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Are You Missing Opportunities to Make Your Writing Stronger?

Are You Missing Opportunities to Make Your Writing Stronger? | The Funnily Enough | Scoop.it

There are a lot of rules in writing. Some are solid ones, like rules of spelling or grammar, but others are more nebulous, like how to start a scene or whether or not to use adverbs. I like to look at these ambiguous rules as opportunities to improve a sentence or scene. Some "rules" have become common because they're hard to explain to new writers and it's easier to just say no.

But these are all moments that can help you revise your novel and show off your skills. They're opportunities to strengthen your novel.

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KindredReaders's curator insight, February 18, 2014 12:12 PM
Helpful post on when -- and how -- to break the rules.

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Getting Characters Out of Work Mode

Getting Characters Out of Work Mode | The Funnily Enough | Scoop.it
Most characters have a profession—doctor, cop, assistant in a cupcake store—and in the course of doing their job they will slip into work mode. They will talk and act in the way you expect someone in that position to talk and act. The problem is that this can make them come across as stereotypical. 

 

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Fundamentals of Novel Writing – Part 1

There are some things that every writer should get right before any thought of publication (either through self publishing or traditional). With the onset of self-publishing, especially, there is a tendency of complacency (and lack of writing ability) in so much that a writer can write however they wish, because there are no ‘rules’ to follow.
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11 Writing Tips That Will Change Your Life

11 Writing Tips That Will Change Your Life | The Funnily Enough | Scoop.it
There seems to be two different camps regarding the writing process. One adheres to a strict regime of rules and writing tips to achieve success: you must write everyday, you must show your work to others, you must produce X amount of pages in X amount of time. The other camp seems to believe in no rules: do whatever you want, whenever you want.
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Dan Harmon On Story Structure

Dan Harmon On Story Structure | The Funnily Enough | Scoop.it
Yesterday a friend sent me a link to Dan Harmon’s series of articles on story structure. I had no idea Harmon was passionate about story structure, though I should have guessed. In this article I barely brush the surface of what Harmon has to say, so I will be returning to this material in future articles. Or at least that’s the plan.
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Your Book’s Inciting Event: It’s Not What You Think It Is

Your Book’s Inciting Event: It’s Not What You Think It Is | The Funnily Enough | Scoop.it

Is the Inciting Event the first thing that happens in the story?

Is it the moment that kicks off the plot and the conflict?

Is it the First Plot Point at the end of the First Act?

Is it something in between?

Is it something that happens before the story ever starts?

The chief trouble with identifying the Inciting Event is that the term is used rather wildly to apply to just about any of the above. One writer calls the Hook the Inciting Event, another calls it the First Plot Point. Argh! No wonder we’re all so confused.

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LEONARDO WILD's curator insight, March 23, 9:12 AM

Utterly correct in stating that the "wild" use of story terms—Inciting Incident, Hook, Structure (vs. Plot), Plot (vs. Structure), Outlining (vs. Plotting), Plotting (vs. Outlining), Structuring vs. Plotting, and a whole lot more—are creating a breed of well-informed writers who will need an story-interpreter in order to communicate what it is they're talking about. In order to get out of my state of literary befuddlement, I decided to compare all these terms and see what they mean when the say "XYZ" ...

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Thou Shall (Not) Kill Your Darlings

While I personally think authors like George R. R. Martin kill off beloved characters particularly well in order to elicit emotions from the reader, forcing a character out of a script can be devastating to a newer writer. Sometimes, it might be necessary. But other times, it’s important to recognize when you have something special.
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Rewriting Is The Essence Of Good Writing

Rewriting Is The Essence Of Good Writing | The Funnily Enough | Scoop.it
We’ve all heard the sayings:

“Rewriting is the essence of writing,” William Zinsser
“The best writing is rewriting,” E.B. White
“All writing is rewriting,” John Green

I agree wholeheartedly. I believe that rewriting is the essence of good writing. I also believe rewriting is a skill that, like any skill, takes time and much practice to acquire.

But I know some folks won’t agree with me, so let’s look at a few of their arguments.
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Grappling with the Facts

Grappling with the Facts | The Funnily Enough | Scoop.it
Even experienced authors struggle with exposition from time to time. To begin with, there are issues having to do with ratio and proportion.
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A Sure-Fire Shortcut to Create Unique Characters

A Sure-Fire Shortcut to Create Unique Characters | The Funnily Enough | Scoop.it

The quest for unique characters is one all writers share. And granted, it’s a tricky one, because, as we all know, there’s nothing new under the sun. The fundamental core of a unique character is always going to be his heart: his motivations and his inner conflict, which I’ve talked about in recent posts. But there’s more to it than just that, because a character has to be unique, not just deep down, but on the surface as well.

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5 Steps to Effective Editing

5 Steps to Effective Editing | The Funnily Enough | Scoop.it
Before you can send your work out to be seen by the world, you need to spend some time editing. This is a crucial stage in the life of your manuscript, as this is when mediocre stories may rise to greatness.

Here are a few steps to use in the editing process:
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10 Remedies For The Horrible Things Writers Tell Themselves

10 Remedies For The Horrible Things Writers Tell Themselves | The Funnily Enough | Scoop.it
Writers are horrible people. Think about it. We create characters, we love them and then we do the most horrible things to them all in the name of tension and conflict. Weird, right?

But that doesn’t compare to how we treat ourselves. I see it week in and week out in class - how we beat ourselves up. When someone writes a beautiful piece, there is always this choir of voices saying, “I could never write that” or “I’ll never be that good.”
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Reinventing Clichéd Scenes

Reinventing Clichéd Scenes | The Funnily Enough | Scoop.it
The good thing about clichés is that they impart information quickly and reliably. If someone says it’s raining cats and dogs, you know exactly what they mean.

The bad thing about clichés is that they get overused which leads to them feeling unoriginal and lazy. When you know what’s someone’s saying before they’ve even finished saying it you stop paying attention. And a reader who isn’t paying attention is not what a writer wants.

Weeding out familiar phrases isn’t too difficult. Getting rid of overused scenes and premises is not so easy.

Certain types of scenes occur so often because readers want them—in some cases even expect them. They want the guy and the gal to end up together; they want the evil plot to be foiled. And different genres have tropes that readers enjoy seeing again and again. But while commercially there may be an acceptance of the same old story, artistically it can feel less satisfactory for writers and more discerning readers.

So how do you write scenes that readers are eagerly anticipating without simply producing an imitation of every other book already out there?
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For Writers on the Verge of Writing Spectacularly Complex Characters

For Writers on the Verge of Writing Spectacularly Complex Characters | The Funnily Enough | Scoop.it
The most ironic thing about complex characters in fiction is that the essence of what makes them so wonderfully complicated is actually incredibly simple. Complex characters are complex for one reason: dichotomy. That one word is the solution to all your character problems. Cliched stereotypes? Fixed. Dysfunctional character arcs? Done. Boring personalities? No more!
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The Secret of Getting Your Writing Unstuck

The Secret of Getting Your Writing Unstuck | The Funnily Enough | Scoop.it
Whenever I get stuck writing, whether it be in the pre-writing stage or in the middle of a draft, my go-to tool for getting unstuck is the free write. Take a look at how you too can use free writing to get your writing unstuck!
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Art Holcomb on Rewriting Your Novel or Screenplay

You’ve just finished your first draft – or maybe your 10th draft – of your work-in-progress and you suddenly realize that there’s a problem you haven’t considered. You’ve become so intimate with the characters and their actions that you can no longer see where the potential problems are. You’re wondering now what errors you can no longer see but will be evident to the first editor or agent you send this to. You’re afraid you no longer have the perspective you need to see the story clearly.

Take a breath and relax.
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37 Ways To Write About Anger

37 Ways To Write About Anger | The Funnily Enough | Scoop.it
We all get angry. It is natural and it can be a good thing. When it is uncontrolled or unnecessary, anger will not do us any favours on either a personal or a social level.

The same is true for the characters we create. When we write about angry characters, we should remember that there is always something behind this emotion. Anger is usually a surface emotion. It is a reaction to an underlying problem.
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Tricks of the Trade 4: Hero Upgrade

Tricks of the Trade 4: Hero Upgrade | The Funnily Enough | Scoop.it
Making sure readers actually care what happens to your main character is integral to any story. You can’t just take it for granted that just because your story has stuff happen to a guy that the reader will automatically be interested.

If your story happens to be about a noble main character who has exciting adventures this is less of a worry since this is the basic story archetype from fairy tales and myths, but not all stories follow this template.

While the simplest way to endear your MC to the reader is to demonstrate their general decency, what’s sometimes referred to as a pat the dog or save the cat moment—the MC goes out of their way to be helpful to some innocent in trouble and their good guy credentials are confirmed—not all main characters are straight out of a Disney family movie.

Fortunately there are a number of other ways to boost your hero’s general appeal.
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Sharpen the Hooks and Tighten the Pacing

Sharpen the Hooks and Tighten the Pacing | The Funnily Enough | Scoop.it
Today, we’ll take a look at our hooks and how the novel’s pacing works.

With luck, the typical things that negatively affect a novel’s pace have been dealt with in the previous sessions, but since pacing is a critical element to keeping readers engaged, it deserves a session all of its own.
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7 Smart Tactics for Describing a Character in First Person PoV

7 Smart Tactics for Describing a Character in First Person PoV | The Funnily Enough | Scoop.it
This post aims to offer a bunch of solutions for one problem in particular: How do you describe somebody when you can’t see him because you are inside of him, looking out, and you don’t even have a reason to describe him? How can you tell your reader what your character looks like through his own eyes?
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100 Exquisite Adjectives

Adjectives — descriptive words that modify nouns — often come under fire for their cluttering quality, but often it’s quality, not quantity, that is the issue. Plenty of tired adjectives are available to spoil a good sentence, but when you find just the right word for the job, enrichment ensues. Practice precision when you select words. Here’s a list of adjectives:
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Streamline the Dialog

Streamline the Dialog | The Funnily Enough | Scoop.it
Dialog makes up a sizable chunk of a novel, but it’s also a common area to find weak prose. We let our characters ramble on, give them unrealistic things to say, and even steal their unique voices from them.

Today, let’s take a closer look at our dialog and make sure our story people sound as good as they look.
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7 Ways Reading Affects The Brain, From Increased Empathy To Feeling Metaphors

We absorb text in huge amounts every day, and are only gradually discovering just how much its packaging affects how we understand it.
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The Top 10 Elements of a Book People Want to Read

The Top 10 Elements of a Book People Want to Read | The Funnily Enough | Scoop.it
People enjoy books with a high level of readability—books with a captivating story and memorable characters, books we can’t put down, books that stick with us long after we’ve read the last word.

As an independent editor, I’ve come across my fair share of readable books, and all of them are well crafted on three distinct but intricately connected levels.
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Eliminate Unnecessary Told Prose

Eliminate Unnecessary Told Prose | The Funnily Enough | Scoop.it
We’ll be using the search function of our writing programs heavily this session, looking for the common red flag words often associated with told prose. But remember, just because you find one of these words doesn’t mean you have to eliminate or rewrite it. If the word is doing its job and the sentence says what you want it to say, in the way you want to say it, leave it. Looking for these red flag words is just the easiest way to find told prose in a manuscript without reading the entire thing one more time.
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Interesting Chit Chat

Interesting Chit Chat | The Funnily Enough | Scoop.it
Small talk is boring. Characters who waffle on about the weather and the dream they had last night and their favourite toy when they were a kid don’t hold a reader’s attention for very long.

At the same time, characters who enter a scene, get what they want, and leave can make the story feel rushed and sterile.

There are, of course, plenty of books that use the more rushed approach and it can work very well. It makes it much easier to keep the reader hooked and turning pages. Many bestsellers use this approach, although they don’t win many literary awards.

But we’ve all read books that had long passages of seemingly random observations and conversations that not only didn’t read as boring, but actually added to the story. You felt a stronger connection to the character because of the glimpse into their personality. So how did they manage it when your attempts feel like meandering asides and unnecessary tangents?
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