TV Future

Digital advertising is experiencing positive growth across the board with digital publishers in the UK experiencing a 16.2% increase in revenues in Q1 2013.

If you want to sit with the cool kids, you've got to look like you belong there.

Web publishers and big brands are starting to feel the pull of Gravity.

Livity's Callum McGeoch shares five questions every brand should ask itself before taking the leap into content marketing

Figuring out which titles are going expire soon on Netflix just got a lot harder: The company changed its public API Monday night to prevent this information from popping up on third-party websites.

Video is hard, there’s no two ways about it. As Brian Goldberg wrote recently, online video is expensive and hard to produce effectively. The social video category has further demonstrated, rather ...

Vimeo on demand is getting a new movie starring Kristen Bell as a day-and-date release, with the film premiering online the same day it comes out in theaters.

One thing that emerged from our media conference was that there is no single solution when it comes to the future of content, or the monetization of media — and that is probably a good thing.

Pixar gave a rare look inside the making of Monsters University in visit to the company's campus in Emeryville, Calif.

Zach Braff is the latest actor/director to hit the Kickstarter circuit to raise funds - $2 million, to be exact - for his film.

The prospect of consumers getting the ability to choose which cable channels they want has proven to be a remarkably resilient fantasy.

BItTorrent, known for movie piracy, has partnered with Cinedigm on new film starring Emily Blunt and Colin Firth

More than three decades after its debut created a seismic shift in the pop culture landscape, it can be very easy to forget that MTV still stands for music television.

Kreiz's appointment to the YouTube network with 3 billion views a month is another signal of YouTube's growing legitimacy.

Everyone's watching more video, on every device, everywhere. But no one is really cutting into Reed Hastings's lead.

Google’s Eric Schmidt may have told an audience full of media buyers that Web video had already replaced television last week, but the ad industry isn’t so sure the NewFronts are going to make that much difference when it comes to...

The Machinima network succeeds by giving the "lost boy" generation exactly what it wants: Terrible TV

For as much as $20,000, Worldwide Motion Picture Group compares the story structure and genre of a script with those of released movies, looking for clues to box-office success.

Time Warner Cable CEO Glenn Britt is watching the Aereo legal battle with interest. If the upstart prevails, Britt may try a similar tactic himself.

This week, famous faces, new shows and pleas for advertising dollars brought many web video companies to web video’s version of TV’s upfronts. Here are just a few of the biggest stories to emerge.

Upcoming “Star Wars” & “Star Trek” director J.J. Abrams talks rebooting the most famous film franchises, fame and partying. Read more interviews on Playboy.com

The e-commerce giant is looking to leverage its expanding video work

The Internet company signed a deal for exclusive streaming rights to past episodes of “Saturday Night Live” to gain an edge in a small market for digital video advertising.

In one packed schmooze-and-booze New York week, digital media purveyors will try to dazzle Madison Avenue with new Internet shows, apps and ad executions.