCA) public competition to design an institutional building for the department for social integration in the city of Bogotá.


The design centers on the institution’s values—“dedication to public service, decrease of social segregation, and service to the community”—and therefore focuses on the creation of public space and interaction between the street level and the building.


Synthesizing a mixed program of office space, social space, and presentation space, the building “is transformed into a platform of public exchange, open and transparent to integrate the urban fluxes with the building to promote community interaction.”

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Gentle Genius / GG-loop

Gentle Genius / GG-loop | The Architecture of the City | Scoop.it

“The design process for my family’s house started following an intuition, that developed over time taking the form we can see now. During the evolution of the project a transformation, like the renewal of the king, has occurred in me. One of the major catalysts has been the album “In the Court of the Crimson King” by King Crimson, inhabiting my subconsciousness unraveling itself through catharsis in this project.


At the beginning I imagined to restore the building giving it a coherent fortress-like look again. Whilst the tower took shape in my imagination, a castle emerged in which the King had trapped himself, overwhelmed by his fears, his dark side, prone to decay and death, the Nigredo. The court where tension, resignation and sacrifice evolved into hope, rebirth, the project itself. ”

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ParadigmGallery's curator insight, January 25, 11:52 AM

This story has heart and soul and gives a pretty compelling point of view....

"The city and its various parts can be seen as a music score, the edifices acting as notes played by different instruments simultaneously"

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Architectural Cultures CONDENSED: Vernacular Dwelling Collages

Architectural Cultures CONDENSED: Vernacular Dwelling Collages | The Architecture of the City | Scoop.it
Can you distill the architecture of a particular city down to an image of just a single building? Not effectively – unless you’re Sweden-based artist Anastasia Savinova, who scouts and photographs the most distinctive typologies of specific locations and then blends them into a single structure via paper collage. Entitled “Genuis Loci,” the series consists of monstrous, Frankenstein-like cobbled buildings packing in as much visual information as possible.
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ParadigmGallery's comment, February 11, 11:51 AM
fantastically creative....
ParadigmGallery's curator insight, February 11, 12:32 PM

Anastasia Savinova, wonderful work!

 

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David Chipperfield and Sou Fujimoto unveil visions for Paris of tomorrow

David Chipperfield and Sou Fujimoto unveil visions for Paris of tomorrow | The Architecture of the City | Scoop.it
Sou Fujimoto, David Chipperfield and Manuelle Gautrand are among the winning architects in a competition seeking innovative design proposals for 23 sites across the French capital (+ slideshow).

Spearheaded by Paris mayor Anne Hidalgo, the Reinventer Paris competition called for architects and developers to team up and develop plans for numerous key sites around the city, from old railway stations to historic mansions.
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The 10 Things You MUST Know About Architectural Copyrights

The 10 Things You MUST Know About Architectural Copyrights | The Architecture of the City | Scoop.it

MUSTWith all the recent controversy over Zaha Hadid's "copycats" in China, we decided it would be wise to get a better understanding of the often murky world of architectural copyright. In that effort, we've decided to re-print an article by Attorney Jeffrey M. Reichard, who practices construction and intellectual property law with Nexsen Pruet in Greensboro, NC, and knows a thing or two (or ten!) about the subject. The article was originally published as a Construction Law Alert for clients of his firm.  

Some people say that imitation is the sincerest form of flattery. However, under architectural copyright law, imitation could be a very costly endeavor. Here are ten tips to help contractors, owners and architects protect themselves from architectural copyright disputes.  

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Los atributos de La Tourette | TECNNE - Arquitectura y contextos

Los atributos de La Tourette | TECNNE - Arquitectura y contextos | The Architecture of the City | Scoop.it

Contenido en su Carácter rústico, los Atributos de Tourette exaltan los Valores Espirituales del origen Dieron, Mediando Una disciplina proyectual rigurosa. El edificio combi juegos tipológicos, hay Espaciales Funcionales si apartan de Prototipos Históricos, Pero Que ESTAN POR EL imbuidos su Espíritu gen.

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BIG, Tschumi, MVRDV Among 15 Shortlisted for Hungary's Museum of Ethnography

BIG, Tschumi, MVRDV Among 15 Shortlisted for Hungary's Museum of Ethnography | The Architecture of the City | Scoop.it
The 15 finalists include: 

Architecture-Studio
Bánáti + Hartvig Építész Iroda Kft
Bernard Tschumi Architects
BIG - Bjarke Ingels Group
Budapest University of Technology and Economics + Balázs Mihály
COOP HIMMELB(L)AU Wolf D. Prix & Partner ZT GmbH
Dominique Perrault Architecte
EAA Emre Arolat Architecture
gmp International GmbH
Középülettervező Zrt.
MVRDV
Napur Architect Kft
Office for Metropolitan Architecture (O.M.A.)
Sauerbruch Hutton
Zaha Hadid Limited
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A Paris, quatre projets d'immeuble-PONT, Porte Maillot - leJDD.fr

A Paris, quatre projets d'immeuble-PONT, Porte Maillot - leJDD.fr | The Architecture of the City | Scoop.it

Séparé du site Ternes-Villiers par l'avenue de la porte de Ternes, le terrain Pershing (17e) a fait l'objet d'un jury mardi matin. Ici aussi, un immeuble-pont va s'ériger au-dessus du périphérique, empiétant sur l'actuel parking à autocars de la porte Maillot. Les candidats souhaitent tous construire un hôtel, des bureaux, des espaces de coworking, des logements (dont 30% sociaux), une crèche, des commerces et une gare routière repensée… Piloté par Unibail-Rodamco, le projet "Playground" consiste en un ensemble immobilier mixte conçu par l'agence danoise 3XN comme une "grande serre vitrée et luxuriante" ; il comprend aussi un marché, un bar rooftop… 


"Mille Arbres", "PXP", "Playground" et "La Ville plurielle et généreuse"


Le projet "Mille Arbres" (Compagnie de Phalsbourg et Ogic) propose un bâtiment à énergie positive, présenté comme une "forêt habitée", œuvre du Japonais Sou Fujimoto. Outre les 391 arbres en toiture et les 503 arbres au premier niveau, l'architecte a dessiné une "rue gourmande de chefs étoilés" et un "food court" designé par Philippe Starck. Le troisième candidat, "PXP" (Gecina), a fait appel à l'illustre architecte néerlandais Rem Koolhaas (OMA) pour imaginer un immeuble de 50.000 m2, où s'implanterait une annexe de la Pinacothèque, et 7.000 m2 destinés à l'agriculture urbaine. Enfin, "La Ville plurielle et généreuse" (BNP Paribas) et l'architecte Jacques Ferrier présentent un "paysage-pont habité", abritant une auberge de jeunesse et une terrasse belvédère à côté des jardins et potagers sur le toit.

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Franco Purini: Study of Architectural ELEMENTS (1968) – – SOCKS

Franco Purini: Study of Architectural ELEMENTS (1968) – – SOCKS | The Architecture of the City | Scoop.it
The number 11-12 (Nov-Dec 1972) of Italian architecture magazine Controspazio presented a retrospective of the earliest “design researches” by the couple Franco Purini / Laura Thermes.

The article was part of an ongoing series titled L’architettura Interrotta (“Interrupted architecture“) and the same issue featured another retrospective dedicated to arch. Ludwig Leo that we already featured on Socks.
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[Ho Chi Minh City, Vietnam] Diamond Island Community Center / Vo Trong Nghia Architects

[Ho Chi Minh City, Vietnam] Diamond Island Community Center / Vo Trong Nghia Architects | The Architecture of the City | Scoop.it

Architects : Vo Trong Nghia Architects · Office Profile


Location : Ho Chi Minh City, Ho Chi Minh, Vietnam


Principal Architect : Vo Trong Nghia


Project Team : Le Thi Anh Huyen


Contractor : Wind and Water House JSC


Area : 1450.0 sqmProject


Year : 2015


Photographs : Hiroyuki Oki


Via Enrico De Angelis
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Meet The Booming Design Practice That's Transforming MEXICO City

Meet The Booming Design Practice That's Transforming MEXICO City | The Architecture of the City | Scoop.it
Mexico City–based architect Fernando Romero’s most recent project isn’t a building, but a scintillating orb made from thousands of custom-cut crystals. Illuminated from within, El Sol, as it’s named, features a tessellated surface composed of triangular prisms—a nod to the pyramids that were so meaningful to Aztec and Mayan culture. There’s an aural element to the piece, too: a soundtrack of acoustic waves produced by the sun, which astronomers at the University of Birmingham have recorded since the 1970s. The piece throws light around a room and gives off a disco ball vibe that's fitting, since Swarovski commissioned it for the tradeshow-cum-social-event Design Miami.
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Entirely Ordinary Variations on a Theme Drawn by Nigel Peake – – SOCKS

Entirely Ordinary Variations on a Theme Drawn by Nigel Peake – – SOCKS | The Architecture of the City | Scoop.it
Nigel Peake has a background in architecture but prefers to draw everyday things who surround him.

He is a prolific watercolour illustrator who has published a vast hand-drawn body of work (mainly for Princeton Architectural Press and Analogue Books) and provided drawings for many other publications and commissioned projects.

Following are a selection of drawings from his book “Entirely Ordinary Variations on a Theme Drawn by Nigel Peake” and excerpts from a Q & A session published on “The Casual Optimist”.
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Abin Design Studio Constructs Pavilion of Canopies for Indian Cultural Festival

Abin Design Studio Constructs Pavilion of Canopies for Indian Cultural Festival | The Architecture of the City | Scoop.it
India based Abin Design Studio has designed and constructed a pavilion of canopies for a religious festival in West Kolkata. The design is based on the celebration of tribal life and the symbiotic relationship between the community and the forest. By highlighting the importance of the forest in their lives, the community hopes to raise awareness about conservation of the lands.
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2016 heralds beginning of the "MEGATALL" skyscraper era

2016 heralds beginning of the "MEGATALL" skyscraper era | The Architecture of the City | Scoop.it
The number of skyscrapers over 600 metres high – known as "megatalls" – is set to more than double in the next few years, say experts.

Skyscraper authority the Council on Tall Buildings and Urban Habitat (CTBUH) has revealed that the number of 600-metre-plus buildings in the world is set to rise from three to seven in the next five years.

This includes the completion of the 1,000-metre-high Kingdom Tower in Jeddah, Saudi Arabia, and the 606-metre Wuhan Greenland Center in Hubei Province, China.

CTBUH describes the height as the "new frontier for the world's tallest buildings".
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[Tokyo, Japan] Tomoyuki Kurokawa completes Tokyo building covered in holes

[Tokyo, Japan]  Tomoyuki Kurokawa completes Tokyo building covered in holes | The Architecture of the City | Scoop.it

The faceted volume of this concrete housing and office block in Tokyo is punctured by a series of holes that form windows, balconies and open-air stairwells (+ slideshow).


Designed by local studio Tomoyuki Kurokawa Architects, Kitasenzoku Apartment is a six-storey building near the Tokyo Institute of Technology. It contains an office and residence for the client, as well as shared housing for students.


Like much of Tokyo, the area is already dense with buildings, so Kurokawa's team had to respect the rights to light of several neighbouring blocks. The structure's faceted form is a result of this.


The plans were slotted into this irregular volume, with the leftover spaces serving as balconies. Windows were then punched through both the walls and the sloping roof, further emphasising the building's asymmetry.


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