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Scooped by Paul Farrell onto the Gonzo Trap |
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One of the very first scholarly theses to be written about the cinema, Emilie Altenloh’s Zur Soziologie des Kino: Die Kino-Unternehmung und die Sozialen Schichten Ihrer Besucher (A Sociology of the Cinema) (1914) has proven to be of lasting worth. Altenloh’s study of the habits of cinemagoers in Mannheim, Germany has greatly grown in reputation in recent years, partly because her interest in the social drivers behind the popularity of cinema anticipate modern interests and concerns, and partly because of the increase in studies of cinema as social space generally. Delete the scoop?
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