Randy Astle: "As the producer of films like The Ring and Mulholland Drive, Neal Edelstein is no stranger to horror films and thrillers. And with his new project, Haunting Melissa, he’s moved beyond traditional pictures with his first immersive production for iPad and iPhone."
Filmmaker Magazine: "FilmmakerGreg Pak (Robot Stories) has released his graphic novel Vision Machine as an iPad app and, in the process, is pointing the way towards new storytelling formats and new production and distribution partnerships."
Through extensive observational research, I’ve discovered what works and doesn’t work for my daughter, so I’m going to shamelessly generalize my findings to all children and propose four essential guidelines for developers who work on iPad apps for children...
A no nonsense approach ...
Affordance Is King
Pagination Is A primary Action
The Menu Is A Distant Seconday Action
If You Try To Trick My Kid Into Buying Stuff, You're Dead To Me
'While some book-apps have done well – Alice for iPad made a packet, and Faber's The Waste Land recouped in less than two months – there's a creeping sense elsewhere that apps aren't (yet) as lucrative as many publishers hoped.
Kelsey Campbell-Dollaghan: "In theater, there’s a concept called the “fourth wall.” It refers to performances that involve the audience, breaking down the invisible “wall” between performer and spectator. A new project from Pentagram goes even further, breaking down the “fifth wall” between the performer and a digital audience."
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