Audiences have never been hungrier for experience, but these productions need a rigorous approach, says Miriam Gillinson
Share ideas that matter on the social web and experience
the benefits of curating the world's best content.
I don't have a Facebook, a Twitter or a LinkedIn account
Audiences have never been hungrier for experience, but these productions need a rigorous approach, says Miriam Gillinson
Great advice from a very pertinent perspective.
Are you sure you want to delete this scoop?
Your new post is loading...
Humour should have its place in Street Of Dreams, a musical about Coronation Street, especially with the return of star characters of old, Bet Lynch and Curly Watts.
[Coro goes transmedia with video games & a musical ... who'd've thought?] Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
"It's part of an overall strategy to evolve from the pop-culture experience that the movie is into a pop-culture immersion," Jeffrey Godsick, president of Fox Consumer Products, told TheWrap. Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
Producer attributes Wizard of Oz sequel's five-year run to 'untold story' angle – and social networking sites... Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
DreamWorks didn't want us to be the same as the film. They wanted us to create something new and magical. Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
|
Gift of the Night Fury is a short story, some twenty some minutes long, and set after the events of the first film... Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
Early 2013 premiere scheduled for King Kong: Live on Stage, with animatronics by team behind Walking with Dinosaurs... Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
It brings together all sorts of technologies at the absolute cutting edge, but most important of all it's a truly beautiful story Delete the scoop?
Are you sure you want to delete this scoop?
Yes
No
|



This a new age for enjoying performances. We invited the radio into our homes. We opened our door to televisions, to the internet and everything else that has come with it. But this is a reversal in the arts, where we the audience are being invited in. Theatre is no longer set in building- but like heart that defines the home, the audience will now define the performance.
How can a director produce an effective interactive theatre performance?
Why do many interactive performances fail to fulfill their purpose?