Cory Bergman: "Not every TV viewer is the same, and that also goes for viewers who engage with the second screen" ...
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a look at the creative and technical worlds of immersive storytelling
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Mike Vogel: "Much of the talk about Wreck-It Ralph this week will be about the fact that it comes out in Digital HD on February 12th–almost a month ahead of the DVD release. I’m all for anything that makes DVDs less relevant, but I think the transmedia strategy behind Wreck-It Ralph is more innovative than releasing a movie digitally."
The Digital Rocking Chair's insight:
Mike Vogel ponders the difference between transmedia and marketing when it comes to Wreck-It Ralph. Update: For more on how this applies to indie filmmakers, check out Randy Finch’s Disney's Marketing for Wreck-It Ralph Employs Transmedia Storytelling: A Case Study in Expanding a Film's Storyworld Across Multiple Platforms. Delete the scoop?
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The Digital Rocking Chair's insight:
For Dr Who fans everywhere .... Delete the scoop?
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Bibi van der Zee: "The team behind the hit cartoon on their boy with a magic watch, and drawing crazy-coloured alien life" ... Delete the scoop?
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Geek Dad: "Aided by the literal decades of advancements in animation technology since that television “Golden Age,” the show boasts both a new-school focus on plot and characterization and Disney’s historic attention to detail" ... Delete the scoop?
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Kelsey Campbell-Dollaghan: "Over the past three years, Google Data Arts creative director Aaron Koblin and director Chris Milk have produced some of the most powerful music videos of all time, by allowing passive viewers to participate in the creative process." Delete the scoop?
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BrandSpeak: "We've come a long way in the world of animation. Check out the innovations that have made animated characters so lifelike" ... Delete the scoop?
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Tasha Robinson: "Until now, the studio behind the Toy Story movies, Finding Nemo, The Incredibles, Wall-E, Up, and more has never made a movie with a female protagonist" ... Delete the scoop?
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Animators find it difficult to bring the realistic human form to life on the screen. Why is this? The author suggests it has to do with the way we tell stories. Delete the scoop?
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Steven Spielberg tells us about the journey to make his first animated feature. Delete the scoop?
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Martin "Dr. Toon" Goodman looks at why SpongeBob SquarePants is a lightning rod in American culture. Delete the scoop?
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Beavis and Butt-head forever! Even in this snarky online age, the two heavy-breathing teens have a role to play. Delete the scoop?
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I was given two full hours for my interview with Kang, but unfortunately, there was an eighteen minute delay in the signal from my videophone line, here on Earth, and his little UFO, parked eighteen light minutes away in deep space. Delete the scoop?
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The movie spin-off series, Kung Fu Panda: Legends of Awesomeness makes its debut in Cannes with considerable pre-sales around the world including... Delete the scoop?
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Mike Seymore: "The net result is one of the most adaptable modern ‘transmedia’ pipelines able to render TVCs, press, game cinematics, animated features or TV series work."
The Digital Rocking Chair's insight:
A very technical look at House of Move's 'transmedia' pipeline. Delete the scoop?
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Shrek, Futurama, and Marge and Homer would not have come into being without the Beatles' subversive masterpiece, says Simpsons writer Josh Weinstein... Delete the scoop?
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Frank Mertens: "It used to be that movie title sequences were the forums for incredible animation innovation and creative expression." 
Sean Stoakes's curator insight,
March 21, 8:07 PM
The page shows how animation can be used and how animation could be used as a narrative tool. It shows examples of ways animation can and has been used. Delete the scoop?
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Susan Karlin: "Long before ParaNorman’s protagonist could start battling zombies, Laika’s Brian McLean and his 40-member team had to tame a new stop-motion technology process. McLean talks about the bloody road to the film’s bleeding-edge character design." Delete the scoop?
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Caitlin Roper: "With tens of thousands of printed parts, millions of hours of work, and billions of pixels invested, the project represents unparalleled innovation in handmade storytelling—and a new future for a 100-year-old art form" ... Delete the scoop?
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Joe Berkowitz: "Bill Plympton is an independent animation icon. His drawings have appeared in syndicated columns, Academy Award-nominated shorts, videos for musicians like Kanye West, commercials for Microsoft, and more. Although he doesn’t believe much in art school, here he shares some lessons with Co.Create" ... Delete the scoop?
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It's the show's 500th episode this weekend – so what are the secrets of its success?
[Who doesn't love The Simpsons? This article gives us 10 lessons learnt from the making of a great television show.] Delete the scoop?
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A lot of people have been discovering Tintin recently due to the feature film, but he’s actually been around for a while... Delete the scoop?
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The very first rule of Scooby-Doo, the single premise that sits at the heart of their adventures, is that the world is full of grown-ups who lie to kids, and that it's up to those kids to figure out what those lies are and call them on it, even if there are other adults who believe those lies with every fiber of their being.
[A great look at the storytelling craft of Scooby-Doo.] Delete the scoop?
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It's been one hell of a year for South Park 's creators Matt Stone and Trey Parker. Delete the scoop?
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MTVX, MTV’s new cross media group, announced on Thursday, October 13 the ressurection of their “Liquid Television” brand that will build upon... Delete the scoop?
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Given the last few Rabbids' games focus on TV-show like gameplay, the transmedia jump from interactive entertainment to kids' TV makes perfect sense. Delete the scoop?
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