Prasad Thammineni: "So you launched an app. Does it launch into Angry Birds-level orbit or fall to the fifth screen of someone's smartphone, never to be tapped again? Five ways to keep users hooked" ...
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a look at the creative and technical worlds of immersive storytelling
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Rob Salkowitz: "As comics have become more powerful lords of the entertainment universe, we look at what’s in store, across platforms, for 2013."
The Digital Rocking Chair's insight:
After a stellar year in 2012, what's next for comics? Hint: there's a lot of transmedia storytelling involved. Delete the scoop?
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Mike Vogel: "Transmedia is going to get big in 2013, which means lots of opportunity for independent transmedia producers. Here are five ways to stay relevant as audiences embrace transmedia" ...
The Digital Rocking Chair's insight:
Some very "down to earth" advice. Delete the scoop?
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![2012 Year in Review: We're Still Here [#Transmedia] | Transmedia: Storytelling for the Digital Age | Scoop.it](/resources/img/white.gif)
Michael Andersen: "Over the years, more than a few alternate reality games, transmedia storytelling projects, and advertising campaigns have warned that December 2012 would mark the end of the world" ...
The Digital Rocking Chair's insight:
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Lauren Drell: "Because of his experience and success in entertainment, from web video to feature films, we asked Jon M. Chu to curate the top 5 innovations of 2012 in entertainment for Mashable's Innovation Index" ... Delete the scoop?
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I'm profiling below the most notable projects out of Transmedia LA...
[Part 1 (showcasing Storyworld 2011 projects) can be found @scoopit http://bit.ly/rEb6gZ and Part 2 (showcasing DIY DAYS '11 projects) can be found @scoopit http://bit.ly/zsHC2W] Delete the scoop?
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Download this free PDF for the inside track on toy cars that drive on iPad screens, street games that draw 12,000+ crowds, why Facebook games aren’t on Facebook anymore, and how to build for the post-Flash world... Delete the scoop?
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Stars, trans- & cross-media creativity, kids’ and branded content all topped the bill in 2011. Key pointers for the year ahead!
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So 2011 is almost at a close, a year that went past like a whirlwind. There’s been an enormous amount of interest in, and discussion of, the notion of transmedia over the past twelve months, and we’ve seen the term slowly creep into widespread use in Hollywood and on Madison Avenue ... Delete the scoop?
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Here are the best bits of pop culture from 2011, the irresistible nuggets and undeniable trends that kept us hungry for more in 2012... Delete the scoop?
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While most certainly not an indie, the Bieb's Paramount-released concert film "Justin Bieber: Never Say Never" was indeed the year's top grossing documentary. Delete the scoop?
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We hacked through dozens of year-end lists--and, yes, checked them twice--to bring you our curated best and worst of 2011. Here's the mother of all roundups that you will find online, offline, and everywhere else...
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As we wrap up 2011, I've decided to compile a list of great Transmedia projects I have discovered through out the year. Most of these are a work in progress, but all are worth of the support of the Transmedia community... Delete the scoop?
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In the past three months, players have demonstrated their willingness to pay for alternate reality games. Delete the scoop?
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Simon Staffans: "Following up on my curation of my blog from last year – “One Year In Transmedia” – I today published “One Year In Now Media”. It’s a curation of this blog, with a number of articles divided into subsections according to topic. It’s available for free on Slideshare on a Creative Commons license."
The Digital Rocking Chair's insight:
This is a fantastic resource. Thanks @Simon_Staffans. 
Lynnette Van Dyke's curator insight,
January 8, 10:50 AM
This is a fantastic resource. Thanks @Simon_Staffans. 
NikolaosKourakos's curator insight,
January 8, 4:54 PM
This is a fantastic resource. Thanks @Simon_Staffans. 
Lucy Abreu's curator insight,
January 8, 10:05 PM
This is a fantastic resource. Thanks @Simon_Staffans. Delete the scoop?
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Fruzsina Eördögh: "Yahoo beat Google in 2012, when it came to original web video programming. A look back at the best video series the Internet has to offer."
The Digital Rocking Chair's insight:
Note to self: watch more web series in 2013! Delete the scoop?
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It's only been six months since we started blogging for The Big Idea, but it feels like it's been an action packed half-year.
The Digital Rocking Chair's insight:
Transmedia New Zealand's "half-year" in review ... Delete the scoop?
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Apologies for the delay. Bellow I attempt to profile the most notable projects out of DIYDAYS '11...
[Part one can be found @scoopit http://bit.ly/rEb6gZ]
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"How are journalists, filmmakers and sound artists telling compelling stories across multiple platforms?"
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Was 2011 the best year in gaming so far? Take a look at our picks for top games and trends that defined the year.
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"This is the second edition of the curation of this blog that I published a little over a month ago. I felt it was pretty incomplete without the voices of some of the other people in the field as well, so I decided to ask some questions of some people I felt were the right people to answer these questions."
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It’s hard to believe, but 2011 has (almost) come and gone. The Arab Spring, paywalls, Steve Jobs, and Occupy Wall Street (not to mention a Royal Wedding) dominated headlines. Here’s how some of it looked through Sparksheet’s lens.
[Especially interesting is Sparksheet's take on transmedia ... "Speaking of viral, transmedia crossed the threshold from industry buzzword to just plain industry with this year’s StoryWorld conference, where we met multiplatform storytelling pioneers from Hollywood, Madison Avenue and around the world."]
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Social media has not only been at the core of major protest stories, but drove some of 2011′s biggest news stories, from Occupy Wall Street to the Arab Spring.
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Ringing the cinema to check film times, owning an encyclopaedia and dialling 1471 are among 50 things killed off by modern technology, according to a new poll.
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Transmedia is the new space where visual storytelling exists because:
1. Every screen we can imagine (TV, smart phone, tablet, laptop and yes, the lowly desktop computer) is reached by Internet video, audio, text and images.
2. Every connected consumer can reach back— through each screen.
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