Les 12 projets sélectionnés pour Cross Vidéo Days.
Mike Jones: "Having read through all the entries in the [IWL Storyworld Competition] and written hundreds of pages of coverage and feedback on them, I feel somewhat like I’ve obtained a glimpse of the Transmedia writer zeitgeist - a macro-level snapshot of where the worlds writers are at right now in attempting to embrace and exploit the opportunities of a Transmedia world." DRC: Here are his top 6 tips for writers hoping to work in this complex area. Via The Digital Rocking Chair 
Source : http://webtelevisionobserver.com/aides-bourses/. Cette page recense les aides financières privées ou publiques destinées aux contenus audiovisuels produits pour Internet et les médias numériques en France…lire ...
Du 16 au 25 mai, les voyageurs de la ligne 9 pourront vivre l’expérience de l’équipe d’explorateurs partis chercher l’origine de l’humanité à (Station fantôme // Prometheus.Estén al pendiente "Prometheus" gran estrategia de #Transmedia... 
L'analyse de la stratégie Web et médias sociaux de The Voice nous permet de questionner les différences entre social TV et transmedia. (RT @SocialTV_E: [NEW POST] #TheVoice : #SocialTV ou transmedia ?
I keep noodling on the idea of how you earn — not build, necessarily, but earn — your audience as a creative type. I’m not sure I have all (or any of) the answers, but here’s a good shot at it. Via Simon Staffans 
On parle souvent de “transmedia storytelling”, une narration transmédia exploitée sur différents supports/médias. Celle-ci est souvent composée autour d'une “licence”, déclinée sur tous les supports imaginables, entrelacés ...
Prendre le métro parisien est une aventure quotidienne! La Fox et la RATP la pimentent un peu plus en ouvrant une station fantôme aux couleurs du film Prometheus sur la ligne 9.
Augmented reality ads are slowly making their way into the mainstream, with more and more brands using the technology to engage consumers with hidden digital content.
This is definitely an impressive use of AR, however it used a bespoke AR app called VWJuicedUp that was only available on iOS. The use of custom made AR apps is potentially the only thing preventing the technology from really catching on with consumers. QR code scanners are universal so consumers need only download one version, however AR campaigns often require the user to download a new app every time which doesn't offer a great user experience. Via Gary Hayes 
- Our future TVs will not be controlled through touch, or by talking, or by gestures in the air. The controls will be in the remote control tablet. Today's TV remote is controlled by micro-gestures, a tiny press of the channel button. It makes no sense to replace that with grand gestures, arm waving , etc., Good point. - The remote control is an iPad or any touch screen tablet. The interface offers easy, slider based controls, and it also doubles as the 'second screen' allowing web browsing, and for novel forms of TV show interactions. - The interface NDS has developed runs on Chrome. Even though Google is becoming a competitor in this space, the relationship is defined as 'co-opetition' and the two companies have exchanged some TV related technologies. Via Gary Hayes, Annabel Roux 
We looked at many projects and studies that involved experiences across multiple screens – from biblical stories laid out on multiple cathedral windows and the first computer-based multiscreen installations, to current examples, which are popping up everywhere. We also closely observed ourselves and others using and shifting between different devices. Via Gary Hayes 
encourager l'émergence de nouveaux auteurs » Morgan Bouchet, vice-président du Transmédia Lab & Social Media d'Orange – [Fr] Orange API. See on Scoop.it – Sophia Dudésir – Actrice Transmédia. « encourager ...
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The People vs. George Lucas DVD | Instant Video Directed by Alexandre O. Philippe "The People vs. George Lucas is a quasi-documentary film which uses a courtroom debate approach to explore the issues of filmmaking and fanaticism pertaining to the Star Wars franchise, and its creator, George Lucas. The film combines filmmaker and celebrity interviews with fan-created content and fictional dramatizations to present an all-encompassing look at the indelible mark Lucas has left on pop culture and the film industry. Interviewees include author Neil Gaiman, writer/director Kevin Rubio (Troops), actor David Prowse (Darth Vader), and Star Wars producer Gary Kurtz. Lucas himself appears frequently in archival footage, but is never interviewed directly by filmmaker Alexandre O. Philippe. The People vs. George Lucas discusses the extent to which the Star Wars franchise is an incomplete artistic creation of Lucas (and subject to his evolving vision) versus a cultural phenomenon that belongs to the general public...." Via siobhan-o-flynn, Annabel Roux 
Jeff Barber: "To answer this question, let’s consider what three experts in this emerging space have to say about the role of mobile in transmedia content production and distribution" ... Jeff Gomez, Starlight Runner EntertainmentElan Lee, FourthWall StudiosRobert Pratten, Transmedia Storyteller Ltd.Via The Digital Rocking Chair Patrick Möller: "The first "Transmedia Mobile Gaming" conference was being held this month in Warsaw. I was invited by Voodoodance to speak there about "Transmedia Storytelling" and to show some cases. These are the slides of my talk." Via Simon Staffans, The Digital Rocking Chair 
The Pixel Market is a finance market like no other, bringing top executives from the worlds of film, TV, publishing, online, interactive, games and mobile together under one roof over two days. 
A quoi ressemblera le musée du futur ? Silicon Maniacs continue de poser la question et rencontre aujourd'hui l'un des précurseurs des musées virtuels : Yann Minh.
They did an awesome job of visually representing what is happening in the world of Digital-Out-Of-Home. Best part (imho) is the re-definition of a screen: basically, projectors allow you to turn anything into a screen... Via Simon Staffans
Décrivant ce qu'il identifie comme une culture de convergence (convergence culture) Henri Jenkins privilégie plutôt l'hypothèse de la cohabitation en défendant le récit transmédia (transmedia storytelling) : une nouvelle ...
“And there came a day, a day unlike any other, when Earth’s mightiest heroes and heroines found themselves united against…” – poor design, typographic crimes and the threat of confusing interfaces! Sounds great, doesn’t it?
Un bilan de Detective Avenue.
"The Arrival is the first of three graphic novels, setting the scene for a three-year long transmedia experience. London 1899. Steam billows out from every corner of the city while huge Zeppelin airships float in the sky overhead. Enter the world of Clockwork Watch, a place where Victorian values are coupled with anachronistic technology, not least of which are the clockwork servants - the mechanical slaves that keep this society ticking along - this is the world of Steampunk..." Via siobhan-o-flynn 
Increases Appointment Viewing, Next Steps Are Fan Co-Creation and Recognition. Social TV could ultimately revive appointment viewing after years of DVR dominance. But just how cable programmers and advertisers are using and benefiting from that was a focal point during Ad Age's Social Engagement/Social TV conference taking place in New York on Wednesday. Social activity during TV's prime time has skyrocketed 193% since just last year, said Mark Ghuneim, CEO and founder of Wiredset and Trendrr. That kind of growth means programmers are looking at social-media chatter not just as an amplifier of TV programming but as content in its own right. At Bravo, social interactions are now being planned in the initial stages of conception and production, said Lisa Hsia, exec VP-digital media at Bravo Media. Her network has actually seen a ratings lift on reruns by creating social editions of shows, and its newest series, "Around the World in 80 Plates," premiering tonight, already has plenty of buzz because of a Twitter contest. Via @FernandoCarrion
For this episode of ACG Unabridged, I bring you Christy Dena. She's a celebrated and widely-known academic, speaker and creator, now working on the original comedy/drama Authentic in All Caps. But you knew that already, didn't you?
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