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Creative Code | Filmmaker Magazine

Creative Code | Filmmaker Magazine | FutureMedia | Scoop.it

Developing an understanding of code is a valuable skill. I In fact its now a 21st century storytelling reality. While it’s not critical for you to rush off and learn how to code, it wouldn’t hurt to become more familiar with the terminology, process and realities of producing digital / interactive projects.

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FutureMedia
Future of Media : Transmedia, Crossmedia, Storytelling, Internet, Social Media, Social TV, Second-screen, Virtual reality, Webmarketing and much more
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Transmedia : Arte s'aventure dans l'imaginaire de Philip K. Dick

Transmedia : Arte s'aventure dans l'imaginaire de Philip K. Dick | FutureMedia | Scoop.it
Qui mieux que Philip K. Dick, écrivain futuriste, pour apprécier les 3 hommages interactifs qui lui sont rendus par Arte ?
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Magic Leap’s CEO, who just raised $793 million, is getting ready to mass produce his hallucinogenic technology

Magic Leap’s CEO, who just raised $793 million, is getting ready to mass produce his hallucinogenic technology | FutureMedia | Scoop.it
Magic Leap CEO Rony Abovitz tells us what the company plans to do with its new massive round of funding, from backers including Alibaba and Google.
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Les nouvelles écritures audiovisuelles

Les nouvelles écritures audiovisuelles | FutureMedia | Scoop.it
Le monde des contenus audiovisuels connaît depuis deux ans une mutation profonde de ses paradigmes constitutifs. Au centre de ce bouleversement :...
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7 Things We Learned About the TV Industry in 2015

7 Things We Learned About the TV Industry in 2015 | FutureMedia | Scoop.it

Via The Digital Rocking Chair
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The Digital Rocking Chair's curator insight, January 1, 2:09 PM


Ben Travers:  "Too much TV, better TV and defining TV all helped make 2015 a fascinating time to talk about the goings on of the small screen."

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Il nous faut des journalistes designers

Il nous faut des journalistes designers | FutureMedia | Scoop.it

"Dans un monde de plus en plus technologique, complexe, changeant, chaotique, le futur de l’information passe désormais par des collectifs d’experts réunis autour d’événements, par de nouveaux formats narratifs visuels, par le design de services– et pas seulement de contenus-- conformes aux besoins d’une société en pleine mutation."

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Kevin Spacey picks virtual reality as next Netflix

Kevin Spacey picks virtual reality as next Netflix | FutureMedia | Scoop.it
Kevin Spacey has form in picking the next big consumer media trend and thinks virtual reality is it.
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The 40 most exciting innovations of the year

The 40 most exciting innovations of the year | FutureMedia | Scoop.it
From the first-ever $9 computer to lab-grown rhino horns, this year has been filled with innovations that give us hope.
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Virtual Reality TV ? How Virtual Reality Might (or will) Change TV Shows #vr #vrtv

Virtual Reality TV ? How Virtual Reality Might (or will) Change TV Shows #vr #vrtv | FutureMedia | Scoop.it
Do you remember those moments long ago when you sat glued in front of the television set, longing to jump through the screen and land inside your favorite TV shows? You wanted help the Smurfs beat Gargamel or travel to space with Ren and Stimpy or wander through Springfield with Bart and Lisa. Maybe you still have those moments today. Maybe you watch Game of Thrones and think about how you could join in the battle or imagine yourself exploring The Land of Ooo with Finn and Jake in Adventure Time

Via Gary Hayes
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Gary Hayes's curator insight, November 1, 2015 9:44 PM

Quote "This isn’t the sort of medium that will work with every kind of story. Sitcoms and dramas are perhaps better suited for voyeur experiences, rather than participatory ones. For genres like fantasy, adventure and science-fiction, virtual reality can take narratives to a completely different level. That’s likely the reason why video games have become such a big part of the virtual reality scene at the moment; the medium is perfect to support first-person perspectives. Applying the immersive nature of VR to the fly-on-the-wall nature of television, though, will be tricky. Writers will have to think about how to construct plots and develop characters that can support any potential viewer stepping into the protagonist’s role. That’s already being done in short-form experiences, but might be harder to carry out through a season’s worth of episodes, but it’s not too far-fetched to think that some clever writers will be up for this. “There is so much coming down the pipes in terms of narrative momentum in VR, just from the people I’m talking to, I think of course people are going to tell stories in this medium,” Levin says."

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Web Storytelling Heads Back Offline With 'Sherlock Holmes and the Internet of Things'

Web Storytelling Heads Back Offline With 'Sherlock Holmes and the Internet of Things' | FutureMedia | Scoop.it

HBy Noah J. Nelson (@noahjnelson)

Lance Weiler makes interesting stuff.

If you follow the seam where entertainment and tech intersect than you've probably heard of Weiler. At the Sundance Film Festiv


Via Simon Staffans
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Simon Staffans's curator insight, October 19, 2015 5:18 PM

HuffPost looks at Lance's "Sherlock Holmes and the IoT" project

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Le numérique, une catastrophe pour les médias ? Le chemin de fer l’était aussi

Le numérique, une catastrophe pour les médias ? Le chemin de fer l’était aussi | FutureMedia | Scoop.it
Il y a des étudiants en journalisme plus chanceux que d'autres. Pour leur leçon inaugurale, ceux qui viennent d'entrer au Centre de formation des journalistes (CFJ) ont pu échanger av (...)

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Sherlock Holmes ioT à Paris - Scénario 2.0

Sherlock Holmes ioT à Paris - Scénario 2.0 | FutureMedia | Scoop.it
Sherlock Holmes & the internet of things a eu lieu le 16/09/15 à Paris. C'est une expérience mondiale d'innovation narrative collective.
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As co-creation and crowdsourcing gain ground, it’s time to get in the game

"The concept of “Open Innovation,” developed by Henry Chesbrough, professor and executive director of the Program in Open Innovation at the University of California at Berkeley in 2003, involves pooling tools or platforms to share ideas and stimulate innovation. Today, business innovation is more collaborative than ever, making Open Innovation, also known as crowdsourcing, increasingly relevant..."

 
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The Future Universe

The Future Universe | FutureMedia | Scoop.it
American Ninja Warrior and Wipeout are fun to watch, sure. But what if you were able to participate in a new game show every week from your own home? Norway’s Future Group has designed The Future U...
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Virtual Reality is Here, But What is VR Storytelling?

Virtual Reality is Here, But What is VR Storytelling? | FutureMedia | Scoop.it
At Sundance's New Frontier, creators push the boundaries of storytelling and search for a new lexicon for VR.
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Vers un cinéma INTERACTIF

Vers un cinéma INTERACTIF | FutureMedia | Scoop.it

Michael Lew est un artiste-chercheur indépendant né en 1977. Après avoir obtenu son Master ès Sciences en ingénierie électronique à l'EPFL sur le thème de l'intelligence artificielle, il a été Research Fellow au Media Lab Europe, laboratoire européen du MIT, puis Adjunct Professor et Visiting Scholar à USC dans le département de médias interactifs. En 2012, il a bénéficié d'un soutien du Fonds National Suisse de la Recherche Scientifique dans le cadre du projet sinlab.
Apparu en 1967 avec le Kinoautomat, le cinéma interactif devient, avec les web-documentaires, enfin accessible à tous. Cet article examine les particularités de ces films dont le déroulement est non-linéaire et adaptatif aux spectateurs. La prise en compte instantanée des décisions du public permet-elle de réaliser la promesse cybernétique ?
A travers une étude illustrée de cas, nous proposons des notions utiles pour étendre le champ de la narratologie contemporaine à l'étude de ces nouveaux objets d'art.


Via association concert urbain
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Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism

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Secret, immersive cinema is likely to change the future of film

Secret, immersive cinema is likely to change the future of film | FutureMedia | Scoop.it
nd original sound score. The Empire Strikes Back screening and pre-event build-up was infused with the theme of rebellion and secrecy, which was germane to the film’s original narrative, ensuring the audience’s willingness to engage in the experience, purchasing costumes from the pop-up and online shops, and bringing along props as instructed.

In the future, genre conventions and production practices and processes will respond directly to the “live” model in the development and production phases. Film aesthet
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The man behind Jon Stewart's secret project lays out the future of media — and it's riveting

The man behind Jon Stewart's secret project lays out the future of media — and it's riveting | FutureMedia | Scoop.it
When Jules Urbach starts talking about the future of media, it’s hard for me not to get swept up in a wave of eagerness.
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Polar Sea 360 : la Réalité Virtuelle réinvente le genre documentaire…

Polar Sea 360 : la Réalité Virtuelle réinvente le genre documentaire… | FutureMedia | Scoop.it
pproprié, notamment. Le premier plan est notamment tourné avec un drone que nous avons développé nous-même. Au démarrage, la production disposait de trois drones et 40 GoPro et nous ne sommes revenus qu’avec 3
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Storytelling app a hit; launches a new chapter in transmedia

Storytelling app a hit; launches a new chapter in transmedia | FutureMedia | Scoop.it

Via The Digital Rocking Chair, Simon Staffans
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The Digital Rocking Chair's curator insight, October 30, 2015 2:34 PM


Gillian Shaw:  "Paul Pattison and Luke Minaker knew they were onto something when they got an email from the mother of a nine-year-old who read the first instalment of their interactive story, Weirdwood Manor" ...

Simon Staffans's curator insight, November 2, 2015 3:21 PM

Interesting development

Daniel Christian's curator insight, November 3, 2015 8:23 AM

Via @The Digital Rocking Chair

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«Avec "Wei or Die", le spectateur produit les images qu’il regarde»

«Avec "Wei or Die", le spectateur produit les images qu’il regarde» | FutureMedia | Scoop.it
Libération diffuse en avant-première «Wei or Die», une fiction interactive qui plonge l'internaute dans un week-end d'intégration qui tourne mal. Son réalisateur, Simon Bouisson, en explique le concept.
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Le mobile dans les nouvelles écritures — Interactivité & Transmedia — Medium

Le mobile dans les nouvelles écritures — Interactivité & Transmedia — Medium | FutureMedia | Scoop.it
N’échappant pas à ces bouleversements, le monde de la création culturelle cherche (et trouve) de nouvelles façons d’utiliser la mobilité pour créer de nouvelles expériences narratives. Je vous propose donc d’en faire un petit tour d’horizon (nécessairement non exhaustif…)
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The Gendered Journey

The Gendered Journey | FutureMedia | Scoop.it
The world is actually getting better. Fifteen years into the 21st century, life on the whole has improved for a great deal of humanity. Access to basic needs like food, shelter, water, education and work has improved.
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(1) The Verge - Inside Industrial Light & Magic's secret Star Wars VR lab

(1) The Verge - Inside Industrial Light & Magic's secret Star Wars VR lab | FutureMedia | Scoop.it
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‘Hartsville,’ the trans-media solutions story | Solutions Journalism Network

‘Hartsville,’ the trans-media solutions story | Solutions Journalism Network | FutureMedia | Scoop.it

Via Simon Staffans
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Simon Staffans's curator insight, July 17, 2015 4:54 PM

Quite so - "But by tapping the different strengths of different mediums – particularly print, film, and online gaming – I think we open up a much wider set of possibilities for both storytellers and story readers to explore."