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The famous immortal, winged horse which sprang forth from the neck of Medousa when she was beheaded by the hero Perseus...
Pegasus is amongst the very few of so-called epic creatures which are NON-evil....
Pegasos was tamed by Bellerophon, a Korinthian hero, who rode him into battle against the fire-breathing Khimaira.
The horse was also placed amongst the stars as a constellation, whose rising marked the arrival of the warmer weather of spring and seasonal rainstorms...
Indian Cartozonon Cartazoon:
Beyond the role of the ashipu and the asu, there were other means of procuring health care in ancient Mesopotamia. One of these alternative sources was the Temple of Gula. ▣
Gula is the Sumerian goddess of healing and the patroness of medicine. Her consort is Ninurta. The dog is her symbolic animal. ▩ ... She is usually depicted surrounded by stars with her dog by her side. ┓
Gula is often identified with Nin'insina, the tutelary goddess of Isin.
She is also associated with the underworld.
In his book Illness and Health Care in the Ancient Near East: the Role of the Temple in Greece, Mesopotamia, and Israel, Hector Avalos states that not only were the temples of Gula sites for the diagnosis of illness (Gula was consulted as to which god was responsible for a given illness), but that these temples were also libraries that held many useful medical texts. △
The far darrig or fear dearg, a faerie of Irish lore, is a near relation to the leprechaun, with similar features and a short stocky body.
His face is splotched yellow. He dresses in red from his hat to his tail-trailing cape to the woolen stockings which cling to his calves. This is the reason he is called the far darrig or red man.
He is known not only for his color but for his delight in mischief and mockery.
He can be a gruesome practical joker. He manipulates his voice, emitting sounds like the thudding waves on the rocks or the cooing of pigeons.
His favorite is the dull, hollow laugh of a dead man; which he makes sound as if it's coming from the grave. He has also been known to give evil dreams.
With all his pranks, the far darrig desires not to do harm but to show favor... URL
Nikkal, the Syrian moon-goddess of the Ugarits and later of the Phoenicians, is married to the moon-god Jarih, and their marriage is lyrically described in the Ugaritic text Nikkal and the Kathirat.
Nikkal is also a goddess of orchards, whose name means "Great Lady and Fruitful" and derives from Akkadian / West Semitic "´Ilat ´Inbi" meaning "Goddess of Fruit".
The oldest incomplete annotated piece of ancient music is a Hurrian song, a hymn in Ugaritic cuneiform syllabic writing which was dedicated to Nikkal......"The Hymn to Nikkal"...*****
Nikkal's Sumerian equivalent is the goddess Ningal.
In the lore of the Levant, little is known about Liluri, the ancient Syrian mountain goddess, consort of the weather god Manuzi...
It has been said that bulls were sacrificed to both of them...
The Post Image is adapted from the following link whereby you can order the Oil on Canvas (The Goddess Art of Jonathon Earl Bowser*)
According to German legend, there was once a beautiful young maiden, named Lorelei, who threw herself headlong into the river in despair over a faithless lover.
Upon her death she was transformed into a siren and could from that time on be heard singing on a rock along the Rhine River, near St. Goar.
Her hypnotic music lured sailors to their death. The legend is based on an echoing rock with that name near Sankt Goarshausen, Germany...
I'm looking in vain for the reason,
That I am so sad and distressed;
A tale known for many a season,
Does not allow me to rest.
Cool is the air in the twilight
And quietly flows the Rhine;
The mountain glows with a highlight,
From the evening sun's last shine.
The fairest of maiden's reposing,
So wonderfully up there.
Her golden jewelry disclosing,
She's combing her golden hair.
She combs it with a comb of gold
And meanwhile is singing a song;
A melody strangely bold
And unbelievably strong.
The bargeman in his small craft
Is seized with longings and sighs.
He sees not the rocks fore and aft,
He looks only at her and the skies.
It looks like the waves are flinging,
Both man and boat to their end;
That was what with her singing,
The Lorelei did intend.
Lore Ley from Heinrich Heine
Heryshaf (Heri-shef, 'he who is on his lake') is an ancient ram-god whose cult was centered in Middle Egypt at Herakleopolis Magna (now Ihnasiyyah al-Madinah)...
Heryshaf is a fertility god and said to have emerged from the primordial waters. He is depicted as a ram or as a human with a ram's head. His feet rested on earth but his head was in the sky where his right eye was the sun and his left eye was the moon.
Heryshaf is sometimes depicted with four heads.
He is often seen to be the personification of the souls of Osiris and Ra. The Greeks equated Hershef with Herakles.
Chapter 175 of the Book of the Dead associates the lake of Herakleopolis with the blood of Osiris which he lost as the result of an injury incurred by wearing the heavy royal crown. It also explains why blood plays an important role in the rituals of Harsaphes, who had an offering and purification cult near the lake; it is the blood of Seth that poured from his nose when he bowed before Osiris, and which was buried by Re in the ground...
Post Image adapted from: http://bit.ly/1Ge0ARV
A lazy fisherman who decided to fish in the imperial koi ponds near the Heian-kyō palace.
Despite being warned by his wife about the pond being sacred and near a graveyard, the fisherman went anyway.
On his way to the pond, he is warned by another fisherman not to go there, but he again ignores the warning.
Once at the spot, he is met by a beautifull young woman (Noppera-bō ) who pleads with him not to fish in the pond. He ignores her and, to his horror, she wipes her face off.
Rushing home to hide, he is confronted by what seems to be his wife, who chastises him for his wickedness before wiping off her facial features as well...
Noppera-bō or faceless ghost, is a Japanese legendary creature.
Noppera-bo are apparently harmless. They do nothing more than scare the ever-loving crap out of unsuspecting people. As for why they do this, well, their motives are unclear.
They often appear initially in human form, often as someone who is familiar to their potential victim.
Once they’ve ingratiated themselves to the victim, or otherwise attracted their attention, they then go full horror act on the poor person..
Post Image: http://bit.ly/1F7mxwg
Fukurokuju is the Shinto god of wealth, happiness, and longevity in Japanese lore...
Fukurokuju is a personification of the southern polar star and he is often confused with Jurōjin (another god of Taoist origin and member of the Seven Lucky gods). The two are said to inhabit the same body, but to represent different manifestations of the same celestial body
The bald and bearded Fukurokuju has long whiskers and unusually elongated forehead . He is typically shown in the customary garments of a Chinese scholar and holding a cane with a scroll attached to it.
He may also have a tortoise or crane near him (both creatures are icons of longevity in China and Japan). He is also sometimes with a black deer.
Fukurokuju was not always included in the earliest representations of the seven in Japan. He was instead replaced by Kichijōten (goddess of fortune, beauty, and merit)...
Post Image: http://bit.ly/1wFOQPc
In Chinese lore, Horse Face and Ox Head are two creatures depicted over and over again in the hell scrolls....
"Each is firmly bound and tightly tied,
Shackled by both ropes and cords.
The slightest move brings on the Red-hair demons,
From the Chinese classical novel "The journey to the West"...
In 'Journey to the West', Ox-Head and Horse-Face are sent to capture Sun Wukong, but he overpowers them and scares them away.
He then breaks into the Underworld and crosses out the names of himself and his primate followers from the record of living souls, hence granting immortality to himself and his followers.
Post IamgE: http://on.be.net/1FmvvYx
In Norse lore, Sol is the sun goddess, daughter of Mundilfari. She is married to Glen. Some argue that Sól is the mother and Sunna is her daughter....
Sol rides through the sky in a chariot pulled by the horses Alsvid ("all swift") and Arvak ("early riser"). Below their shoulder-blades the gods inserted iron-cold bellows to keep them cool.
She is chased during the daytime by the wolf Skoll who tries to devour her, just like her brother Mani is chased by the wolf Hati at night.
It was believed that during solar eclipses the sun was in danger of being eaten by Skoll. Both wolves are the offspring of the giantess Hrodvitnir who lives in the Iron Wood. Eventually, the wolf will catch her. The goddess Svalin stands in front of the sun and shields the earth from the full intensity of its heat...
At Ragnarok, the foretold "Twilight of the gods" or end of the world, it is believed the Sol will finally be swallowed by Skoll. When the world is destroyed, a new world shall be born, a world of peace and love, and the Sun's bright daughter shall outshine her mother.
Note: In Norse realm, the Sun is female while the Moon is male.
See Skinfaxi and Hrímfaxi:
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Where was the bear born?
Where was the beast made?
By the moon, with the day,
on the shoulders of the Plough
Then lowered on silver chains,
let down on golden cords
In Finish lore, Otso is spirit of the bear...
In Finland a bear is thought to be an intelligent and soulful creature. It is no ordinary animal but some sort of human being living in a forest. It can count at least to nine and it can understand the language of man.
Otso, the bear was born on the shoulders of Otava, in the regions of the sun and moon, and ‘nursed by a goddess of the woodlands in a cradle swung by bands of gold between the bending branches of budding fir-trees.
His nurse would not give him teeth and claws until he had promised never to engage in bloody strife, or deeds of violence. Otso, however, does not always keep his pledge, and accordingly the hunters of Finland find it comparatively easy to reconcile their consciences to his destruction.
In Finnish tradition women had a special relationship with bears. It was imagined that bears were looking for a chance to reincarnate through women. Because of this belief women were supposed to stay far away from a dead bear during a bear's funeral feast. It was commonly believed that bears would not attack a person they recognised as a female.
Some sub-traditions considered the bear to be a relative who had fled the community and been transmogrified by the power of the forest...
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The representation of CAPRICORNUS, The Sea-Goat or Goat-Fish, as a creature with the head and body of a goat and the tail of a fish, may well have originated from Assyro-Babylonian depictions of their god of wisdon Oannes, who was half-man, half-fish...
Images of the creature represented by Capricornus, often with the head and body of a goat and the tail of a fish (a sea-goat), have been found in 3000 B.C.E. year-old Babylonian tablets. Recognition of the constellation is probably even older...
In Greek folklore, the constellation is sometimes identified as Amalthea, the goat that suckled the infant Zeus after his mother, Rhea, saved him from being devoured by his father, Cronos...
The goat's broken horn was transformed into the cornucopia or horn of plenty.
Capricornus is also sometimes identified as Pan, the god with a goat's head, who saved himself from the monster Typhon by giving himself a fish's tail and diving into a river...
The best explanation of the Capricorn goat comes from the Capricorn zodiac sign myth that was discovered in the writings known as the Scriptures of Delphi...Basically the sea goats came from the first sea goat, Pricus, who was created by the god Cronos.
The legend goes that eventually all the sea goats made their way inevitably to land where they became the four-legged goats that we know today, leaving Pricus as the sole sea goat and the figure in Capricorn tales. This, naturally, explains why there are no sea goats today...
Capricornus (The Sea Goat) Constellation — Location: Zodiac constellation, visible in both hemispheres; Coordinates: Right Ascension: 21h; Declination: -20; Source: Ancient, Babylonian and Greek folklore.
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As the poet Bragi the Old says:
A Goddess whose name means simply ‘giver’, Gefn was regarded by the Norse-Germanic people as a frolicsome, fertile figure and seeress who embodied the earth’s greenery. Source
This Norse goddess of unmarried women is the fourth goddess of the Æsir, following Frigg (the wife of Odin), Sága, and Eir (the best of physicians), according to The Prose Edda of Snorri Sturluson....
Gefjon is a fertility goddess, especially connected with the plough.
She was considered the patron of virgins and the bringer of good luck and prosperity...
Gefjon created the Island of Zealand...◁
Gefjon was a giantess who dreamed of becoming a Goddess. With only farming skills, great strength and determination, she made her way barefoot to Asgard, only to be laughed at by Odin.
She pledged to give him whatever he wanted, and he asked for as much land in the human realm as could be crossed in a day by a fast horse.
Njord gave her advice and encouragement when she despaired, and she made her plan....She won from the Swedish king a promise: to have as much land as she could plough in a day.
To Giantland she then returned to bear four sons to the man her parents had promised her to. When they were old enough, she returned to Midgard, and with these sons taking the form of four bulls, she ploughed an island off from the mainland.
This is how she paid for and won her place in Asgard. Later she earned Hela’s permission to welcome any willing woman who died unmarried to serve her in working the land...◯◯
▷ Gefion could be another form of Frigg who is also known under that name.
....In the Propontis there is an island sloping steeply to the sea, close to the rich mainland of Phrygia, and parted from it only by a low isthmus barely raised above the waves.
The isthmus, with its two shores, lies east of the River Aisepos (Aesepus); and the place itself is called Bear Mountain by the people round about.
It is inhabited by a fierce and lawless tribe of aborigines, called GEGENEES, who present an astounding spectacle to their neighbours.
Gegenees, meaning "earth-born" are the offspring of Gaia.
Each of these earthborn monsters is equipped with six great arms, two springing from his shoulders, and four below from his prodigious flanks...
The Gegenees were battled by the Argonauts* on Bear Mountain in Mysia.
...No doubt then that the Gegenes perfectly fit the role of arbiter in the primeval eris between Athena and Poseidon, a central event in the future political order of Athens. But is it only by chance that Kekrops also played witness to the birth of Erichthonius? Certainly not: we are dealing with a gegenes who mediates the advent of a second gegenes, another cultural hero who in many respects duplicated and developed the cultural features of his predecessor... URL
*Argonauts are the heroes and demigods who, according to the traditions of the Greeks, undertook the first bold maritime expedition to Colchis, a far distant country on the coast of the Euxine, for the purpose of fetching the golden fleece.... See Argonautica.
In Etruscan lore, Veltha was the chthonic (earth deity related to or inhabiting the underworld), who became the supreme god of the Etruscan pantheon, the deus Etruriae princeps, according to Varro.
Voltumna's cult was centered in Volsini (modern-day Orvieto) a polis of the Etruscan Civilization of northwest Italy.
Voltumna’s equivalanet for Romans is Vertumnus.
The 10th spirit, wise in the art of medicine, one of the 72 Spirits of Solomon, Buer is a demon of the second order...
Buer appears in Sagittary, and that is his shape when the Sun is there...
The demon appears as a sardonic lion’s head encircled by five goat’s legs Others say that he appears as a starfish...
Buer appears as a "vestige" in the Dungeons & Dragons handbook, Tome of Magic. ☠
Tugarin Zmeyevich is best known from a bylina* about his duel with Alyosha Popovich**, which comes in many different versions.
When the two approach each other in a field, Tugarin is hissing like a snake and his horse is neighing like a beast. Tugarin's torso is covered with fiery snakes.
It appears that Tugarin represents the element of fire, which he uses in different forms as a weapon. He threatens to strangle Alyosha Popovich with smoke, throw fiery sparks at him, scorch him with fire, and shoot charred logs at him.
It also appears that Tugarin represents the element of water, because their duel usually takes place near the Safat River.
At the same time, Tugarin is also a dragon. He is flying in the sky flapping his paper-like wings, which fail him when it rains.
Alyosha Popovich wins the duel, cuts Tugarin's body into pieces and scatters them across the field...
Tugarin Zmeyevich is a chtonical character of an ancient dragon-fighting mythos, related to Zmey Gorynych, Fiery Dragon, etc.
In Kievan Rus, Tugarin Zmeyevich became a symbol of paganism and wild steppes full of dangers.
*Bylina (or Bylyna) is a traditional East Slavic oral epic narrative poem.
**Alyosha Popovich is a folk hero of Kievan Rus, a bogatyr (i.e., a medieval knight-errant). He is the youngest of the three main bogatyrs, the other two being Dobrynya Nikitich and Ilya Muromets. All three are represented together at Viktor Vasnetsov's famous painting Bogatyrs.
Kothar was responsible for supplying the gods with weapons and for building and furnishing their palaces.
During the earlier part of the 2nd millennium bc, Kothar’s forge was believed to be on the biblical Caphtor (probably Crete), though later, during the period of Egyptian domination of Syria and Palestine, he was identified with the Egyptian god Ptah, patron of craftsmen, and his forge was thus located at Memphis in Egypt.
According to Phoenician tradition, Kothar was also the patron of magic and inventor of magical incantations; in addition, he was believed to have been the first poet...
Kothar-wa-Khasis made the wonderful bow for Aqhat and built Baal's palace. He also made Baal's maces...
Post Image: http://bit.ly/1AzcPl1
The allocamelus is an heraldic monster described as having the head of an donkey and a body with a camel’s hump; it’s sometimes called an “ass-camel” in the heraldic literature...
It is the legendary representation of the llama.
There doesn’t seem to be a default posture for the allocamelus; the illustration shows an allocamelus statant...
A drawing made in 1558 from Holland shows the animal being towed away by a man. The creature is almost twice the height of the man possibly being 8ft tall.
Post Image: http://bit.ly/1CxWYmf
The sea bishop or bishop-fish is a type of sea monster reported in the 16th century.
According to legend, it was taken to the King of Poland, who wished to keep it. It was also shown to a group of Catholic bishops, to whom the bishop-fish gestured, appealing to be released.
They granted its wish, at which point it made the sign of the cross and disappeared into the sea.
Another was supposedly captured in the ocean near Germany in 1531.
It refused to eat and died after three days. It was described and pictured in the fourth volume of Conrad Gesner's famous Historiae animalium.
Whereas many of the animals documented in Historia Annimalium have been identified the Bishop Fish remains a mystery.
It has been suggested that it may have been some sort of beach squid.
The Bishop Fish was believed to be the inspiration for the Gill Man in the 1954 b-movieCreature from the Black Lagoon.
Post Image: http://bit.ly/1G57k0Q
In Greek lore, Keto, The daughter of Gaia and Pontus, is a marine goddess who personifies the dangers and horrors of the sea.
She consorted the sea-god Phorkys, and produced the Gorgons (a brood of awful monsters):Ekhidna (the Viper), Skylla (the Crab), Ladon (the Dragon), the Graia (the Grey), and the Gorgones (the Terrible Ones)...
Keto/Krataiis not to be confused with the goddess Hekate, a divinity whose power extended over the sea. There was also a Krataiis river in the territory of the Brutti, near the Straits of Messina in Italy.
Keto also should not be confused with the minor Oceanid also named Ceto — who appears in Hesiod's Theogony as a separate character from Ceto the daughter of Pontus and Gaia — or with various mythological beings referred to as ketos (plural ketea); this is a general term for "sea monster" in Ancient Greek...
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Alpan is an Etruscan goddess about whom not much is known. She is probably one of theLasas (winged female guardians of graves with Underworld connections; sometimes collectively called the Bellarie (sng. Bellaria).
Alpan the Queen of the Underworld or leader of the Lasas, and, like Lasa Herself, Alpan is sometimes shown carrying an alabastron, or perfume-jar.
Her name means "Gift" or "Offering", with "Willingness" implied; perhaps on this basis, and the fact that She is usually portrayed free of clothing, She is sometimes called a Love-goddess.
Additionally, others call Alpan a goddess of Springtime, and in some depictions she is shown holding bouquets of flowers or leaves.
She seems to have survived into 19th century Tuscany as the fairy Alpena, who was also called La Bellaria (which probably translates to "Beautiful One of the Air"), a sprite of the air and light who is the goddess of flowers, spring and beauty, associated with the sky, clouds, and rainbow.
Alpan has been tentatively linked with Harmonia, Concordia, and Persephone.
Alpan is sometimes depicted wearing loose cloak and sandals and usually bedecked with jewellary.
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Jinmenju is the human-face tree...
Legend has it that the Jinmenju grows "in remote mountain valleys in China."...
The jinmenju's fruit appear to be "human heads. The faces are always smiling or laughing, even as they fall from their branch."...
It is said that if the fruit laughs too heartily, it falls from the tree.
The legend of the Jinmenju comes from China, and was passed onto Japan where it was considered to be a yokai due to its peculiar nature. There are also stories of trees bearing human-faced fruit from India and Persia, usually with the faces of beautiful girls.
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Girru, the son of Anu and Šala, according to the first-millennium incantation series Maqlû, tablet II, lines 136-7, is the light and fire god in the Akkadian folklore and the Sumerian Gibil's counterpart.
Girra would accompany Mesopotamians in their daily lives and as a refiner of metals he is also the patron of metallurgists... Girra demonstrated the ability to mix copper and tin...
He was also praised in the context of construction due to his significance in the process of brick making...
Girra was equally feared for his potential as destructive fire. He was responsible for the burning of fields...The Old Babylonian tale of Girra and Elamatum describes the fire-god as an exalted champion of the gods. He fights on their behalf against the so-called ferocious evil witch of Elam...
Girra was syncretised with the younger god Nuska, another deity of fire and light. Girra and Nuska represented together the two aspects of the planet Mercury as morning and evening star, before Mercury was identified with Nabu alone ...Sometimes Girra is indistinguishable from Nuska....
on a separate note, it is argued that Girra is equated with Erra...
Also, unsurprisingly, Girra was also closely associated with Šamaš.. http://bit.ly/1vZraqX
Girra is said to be invoked to destroy evil... He is used to conveying sorcerers to the netherworld...
In passing: The Bonus of Bonuses:
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In the Greek folklore Talos, the Guardian of Crete, is the first 'bionic' ‘robot-like’ creature on earth...
It is said that Talos was bull-headed and was forged by Hephaestus for King Minos, with the help of the Cyclopes. However, some argue that Talos was given by Zeus to Europa when he carried her off to Crete.
"Talos is said to be created from a petition from Zeus to Hephaestus , to protect Europa from persons who would want to kidnap her."
Talos is a name which, according to ancient descriptions, is related directly to Zeus...On the Greek island of Crete, Zeus was also called Talios, and in the ancient Greek dialect ‘Talos’ was the name of the Sun...
Alternatively Talos could be figured as a sacred bull. His bronze nature suggested that he may have been a survivor from the Age of Bronze, a descendant of the brazen race that sprang from meliae "ash-tree nymphs" according to Argonautica...
Since Talos was a bronze man, his blood was lead, which they believed was a divine fluid (ichor), identical to that what runs in the veins of the gods. Talos' single vein was leading from his neck through his body to one of his heels, which was closed by a bronze nail or a bronze peg or a pin/membrane.
Talos' purpose was to run from his seat in Phaestos around the island three times a day and to throw rocks at any foreign ship coming to Crete without permission. When people from Sardinia tried to invade Crete, Talos made himself glow in the fire and he kept everyone in a fiery embrace with a wild grimace. This led to the term "sardonic grin."
Talos managed to defeat the enemies of Crete for many years, until his time finally came. Of course a bronze “robot” could not be killed by arrows or other weapons, as it was invulnerable, nor could it succumb to old age. Talos was killed by trickery. The legendary ship Argo, bearing Jason, Medea and the Argonauts, had a perilous journey past the Hellespont.
On reaching the south coast of Crete, the Argonauts wanted to beach the ship, rest and obtain supplies. Let’s not forget that they had already been to Colchis, where Jason stole the Golden Fleece with the aid of the witch Medea, the daughter of King Aetes of Colchis.
On leaving, he took with him both the fleece and his beloved Medea. The tale tells that Medea was the niece of Pasiphae, the wife of Minos, i.e. the queen of Minoan Crete, which may be why they chose Crete as a stopping-place on their legendary voyage.
On approaching the shore, however, they were faced with the bronze giant, who hurled rocks at them. The ship was in danger of sinking when Medea took over. She went to the side of the ship and began to talk to Talos. Chanting spells and promising him eternal life, she deceived the guileless Talos and persuaded him to remove the bronze peg from his ankle. All his “blood” ran out onto the ground and he fell lifeless.
There is a second, very similar version, in which Medea looked Talos deep in the eyes and used her magic to drive him mad. As he ran up and down in a frenzy, he struck his vulnerable point, the bronze peg snapped and he fell dead.
Addition in the Suda
The Suda tells that Talos who had been made by Hephaestus, was in possession of the Sardinians, and that when they refused to hand over the brazen man to Minos , Talos leapt into a fire, clasping them to his breast and killing them with their mouths open. From this, the Suda tells, comes the expression "sardonic laugh", which is seen in those who laugh at their own or other's troubles.
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