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Librarians and Archivists in a fast-changing digital lanscape
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AMIA Online - 3 webinars about preservation of audiovisual heritage

AMIA is a nonprofit, international association dedicated to the preservation and use of moving image media. As the world’s largest association of professional media archivists, AMIA brings together a broad range of experts and institutions in a single forum to address the best ways to preserve our media heritage.

  AN INTRODUCTION TO DIGITAL FORMATS 
AND STORAGE

This series focuses on digital file formats, storage, and transfer workflows. [Eight webinars]

  BEST PRACTICES FOR 
PERSONAL AUDIOVISUAL ARCHIVES

This series is directed to families and individuals with audiovisual collections they wish to preserve. [Two webinars]

  BEST PRACTICES FOR 
SMALL AUDIOVISUAL ARCHIVES

This series is directed to small institutions with audiovisual collections and limited staff. [Two webinars]


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Looks good, but unfortunately at a prize!

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Video at Risk: Strategies for Preserving Commercial Video Collections in Research Libraries, The Andrew W. Mellon Foundation - New York University | Bobst Library: Current Preservation Department P...

For Research Library collections across the continent, physical degradation of the media housing valuable, unique, and out–of–print video material looms imminent. Across the board, there is a pressing need to reframe principles and practices in situations where risk is defined by scarcity, and reformatting by legal and practical processes is not yet illuminated by common or best practices.

This Mellon Foundation–funded collaborative study brings together New York University's Division of Libraries with the Moving Image Archiving & Preservation program at NYU's Tisch School of the Arts, and the circulating media collections of the University of California, Berkeley and Loyola University New Orleans to collaboratively address these challenges. Additional project information, including Section 108 Copyright Guidelines, available here.

Digitizing Video for Long-term Preservation: An RFP Guide and Template -- now available

Working in collaboration with its academic partners and technical advisors, New York University is pleased to announce the release of a new publication. Digitizing Video for Long-term Preservation: An RFP Guide and Template is intended to take an institution step-by-step through the process of drafting a Request for Proposals (RFP) for the transfer of analog video -- specifically VHS -- to digital carriers for preservation. This template can be used by libraries, archives, and other cultural heritage institutions and submitted to qualified transfer vendors.  PDF available here
Karen du Toit's insight:

Great for the upcoming World Day for Audiovisual Heritage on 27 October!

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Archives to Earbuds: Podcasting Digital Collections at the Kansas Historical Society at The Interactive Archivist

Archives to Earbuds: Podcasting Digital Collections at the Kansas Historical Society at The Interactive Archivist | The Information Professional | Scoop.it
Case Studies in Utilizing Web 2.0 to Improve the Archival Experience.
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Archive films used in pioneering approach to tackling dementia and memory loss | Harrogate-News

Archive films used in pioneering approach to tackling dementia and memory loss | Harrogate-News | The Information Professional | Scoop.it

"Films from the collections housed at the Yorkshire Film Archive are at the forefront of a pioneering project to connect the past to the present, and bring back memories to share and enjoy.

Working with experts from Age UK, the Alzheimer’s Society and Methodist Homes for the Aged (MHA), the Yorkshire Film Archive has created “Memory Bank”, an innovative series of carefully curated themed DVDs and online films, plus a wealth of information and activities for use in reminiscence therapy and life story work."

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More Podcast, Less Process: The Video word made flesh - Jefferson Bailey & Joshua Ranger (Podcast)

More Podcast, Less Process: The Video word made flesh - Jefferson Bailey & Joshua Ranger (Podcast) | The Information Professional | Scoop.it

"More Podcast, Less Process is a podcast featuring interviews with archivists, librarians, preservationists, technologists, and information professionals about interesting work and projects within and involving archives, special collections, and cultural heritage. Topics include appraisal and acquisition, arrangement and description, reference, outreach and education, collection management, physical and digital preservation, and infrastructure and technology.

Hosts: Jefferson Bailey, Metropolitan New York Library Council & Joshua Ranger, AudioVisual Preservation Solutions.

Episodes are available here and through Internet Archive, SoundCloud, iTunes, and direct download. You can also follow via the RSS feed. All episodes are released CC BY-NC-SA 3.0 US. For more information, email Jefferson at jbailey at metro dot org."

Karen du Toit's insight:

Interview with archivists about video archiving.

Check series of podcasts (7 before this one) here: http://keepingcollections.org/more-podcast-less-process/

 

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World Day for AudioVisual Heritage on 27 Oct | IASA

World Day for AudioVisual Heritage on 27 Oct | IASA | The Information Professional | Scoop.it

"UNESCO declared October 27 as the World Day for AV Heritage to raise awareness of the significance of AV documents and to draw attention to the need to safeguard them. Every year, activities are organized by different institutions worldwide around a theme to drum up interest in the event."

 

"The theme for 2012 is:
“Audiovisual heritage memory? the clock is ticking”


"Events being organised worldwide to mark the day in 2012 are listed on the site" http://www.iasa-web.org/world-day-audiovisual-heritage

 


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Film Archivists in China: the 2012 FIAF congress, by David Walsh | IWM Research Blog

Film Archivists in China: the 2012 FIAF congress, by David Walsh | IWM Research Blog | The Information Professional | Scoop.it

"...archivists were understandably confused by the sheer scale and rapidity of the changes to their world brought about by digital technology. And so a good deal of the proceedings set about addressing some of these concerns, not least the workshop organised jointly by the Technical Commission (of which I am the head) and the Programming and Access Commission, where we looked at the digital world from different perspectives and tried to offer some guidance on acquisition, management, preservation and access. (Some of the guidance we offered is now available in a few handy documents on the FIAF website).

Our fellow commission, Cataloguing and Documentation, have also worked hard to push for worldwide implementation of an important new European standard for film metadata (EN 15907:2009), and are hoping that this will become an ISO standard shortly. To boost their case, they had the British Film Institute to present their successful adoption of CEN standards in their new Adlib database (the first organisation to do so). This commission is also working on a revised set of cataloguing rules which will be compliant with this standard.

FIAF retains a very strong interest in analogue film technology, and there are many who view the demise of this traditional technology not just as regrettable, but as something to be resisted at all costs. In this context, when the Technical Commission wondered in passing whether it should investigate the feasibility of film archives manufacturing their own film stock when all the big players (Kodak, Fuji) decide to drop it, the FIAF delegates were understandably excited. Establishing a cottage industry for film stock seems implausible to many, but I suspect that unless we can come up with definitive evidence to support this view, the idea will not rest."

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