Transmedia creation
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Thoughts on the T – How Does Transmedia Affect Acting?

Thoughts on the T – How Does Transmedia Affect Acting? | Transmedia creation | Scoop.it

Christine Weitbrecht:  "No matter whether you’re a director, a producer, an actor or a writer – the following notes should be useful to everyone involved in a transmedia project when thinking about what’s in-store for the actors and, consequently, for the characters they portray."


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The Digital Rocking Chair's curator insight, April 8, 2013 5:51 AM

An excellent post!  Well worth the read by anyone involved in transmedia storytelling.

Jasmin Rez's curator insight, April 16, 2013 7:46 AM

"Great post for anyone involved with transmedia storytelling"

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Simon Staffans: Transmedia is Dead: Long Live Transmedia!

Simon Staffans: Transmedia is Dead: Long Live Transmedia! | Transmedia creation | Scoop.it

The word "transmedia" was hardly to be heard at MIPTV. Does this mean it's dead, or rather fully integrated in TV production?


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The Digital Rocking Chair's curator insight, May 7, 2013 9:07 AM

A couple of interesting posts today on the relevance of the term "transmedia".  The first is this one from Simon Staffans, the second is by Andrea Phillips and called WTF Transmedia?  Both are worth the read.

Vanessa Camilleri's curator insight, May 8, 2013 9:21 AM

worth reading! I think we have to avoid building up too much hype on the word transmedia and focus more on what it can actually do and where it can actually lead us. 

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Experimental Transmedia Film “The Cosmonaut” Tests New Distribution Methods

Experimental Transmedia Film “The Cosmonaut” Tests New Distribution Methods | Transmedia creation | Scoop.it

Desdemona Bandini:  "Not just a new film, “The Cosmonaut” is a labor of love four years in the making, crowdsourced and created with a plan to test the boundaries of transmedia content distribution worldwide."


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John Fellows's curator insight, May 11, 2013 5:51 PM

Blast off and through convention

Vivalist's curator insight, May 13, 2013 1:32 PM

That will be interesting to check them out in a while and see if it caught up, found its audience, and eventually generated worthy user interaction.

Because that's what it always come down to: is there a perceivable added-value to all these? - except the PR bragging right of doing things differently.

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5 outils collaboratifs pour obtenir un feedback sur vos creations graphiques - Les Outils Collaboratifs

5 outils collaboratifs pour obtenir un feedback sur vos creations graphiques - Les Outils Collaboratifs | Transmedia creation | Scoop.it

Voici 5 outils collaboratifs pros pour faciliter la communication et les relations entre les studios graphiques ou freelances et leurs clients autour de roughs.


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Here Are the 5 Things That Make a Good Transmedia Project

Here Are the 5 Things That Make a Good Transmedia Project | Transmedia creation | Scoop.it

"Now that the National Film Board of Canada is not the only big player in the game of transmedia storytelling (outside of the branding world, of course), the Tribeca Film Institute, Mozilla and more are eager to put their money and support behind transmedia storytelling"


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Brad Tollefson's curator insight, April 22, 2013 11:38 PM
The work leverages the strengths of each medium it uses.

If you’re just putting video on the web, that’s not very exciting. The web is there to foster dialog, participation, it’s not television or a movie theater. If you’re going to use a mobile phone as one of your storytelling platforms, why not emphasize the user’s intimacy with the device. Smart phones have become intensely personal items.

In short, transmedia creators and producers would do well not to simply scatter their stories across different media. They have to carefully consider the features and strengths of the platform, and design the expression of that aspect of the narrative to take best advantage of them. 

It’s also important for creators to place within each expression of the story a marker of some sort that will lead the audience to the next medium. This can be done subtly, within the context of the story, but some aspect of the interface will also need to more overtly tell us how to get to the rest of the presentation. Fail to do that well, and you’re audience (or as I prefer to call them, participants) won’t be able to enjoy the complete work...

Debbie Elicksen 's comment, May 1, 2013 3:44 PM
Fantastic point, Brad. The web is there to foster participation. Love it.
José Manuel Corona's curator insight, May 9, 2013 7:27 AM

La voz autorizada!

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How Big Data Is Rewriting Hollywood Scripts

How Big Data Is Rewriting Hollywood Scripts | Transmedia creation | Scoop.it

Mark Wilson:  "Ever wonder why all movies seem to look the same? Yeah, there’s a reason."


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Apsita's insight:

C'est quoi ce film déjà?

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Deanya Lattimore Schempp's curator insight, May 11, 2013 2:08 PM

Literary analysis becomes a big business.  :-)

Brad Tollefson's curator insight, May 29, 2013 4:03 AM

Wait, I resemble that remark....

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'Welcome to Sanditon' guide: New characters, transmedia, more

'Welcome to Sanditon' guide: New characters, transmedia, more | Transmedia creation | Scoop.it

Marama Whyte:  "'Lizzie Bennet Diaries spin-off Welcome to Sanditon premiered its first episode yesterday – but that’s not all. Catch up on everything Sanditon with our handy guide."


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The Digital Rocking Chair's curator insight, May 16, 2013 5:57 AM

Have you engaged with Welcome to Sanditon yet?

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Ressources numériques, les outils de la recherche

Ressources numériques, les outils de la recherche | Transmedia creation | Scoop.it

Carte mentale partagée sur Mindmister par E. SAUBION.

1 L'identité numérique

2 La bibliométrie

3 Savoir présenter les résultats de sa recherche

4 Faire de la veille automatisée

5 Les archives ouvertes

6 Moteurs de recherches spécialisés

http://www.scoop.it/t/classemapping

 


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