Transmedia Seattle
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Transmedia Seattle
adventures in immersive storytelling technique with a NW twist
Curated by Brad Tollefson
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Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
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Connected Museums and Connected Learning [#Transmedia]

Connected Museums and Connected Learning [#Transmedia] | Transmedia Seattle | Scoop.it

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The Digital Rocking Chair's curator insight, February 7, 2016 2:42 PM


DRC:  Robert Pratten on creating immersive learning experiences with Conducttr and transmedia.

Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
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Mobile, transmedia and timing

Mobile, transmedia and timing | Transmedia Seattle | Scoop.it

Simon Staffans:  "Rob Pratten had a brief but excellent post up on Transmedia Coalition the other day, entitled ”The 5Rs of Mobile in Transmedia Storytelling”. To recapitalize briefly, the gist of the post were that" ...


Via The Digital Rocking Chair
Brad Tollefson's insight:

It's all in the....timing...

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The Digital Rocking Chair's curator insight, June 7, 2013 7:43 AM

Simon Staffans builds on Robert Pratten's 5Rs of Mobile in Transmedia Storytelling.

Ryan Crowder's curator insight, June 7, 2013 2:16 PM

Peeps consume different media at different times on different devices. Worth some thought for sure.

Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
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The three C’s of transmedia storytelling

The three C’s of transmedia storytelling | Transmedia Seattle | Scoop.it

Via The Digital Rocking Chair
Brad Tollefson's insight:

The three Cs are:

Characters – the importance of storyConvenience – the importance of getting the right content to the right people at the right timeCommunity – the importance of connecting fans and rewarding them.

At the intersections we see the actions and functions we must support:

Characters+Convenience – the personalization of the story experience for each person based on their relationship to the worldConvenience+Community – the continued “personalization” but in a broader sense as applied to audience segments. For example an audience team collaborates to unlock content that only they can see. Also at this intersection is the ability to share content and refer friends to the worldCommunity+Characters – this is the relationship between the community and the world. Creators should provide opportunities to strengthen the relationship through procedures and technology to allow fan contributions, character interactions and such like.
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Angie Weihs's curator insight, July 5, 2015 8:11 PM

Yes, please explain, Mr. Pratten

HEEJUN LIM's curator insight, August 3, 2015 11:23 PM

 

Robert Pratten:  "I created the diagram above in preparation for my talk at Neuchâtel film festival next week.  It probably needs a little explaining" ...

AvizorMedia's curator insight, November 24, 2016 3:04 AM
Os dejamos una sencilla infografía sobre las tres C del transmedia storytelling 
Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
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Transmedia Project Pitch Sheet

Robert Pratten:  'Simple one-sheet to help transmedia storytellers present their projects. The aim is to get some consistency of presentation so that those listening can "get it"'


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Brad Tollefson's insight:

Brilliant. Thank you, Robert! 

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Dr. Pamela Rutledge's comment, May 27, 2013 4:26 AM
LucaVanin - It can have the same connotation of untruth in the west; just depends on context (and who's paying!) In Entertainment, of course, no one worries about superficial truth. Even (especially?) in Reality TV. What matters is the universal truth that stories can deliver. That is the real litmus test of truth.
Dolly Bhasin 's curator insight, June 1, 2013 1:06 AM

Excellent article, a must ready for digital story tellers of the 21st century!

Gav Morris's curator insight, June 18, 2013 3:10 AM

Interesting tool that could be adapted, I guess...