I’ve never seen a room of theatre folk this curious about a new innovation in theatre storytelling. Probably, because there hasn’t been a new innovation in theatre storytelling for decades....
Via Simon Staffans
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Transmedia: Storytelling for the Digital Age
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Welcome to Transmedia: Storytelling for the Digital Age …
Here, you'll not only find articles on the many facets of transmedia storytelling, but also articles exploring the creative and technical achievements of individual platforms. If you would like to know more about my approach to curating this topic, then please follow the title link to Scoop.it's Lord of Curation Series. I really enjoy your support and hope you find the articles that I share as interesting and useful as I do.
Thank you Scoop.it for the recognition and acknowledgment, it is very much appreciated.
John Kennedy: "American media scholar and pop culture expert Henry Jenkins, currently on a lecture tour of Europe, said that all content is heading in the direction of trans-media, shifting from its original state to new platforms" ...
John Hiscock: "In the first film, the unlucky crew of the space freighter Nostromo finds a derelict spaceship with a “space jockey” – a giant humanoid with an exploded chest in the pilot’s chair. Who he was and what he was doing there was never explained and the question has dogged Alien buffs ever since"...
Jeff Barber: "To answer this question, let’s consider what three experts in this emerging space have to say about the role of mobile in transmedia content production and distribution" ...
Sarah Casey: "The key is that the show is not dormant during its off season, but active on multiple platforms, not just the tried and true reruns and trailers although both elements have been taken to previously unimagined levels." Via Gary Hayes
Michael Harrison: "Incantor, a smartphone-based augmented reality game currently in the works by developer MoveableCode, hopes to offer geeks like me a way to wizard-duel in the real world."
Robert Colvile: "[...] there’s something else about Game of Thrones that I find especially fascinating: it breaks two of the most fundamental rules of television."
Jef Reahard: "Trion has released a new making-of featurette for Defiance, its "transmedia" property that includes a sci-fi shooter MMO and a Syfy television series."
Natan Edelsburg: "A new startup, New York-based Mobcaster is redefining independent television in the age of the social web."
Patrick Möller: "The first "Transmedia Mobile Gaming" conference was being held this month in Warsaw. I was invited by Voodoodance to speak there about "Transmedia Storytelling" and to show some cases. These are the slides of my talk." Via Simon Staffans
Mike Jones: "Having read through all the entries in the [IWL Storyworld Competition] and written hundreds of pages of coverage and feedback on them, I feel somewhat like I’ve obtained a glimpse of the Transmedia writer zeitgeist - a macro-level snapshot of where the worlds writers are at right now in attempting to embrace and exploit the opportunities of a Transmedia world." DRC: Here are his top 6 tips for writers hoping to work in this complex area.
Maggie Furlong: "Social media has become such a huge part of the TV landscape that any network not securing a simple, memorable handle for their new shows is way behind"...
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Brian Anthony Hernandez: "How do vampire series "True Blood," "Twilight" and "Vampire Diaries" stack up against each other in terms of social media prowess?"
Patrick Möller: "For our interview with Brian Clark of GMD Studios we slightly reworded our interview questions to “Why Not Transmedia”?"
Jeff Gomez: "Our love of team-ups, in fact, dates back to the Stone Age. Early man imbued all things around him with animus, and the coolest things — the sun, the moon, the ocean — were either the incarnations of, or controlled by superior beings, gods. It was just a matter of time before pantheons formed, relationships got complicated, and villains arose to challenge the benevolent"...
Mike Ryan: "In honor of the landmark film's landmark birthday, I asked a group of influential filmmakers -- responsible for projects such as "The Hunger Games," "Iron Man" and "Lost" -- what the biggest influence the original "Star Wars" had on them professionally or personally"...
Dan Casey: "Somewhere between a pop-up video and a Choose Your Own Adventure book, the series provides scores of awesome bonus content in the form of phone calls, text messages, e-mails and videos." Via Simon Staffans
Robert Niles: "This is a race to extend narrative from individual rides into every facet of the park experience, where visitors have the chance to become actors in their own adventure" ... Via Tina Stock
Michael Andersen: "With the main thread of the story playing out from Lizzie Bennet’s perspective, other characters are turning to social media to fill in the details."
Chaunton: "For those of you who have been following Guidestones: an Interactive Thriller, you already know this is a hands on storytelling experience worth checking out. If you haven't yet, you should take the time. It's one of the most unique web series out there right now." Via Simon Staffans
Tim Carmody: "[...] sports are increasingly immersive, multi-screen, information-rich, participatory experiences, to an extent that most other forms of entertainment flatly envy."
Aurore Gallarino: "The storytelling fan sometimes goes beyond the fictional environment when they don’t just write follow-ups or missing scenes for a work but go beyond that and create content as if it was straight out of the universe." DRC: When fan communities embrace the principle of storytelling 1/3 can be found here and Do it yourself: fan community “pirate” productions 2/3 can be found here.
Andrea Phillips: "Evan has been in the transmedia business for ages, and he's got an Emmy to his name, so when he talks, you'd do well to listen. I sure do"... DRC: Image of Evan Jones via Stitch Media.
Liz Shannon Miller: "The Fine Brothers have a long-established reputation for trying new things with web content, and this year, they're using YouTube's money to create not just a show, but a fully immersive social media experience and a full line-up of shows"...
"ESSAY: A combination of technological advances and financial pressures has ushered in a new style of movie making, which, to many viewers raised on the grain and texture of film, looks like a bug that is well on its way to becoming a feature."
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