Jonathan Richards: "Deciding what text to put on an interactive button can be difficult, not least because of the unusual grammar of the 'interactive voice'. Here, we propose a test to use when in doubt."
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a look at the creative and technical worlds of immersive storytelling
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The Digital Rocking Chair
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The Digital Rocking Chair's insight:
A decidedly quirky, but interesting, post.
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Mike Jones: "In any discussion and professional practice of ‘new media’ there is a swag of terminology that gets kicked around; cross-media, multi-platform & transmedia, interactive and pervasive media, emergent, non-linear and participatory storytelling, etc etc…"
The Digital Rocking Chair's insight:
This post is full of interesting nuggets of information. From definitions, to examples, to process and opinion, this post takes you past cross-platform, multi-platform, and transmedia, into the realm of immersive experiences. 
Katie Frank's curator insight,
January 28, 2:15 PM
Integrated writing, many modes for writers today. Delete the scoop?
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![Immersive Storytelling for The Lost Children Pt. 2 [#Transmedia] | Transmedia: Storytelling for the Digital Age | Scoop.it](http://img.scoop.it/v8eqX5OOPTFsL2Gyug0GqDl72eJkfbmt4t8yenImKBVaiQDB_Rd1H6kmuBWtceBJ)
Mark Harris: "Part 1 of this series laid out the overall plan for The Lost Children Premier event at Film Society of Lincoln Center in January 2013. In this post, I’m going to focus on some thinking behind the live immersive portion of the event."
The Digital Rocking Chair's insight:
Continuing this excellent series of posts .... Delete the scoop?
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Audiences have never been hungrier for experience, but these productions need a rigorous approach, says Miriam Gillinson
The Digital Rocking Chair's insight:
Great advice from a very pertinent perspective. 
iReviewtheatre's curator insight,
April 30, 5:52 PM
This a new age for enjoying performances. We invited the radio into our homes. We opened our door to televisions, to the internet and everything else that has come with it. But this is a reversal in the arts, where we the audience are being invited in. Theatre is no longer set in building- but like heart that defines the home, the audience will now define the performance. 
Melissa M's comment,
May 5, 3:42 AM
This article is useful when designing your own theatrical pieces for assignments. It allows you to think if you want a passive or interactive audience, and where the boundaries lie for this style of theatre.
Alicia Caruana's curator insight,
May 7, 3:48 AM
How can a director produce an effective interactive theatre performance? Why do many interactive performances fail to fulfill their purpose? Delete the scoop?
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Mark Harris: "[...] the premiere is not just about coming to see a film, it’s about coming out for a whole evening of exploring the story world, with the film being one aspect of that exploration."
The Digital Rocking Chair's insight:
This is the first in a series of posts examining the storyworld premiere of The Lost Children. I, for one, am looking forward to reading more ... Tags: Storyworlds, Transmedia, Filmmaking Delete the scoop?
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Thinking about the language aspect of using technology.
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