FutureMedia
5.3K views | +0 today
Follow
FutureMedia
Future of Media : Transmedia, Crossmedia, Storytelling, Internet, Social Media, Social TV, Second-screen, Virtual reality, Webmarketing and much more
Your new post is loading...
Your new post is loading...
Rescooped by fabienne Olivier from #transmediascoop
Scoop.it!

The Age of the Storyteller

The Age of the Storyteller | FutureMedia | Scoop.it
I think we can all agree that these are challenging times for storytellers. Times brimming with opportunity for sure, but also pretty challenging. As we’ve discussed in previous posts over the past years, there are a lot of things to take into consideration and a lot of crossroads where choosing the right path – or…

Via Simon Staffans
fabienne Olivier's insight:
Changes in behavior and society might herald a shift towards less materialistic values and new possibilities for storytellers.
more...
Andrea Rossi's curator insight, March 21, 4:31 AM
Changes in behavior and society might herald a shift towards less materialistic values and new possibilities for storytellers.
Dominique Taste's curator insight, March 21, 12:08 PM
Les modes de consommation changeant, l "'accès à " remplace la notion de propriété et déstabilise l'économie qui l'accompagnait comme les prêts et l'assurance. Désormais, les clients préfèrent partager des expériences, ce qui ouvre un large champ au storytelling. Un nouveau challenge pour les storytellers !
Alexis Niki's curator insight, March 22, 4:12 PM
Changes in behavior and society might herald a shift towards less materialistic values and new possibilities for storytellers.
Rescooped by fabienne Olivier from Living Story
Scoop.it!

Rebutting ‘The Interactive Paradox’ – Point of View Magazine

Rebutting ‘The Interactive Paradox’ – Point of View Magazine | FutureMedia | Scoop.it
A response to Sergeo Kirby’s article on interactive docs from POV #97.

Via Alexis Niki
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

5 future-shaping trends not to be missed in 2016! - MIPBlog

5 future-shaping trends not to be missed in 2016! - MIPBlog | FutureMedia | Scoop.it
Will virtual reality go mainstream this year? Or collective storytelling? Or next-gen publishing models? MIPBlog's star contributor stakes his bets...
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Transmedia : Arte s'aventure dans l'imaginaire de Philip K. Dick

Transmedia : Arte s'aventure dans l'imaginaire de Philip K. Dick | FutureMedia | Scoop.it
Qui mieux que Philip K. Dick, écrivain futuriste, pour apprécier les 3 hommages interactifs qui lui sont rendus par Arte ?
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Magic Leap’s CEO, who just raised $793 million, is getting ready to mass produce his hallucinogenic technology

Magic Leap’s CEO, who just raised $793 million, is getting ready to mass produce his hallucinogenic technology | FutureMedia | Scoop.it
Magic Leap CEO Rony Abovitz tells us what the company plans to do with its new massive round of funding, from backers including Alibaba and Google.
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Les nouvelles écritures audiovisuelles

Les nouvelles écritures audiovisuelles | FutureMedia | Scoop.it
Le monde des contenus audiovisuels connaît depuis deux ans une mutation profonde de ses paradigmes constitutifs. Au centre de ce bouleversement :...
more...
No comment yet.
Rescooped by fabienne Olivier from Transmedia: Storytelling for the Digital Age
Scoop.it!

7 Things We Learned About the TV Industry in 2015

7 Things We Learned About the TV Industry in 2015 | FutureMedia | Scoop.it

Via The Digital Rocking Chair
more...
The Digital Rocking Chair's curator insight, January 1, 2:09 PM


Ben Travers:  "Too much TV, better TV and defining TV all helped make 2015 a fascinating time to talk about the goings on of the small screen."

Scooped by fabienne Olivier
Scoop.it!

Il nous faut des journalistes designers

Il nous faut des journalistes designers | FutureMedia | Scoop.it

"Dans un monde de plus en plus technologique, complexe, changeant, chaotique, le futur de l’information passe désormais par des collectifs d’experts réunis autour d’événements, par de nouveaux formats narratifs visuels, par le design de services– et pas seulement de contenus-- conformes aux besoins d’une société en pleine mutation."

more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Kevin Spacey picks virtual reality as next Netflix

Kevin Spacey picks virtual reality as next Netflix | FutureMedia | Scoop.it
Kevin Spacey has form in picking the next big consumer media trend and thinks virtual reality is it.
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

The 40 most exciting innovations of the year

The 40 most exciting innovations of the year | FutureMedia | Scoop.it
From the first-ever $9 computer to lab-grown rhino horns, this year has been filled with innovations that give us hope.
more...
No comment yet.
Rescooped by fabienne Olivier from Pervasive Entertainment Times
Scoop.it!

Virtual Reality TV ? How Virtual Reality Might (or will) Change TV Shows #vr #vrtv

Virtual Reality TV ? How Virtual Reality Might (or will) Change TV Shows #vr #vrtv | FutureMedia | Scoop.it
Do you remember those moments long ago when you sat glued in front of the television set, longing to jump through the screen and land inside your favorite TV shows? You wanted help the Smurfs beat Gargamel or travel to space with Ren and Stimpy or wander through Springfield with Bart and Lisa. Maybe you still have those moments today. Maybe you watch Game of Thrones and think about how you could join in the battle or imagine yourself exploring The Land of Ooo with Finn and Jake in Adventure Time

Via Gary Hayes
more...
Gary Hayes's curator insight, November 1, 2015 9:44 PM

Quote "This isn’t the sort of medium that will work with every kind of story. Sitcoms and dramas are perhaps better suited for voyeur experiences, rather than participatory ones. For genres like fantasy, adventure and science-fiction, virtual reality can take narratives to a completely different level. That’s likely the reason why video games have become such a big part of the virtual reality scene at the moment; the medium is perfect to support first-person perspectives. Applying the immersive nature of VR to the fly-on-the-wall nature of television, though, will be tricky. Writers will have to think about how to construct plots and develop characters that can support any potential viewer stepping into the protagonist’s role. That’s already being done in short-form experiences, but might be harder to carry out through a season’s worth of episodes, but it’s not too far-fetched to think that some clever writers will be up for this. “There is so much coming down the pipes in terms of narrative momentum in VR, just from the people I’m talking to, I think of course people are going to tell stories in this medium,” Levin says."

Rescooped by fabienne Olivier from #transmediascoop
Scoop.it!

Web Storytelling Heads Back Offline With 'Sherlock Holmes and the Internet of Things'

Web Storytelling Heads Back Offline With 'Sherlock Holmes and the Internet of Things' | FutureMedia | Scoop.it

HBy Noah J. Nelson (@noahjnelson)

Lance Weiler makes interesting stuff.

If you follow the seam where entertainment and tech intersect than you've probably heard of Weiler. At the Sundance Film Festiv


Via Simon Staffans
more...
Simon Staffans's curator insight, October 19, 2015 5:18 PM

HuffPost looks at Lance's "Sherlock Holmes and the IoT" project

Scooped by fabienne Olivier
Scoop.it!

#Délinéarisation – Quel avenir pour les programmes à l’heure du numérique ?

#Délinéarisation – Quel avenir pour les programmes à l’heure du numérique ? | FutureMedia | Scoop.it
Créativité du digital VS. puissance du broadcast
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Transmédia et séries TV en France : utilisation distincte des USA

Transmédia et séries TV en France : utilisation distincte des USA | FutureMedia | Scoop.it
Par Cécile Blanchard, journaliste. Billet invité. Aux Etats-Unis, les campagnes de promotion transmédia pour accompagner le lancement d’une nouvelle saison de série TV sont légion. En France, si le…
more...
No comment yet.
Rescooped by fabienne Olivier from #transmediascoop
Scoop.it!

Making stories together

Making stories together | FutureMedia | Scoop.it
Have you felt it? I’m thinking you have, but perhaps you haven’t really identified it, or put it into context with regards to what you youself is working on. The feeling of being part of something bigger than yourself – a community, a group, a niche, a gathering, a tribe… A ”we” instead of necessarily…

Via Simon Staffans
more...
No comment yet.
Rescooped by fabienne Olivier from #transmediascoop
Scoop.it!

Tomb Raider’s writer shows the rise of storytelling’s importance in gaming

Tomb Raider’s writer shows the rise of storytelling’s importance in gaming | FutureMedia | Scoop.it
LAS VEGAS — In 33 years of playing video games, writer Rhianna Pratchett has seen the value of story go through its own creative arc.

Via Simon Staffans
more...
Simon Staffans's curator insight, February 23, 4:25 AM

Rhianna Pratchett on the importance of storytelling in games

Scooped by fabienne Olivier
Scoop.it!

Virtual Reality is Here, But What is VR Storytelling?

Virtual Reality is Here, But What is VR Storytelling? | FutureMedia | Scoop.it
At Sundance's New Frontier, creators push the boundaries of storytelling and search for a new lexicon for VR.
more...
No comment yet.
Rescooped by fabienne Olivier from Machines Pensantes
Scoop.it!

Vers un cinéma INTERACTIF

Vers un cinéma INTERACTIF | FutureMedia | Scoop.it

Michael Lew est un artiste-chercheur indépendant né en 1977. Après avoir obtenu son Master ès Sciences en ingénierie électronique à l'EPFL sur le thème de l'intelligence artificielle, il a été Research Fellow au Media Lab Europe, laboratoire européen du MIT, puis Adjunct Professor et Visiting Scholar à USC dans le département de médias interactifs. En 2012, il a bénéficié d'un soutien du Fonds National Suisse de la Recherche Scientifique dans le cadre du projet sinlab.
Apparu en 1967 avec le Kinoautomat, le cinéma interactif devient, avec les web-documentaires, enfin accessible à tous. Cet article examine les particularités de ces films dont le déroulement est non-linéaire et adaptatif aux spectateurs. La prise en compte instantanée des décisions du public permet-elle de réaliser la promesse cybernétique ?
A travers une étude illustrée de cas, nous proposons des notions utiles pour étendre le champ de la narratologie contemporaine à l'étude de ces nouveaux objets d'art.


Via association concert urbain
more...
Scooped by fabienne Olivier
Scoop.it!

Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism

more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Secret, immersive cinema is likely to change the future of film

Secret, immersive cinema is likely to change the future of film | FutureMedia | Scoop.it
nd original sound score. The Empire Strikes Back screening and pre-event build-up was infused with the theme of rebellion and secrecy, which was germane to the film’s original narrative, ensuring the audience’s willingness to engage in the experience, purchasing costumes from the pop-up and online shops, and bringing along props as instructed.

In the future, genre conventions and production practices and processes will respond directly to the “live” model in the development and production phases. Film aesthet
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

The man behind Jon Stewart's secret project lays out the future of media — and it's riveting

The man behind Jon Stewart's secret project lays out the future of media — and it's riveting | FutureMedia | Scoop.it
When Jules Urbach starts talking about the future of media, it’s hard for me not to get swept up in a wave of eagerness.
more...
No comment yet.
Scooped by fabienne Olivier
Scoop.it!

Polar Sea 360 : la Réalité Virtuelle réinvente le genre documentaire…

Polar Sea 360 : la Réalité Virtuelle réinvente le genre documentaire… | FutureMedia | Scoop.it
pproprié, notamment. Le premier plan est notamment tourné avec un drone que nous avons développé nous-même. Au démarrage, la production disposait de trois drones et 40 GoPro et nous ne sommes revenus qu’avec 3
more...
No comment yet.
Rescooped by fabienne Olivier from #transmediascoop
Scoop.it!

Storytelling app a hit; launches a new chapter in transmedia

Storytelling app a hit; launches a new chapter in transmedia | FutureMedia | Scoop.it

Via The Digital Rocking Chair, Simon Staffans
more...
The Digital Rocking Chair's curator insight, October 30, 2015 2:34 PM


Gillian Shaw:  "Paul Pattison and Luke Minaker knew they were onto something when they got an email from the mother of a nine-year-old who read the first instalment of their interactive story, Weirdwood Manor" ...

Simon Staffans's curator insight, November 2, 2015 3:21 PM

Interesting development

Daniel Christian's curator insight, November 3, 2015 8:23 AM

Via @The Digital Rocking Chair

Scooped by fabienne Olivier
Scoop.it!

«Avec "Wei or Die", le spectateur produit les images qu’il regarde»

«Avec "Wei or Die", le spectateur produit les images qu’il regarde» | FutureMedia | Scoop.it
Libération diffuse en avant-première «Wei or Die», une fiction interactive qui plonge l'internaute dans un week-end d'intégration qui tourne mal. Son réalisateur, Simon Bouisson, en explique le concept.
more...
No comment yet.