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Librarians and Archivists in a fast-changing digital lanscape
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Orange libraries give patrons access to digital magazines on computers - by David Breen, Orlando Sentinel

Orange libraries give patrons access to digital magazines on computers - by David Breen, Orlando Sentinel | The Information Professional | Scoop.it
Orange libraries give patrons access to digital magazines on computers - Patrons of the Orange County Library System can now read hundreds of magazines without setting foot inside a branch.

The system recently rolled out a service that allows library patrons to view and download about 250 magazines on computers, tablets or smartphones.

The service, a partnership between the electronic newsstand Zinio and audio-book publisher Recorded Books, is free to anyone with a library card.
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The 20 Most Beautiful Libraries on Film and TV, by Emily Temple

The 20 Most Beautiful Libraries on Film and TV, by Emily Temple | The Information Professional | Scoop.it

Countless gorgeous libraries have appeared on screens large and small (if only there were set designers in all of our homes), whether old and dusty, shiny and modern, underground, filled with water, or, um, animated. After the jump, 20 of the most beautiful libraries on film and television. If you don’t see your favorite here, be sure to add it to the list in the comments.

Karen du Toit's insight:

Inspiring libraries from film and tv!

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Archive films used in pioneering approach to tackling dementia and memory loss | Harrogate-News

Archive films used in pioneering approach to tackling dementia and memory loss | Harrogate-News | The Information Professional | Scoop.it

"Films from the collections housed at the Yorkshire Film Archive are at the forefront of a pioneering project to connect the past to the present, and bring back memories to share and enjoy.

Working with experts from Age UK, the Alzheimer’s Society and Methodist Homes for the Aged (MHA), the Yorkshire Film Archive has created “Memory Bank”, an innovative series of carefully curated themed DVDs and online films, plus a wealth of information and activities for use in reminiscence therapy and life story work."

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Why I love being an archivist via The Reel Li

Why I love being an archivist via The Reel Li | The Information Professional | Scoop.it

"One of the things I love about being an archivist is that every day is a little different. The materials you’re working with depend entirely on what happens to end up on your desk..."

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Preserving analog films and music at the Library of Congress - The Verge

Preserving analog films and music at the Library of Congress - The Verge | The Information Professional | Scoop.it

Preserving analog films and music at the Library of Congress
The Verge
Libraries preserve and circulate more than just books, and the Library of Congress is no exception.

Glenn Fleishman tours the facility.

Video here: http://www.loc.gov/avconservation/packard/

Karen du Toit's insight:

Audio-visual conservation at the LC

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Film vs. Digital: Archivists Speak Out - Smithsonian (blog), by @Film_Legacy

Film vs. Digital: Archivists Speak Out - Smithsonian (blog), by @Film_Legacy | The Information Professional | Scoop.it

Smithsonian (blog): Film vs. Digital: Archivists Speak Out

[...] 

"Skip Elsheimer, a media archeologist with A/V Geeks, believes that access to materials is key. “Access is the first step toward preservation,” he said. “When films are online, people can access them and identify areas for research. You can say, ‘You know what? That title’s important because it was made by a special company, or it’s the first time a musician scored something, or it’s an early appearance by an actor.’”

Digital answers some of these access issues, but also raises other questions. “Videotape is going away,” Elsheimer pointed out. “The crushing blow was the tsunamis in Japan last year that hit the Sony tape manufacturing plants. A lot of people changed over to file-based formats at that point.”

But what format do you use? “When YouTube came out, it was a pretty big deal,” Elsheimer said. “We’re still talking to archives who want a YouTube channel, so that’s what the bar is. And that bar’s not very high. But a lot of people just want to see something, even if they’re seeing it in the worst possible quality.”

Elsheimer believes how we watch movies determines the delivery format. “With High Definition, video has gotten bigger, but people are watching it smaller—on iPhones and iPads,” he said. “What’s changing now is the software for reading video files. Final Cut was a big thing for a while, but we’re shifting to another format. Are QuickTime files going to be valuable anymore? Probably not.”

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Association of Moving Image Archivists Conference

Association of Moving Image Archivists Conference | The Information Professional | Scoop.it

"The National Archives has made public their guidelines for reformatting materials and the context for the digitized items that they produce. I'll be looking at these documents with a goal of updating Dartmouth Library's ...

 

The Association of Moving Image Archivists is the professional organization for those who are involved with preserving and making accessible film and video. I attended the recent conference in Austin, TX and came away with a couple of good tools"

 

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