Transmedia Landscapes
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Transmedia Landscapes
A look at transmedia, interactive, augmented reality, design, UX, UI, ARG, video games and social platforms in the new age of storytelling
Curated by Justin Nalepa
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Rescooped by Justin Nalepa from Transmedia: Storytelling for the Digital Age
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'Welcome to Sanditon's' Alexandra Edwards responds to fan criticism [#Transmedia]

'Welcome to Sanditon's' Alexandra Edwards responds to fan criticism [#Transmedia] | Transmedia Landscapes | Scoop.it

Marama Whyte:  "'Welcome to Sanditon's transmedia producer Alexandra Edwards responds to fan criticism of the show, dealing with fan expectations from 'The LBD', and more."


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The Digital Rocking Chair's curator insight, June 11, 2013 1:47 AM

On the challenges of following in the footsteps of a hit transmedia series ....

Rescooped by Justin Nalepa from Transmedia: Storytelling for the Digital Age
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The New Digital Storytelling Series: Katerina Cizek [#Transmedia]

The New Digital Storytelling Series: Katerina Cizek [#Transmedia] | Transmedia Landscapes | Scoop.it

MIT Open Documentary Lab:  "[Katerina] Cizek is currently the director of the NFB’s HIGHRISE project, exploring new forms and new approaches to content. HIGHRISE is a multi-year, many media series of projects. You can see it at highrise.nfb.ca and her previous project Filmmaker-in-Residence at filmmaker.nfb.ca."


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The Digital Rocking Chair's curator insight, May 12, 2013 12:39 AM

This is the tenth interview in an excellent series on "prominent figures from the world of transmedia."  The series starts with Should Filmmakers Learn to Code over at Filmmaker Magazine and includes interviews with:  Zeega (James Burns, Kara Oehler and Jesse Shapins); Elaine McMillion; Hugues Sweeney; Kamal Sinclair; Mark Harris; Brett Gaylor; Ingrid Kopp; Vivek Bald; Lance Weiler; Katerina Cizek; Fox Harrell; and Caspar Sonnen.

Two Pens's curator insight, May 13, 2013 3:34 PM

Transmedia is a weird term. It's also a new world that incorporates elements of traditional film-making, digital assets, photography, architectural drawings, you name it: all in service to story. It's fun but it 

takes a whip to control all those elements into something that translates into more than the sum of its parts.