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Librarians and Archivists in a fast-changing digital lanscape
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Copyright for Librarians - the essential handbook

Copyright for Librarians - the essential handbook | The Information Professional | Scoop.it

Copyright for Librarians" (CFL) is an online open curriculum on copyright law that was developed jointly with Harvard’s Berkman Center for Internet and Society.

The goal is to provide librarians in developing and transition countries information concerning copyright law. More specifically, it aspires to inform librarians concerning copyright law in general; the aspects of copyright law that most affect libraries; and how librarians in the future could most effectively participate in the processes by which copyright law is interpreted and shaped.

 

Download for free as a pdf:

 

http://www.eifl.net/system/files/201301/cfl_book_download.pdf

Karen du Toit's insight:

Great resource for copyright for librarians, available for free as well!

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We Need Copyright 2.0 | American Libraries Magazine

We Need Copyright 2.0 | American Libraries Magazine | The Information Professional | Scoop.it

Neal Starkey (American Libraries Magazine, the magazine of the American Library Association, delivers news and information about the library community.)

 

"[...] the only way to guarantee lasting public access to the increasingly digitized intellectual wealth of the world is through the reform of copyright law.

We need the creation of solid legal exemptions for libraries to break DRM and to own, circulate, and ­archive digital copies."

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Inside the Quest to Put the World's Libraries Online - Atlantic Mobile

Inside the Quest to Put the World's Libraries Online - Atlantic Mobile | The Information Professional | Scoop.it

Esther Yi:

"For all their differences, Google and the DPLA do share a major hurdle: Copyright law, which prevents the digitization of orphan works, numbering around 5 million and constituting about 50 to 70 percent of books published after 1923. Orphans are works whose rights holders are not known; they may be dead or unaware of their entitlement. Google's settlement would have given the company license to appropriate orphan works for posterity—a move that would have opened up a trove of previously unavailable works, at the expense of granting Google unprecedented control through litigation. The DPLA faces a similar problem: As some members pointed out in a gathering last year, out-of-print and orphan works—content in the "yellow zone" of copyright—outnumber both public domain and in-copyright works, "making legal reforms necessary for the success of a DPLA," according to meeting notes. Jason Schultz, an assistant professor at UC Berkeley School of Law and a DPLA member focusing on legal issues, says that the coalition wants to strike the right balance between the rights of copyright owners to be properly compensated and the rights of public access. The DPLA will not violate copyright, and it will begin with a foundation of public-domain works. The organization is trying to figure out the best case for fair use of out-of-print or unpublished works to argue that public access to this literature benefits society and serves a "higher" purpose.

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