The Aesthetic Ground
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The Aesthetic Ground
Exploring the 'Middle' in a Soft Matter through Artistic Manifestations
Curated by Xaos
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Juxtapoz Magazine - Conceptual Interventions by Fabian Bürgy

Juxtapoz Magazine - Conceptual Interventions by Fabian Bürgy | The Aesthetic Ground | Scoop.it
Swiss sculptor and digital artist Fabian Bürgy creates conceptual gallery installations and other interventions inspired by...
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Hello World! A documentary series on open creative programming languages - we make money not art

Hello World! A documentary series on open creative programming languages - we make money not art | The Aesthetic Ground | Scoop.it
Xaos's insight:

"You know when you hear about a project and think "Brilliant! this is so brilliant, why hasn't it been done before?" Well, that happened to me a few months ago when i met Gustavo Valera at an opening at LABoral in Gijón and he told me that he was involved in a documentary series about the open programming languages -Processing, Open Frameworks and Pure data. The series, called Hello World!, explores the creative possibilities expanded by these open source tools and their growing online communities."

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Artist Hubert Duprat discussing his work

A short film from Norfolk Museums and Archaeology Service featuring Hubert Duprat. The French artist's sculptures emerge of materials and processes in a fashinating and surprising way.

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Neo-Nature (or why we should "Let the Pandas Die") - we make money not art

Neo-Nature (or why we should "Let the Pandas Die") - we make money not art | The Aesthetic Ground | Scoop.it
Xaos's insight:

"There is a lot of paradoxical thinking in ecology and conservation at the moment. Large sums of funding go towards programmes which aim to sustain organisms that are arguably at the end of their lifetime. We accept evolution and the cyclical nature of ecology, yet we try to halt nature from changing, from progressing. In a way, the nature that we are experiencing now is the perfect nature. Any other alternative seems to spoil the romantic, pure nature that we have created in our heads. Slavoj Zizek puts it very nicely: "[Ecology] is a balanced world which is disturbed through human hubris".

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L'Art & la Manière : François Morellet - videos.arte.tv

L'Art & la Manière : François Morellet - videos.arte.tv | The Aesthetic Ground | Scoop.it
Extrait du film de Claire Laborey consacré au plasticien François Morellet.
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Review: Beauty: A Very Short Introduction

Review: Beauty: A Very Short Introduction | The Aesthetic Ground | Scoop.it
Review of Roger Scruton, Beauty: A Very Short Introduction (Oxford: Oxford University Press, 2011), 186 pages. Beauty is a significant philosophical category for the study of art and theology. Whil...
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Heather Dewey-Hagborg, Stranger Visions | Clocktower Gallery & Radio | ARTonAIR.org

Heather Dewey-Hagborg, Stranger Visions | Clocktower Gallery & Radio | ARTonAIR.org | The Aesthetic Ground | Scoop.it
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Pace Gallery - "Spirit Above All" - Zhao Yao

Pace Gallery - "Spirit Above All" - Zhao Yao | The Aesthetic Ground | Scoop.it
Chinese artist Zhao Yao's first solo exhibition in the UK, featuring a series of paintings on den...
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3D Printed Dress on the Catwalk at Paris Fashion Week

For the first time ever, designers have 3D printed a multi-material dress composed of both rubber-like and rigid elements that are 3D printed simultaneously ...

Via Beste Ozcan, petabush
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petabush's curator insight, February 11, 2013 9:27 PM

more from Iris van Herpen here with Neri Oxman

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U B U W E B - Film & Video: Derek Bailey

U B U W E B - Film & Video: Derek Bailey | The Aesthetic Ground | Scoop.it
Xaos's insight:

A series of four 55 minute films shown on Channel 4 TV in the UK in early 1992. [Only Part I is above] To say this was the best and most intelligent analysis of improvisation to be screened on UK television is probably unnecessary: it has in all likelihood been the only televised programme on this form of music-making. Written and narrated by Derek Bailey, produced and directed by Jeremy Marr, it developed out of the first edition of Bailey's book on improvisation

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#A.I.L - artists in laboratories, episode 19: Charlotte Jarvis - we make money not art

#A.I.L - artists in laboratories, episode 19: Charlotte Jarvis - we make money not art | The Aesthetic Ground | Scoop.it
Xaos's insight:

Over the past few years, Charlotte has worked with scientists to bio-engineer a bacteria with the Universal Declaration of Human Rights encoded into its DNA sequence, she developed performances that showed the public what could happen if one day, synthetic biology was used to eradicate greed, lust and anger from a group of children.

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#A.I.L - artists in laboratories, episode 18: Zoe Papadopoulou - we make money not art

#A.I.L - artists in laboratories, episode 18: Zoe Papadopoulou - we make money not art | The Aesthetic Ground | Scoop.it
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NULL OBJECT - London Fieldworks

NULL OBJECT - London Fieldworks | The Aesthetic Ground | Scoop.it
Xaos's insight:

In an attempt to create a visual representation of empty thoughts, artist Gustav Metzger hooked himself up to a robot carving machine, that turned his brainwaves into a sculpture.

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Oron Catts (The Tissue Culture and Art Project) - BIO:FICTION Vienna 2011

The Semi-Living Worry Dolls
Xaos's insight:

"Born in Finland , currently living and working in Western Australia . Tissue engineering artist. Co-founder and Artistic Director of SymbioticA, the Art & Science Collaborative Research Laboratory"

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Anti-Utopias | M+M – Sonntag / Sunday

Anti-Utopias | M+M – Sonntag / Sunday | The Aesthetic Ground | Scoop.it
Xaos's insight:

"The minutely synchronised films show two versions of the same erotically charged dialogue between husband and wife, and between father and daughter. Both couples are shown lying in bed in the morning."

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Lines of Flight

Lines of Flight | The Aesthetic Ground | Scoop.it
Xaos's insight:

Akihito TAKUMA - "Following a year in Europe studying painting, I noticed how hard it was for paint to dry in Japan because of the high humidity. This made me more conscious of the environmental differences between the two places, and inspired me to make this work. Before the paint had dried, from top to bottom. Then I chose a landscape with a perspective that made the horizon seem as if it continued forever. It is my hope that in this work, order will be maintained but at the same time superseded, and the instant that a dynamic, positive and free form of energy is released might be expressed. (Jan. 2005, The 10th Anniversary of Post-Earthquake Restoration "Hyogo International Competition of Painting")

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#A.I.L - artists in laboratories, episode 21: Liam Young - we make money not art

#A.I.L - artists in laboratories, episode 21: Liam Young - we make money not art | The Aesthetic Ground | Scoop.it
Xaos's insight:

Liam Young, a speculative architect whose work use fictional near-future scenarios in order to make us reflect upon the social, architectural and political consequences of emerging biological and technological futures.

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Why We Love Beautiful Things

Why We Love Beautiful Things | The Aesthetic Ground | Scoop.it
If designers understood more about the mathematics of attraction, the mechanics of affection, all design could both look good and be good for you.
Xaos's insight:

GREAT design, the management expert Gary Hamel once said, is like Justice Potter Stewart’s famous definition of pornography — you know it when you see it. You want it, too: brain scan studies reveal that the sight of an attractive product can trigger the part of the motor cerebellum that governs hand movement. Instinctively, we reach out for attractive things; beauty literally moves us.

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Data Art: From the Aesthetic Conceptualization of Data to Information Critique | Masters of Media

Data Art: From the Aesthetic Conceptualization of Data to Information Critique | Masters of Media | The Aesthetic Ground | Scoop.it
Xaos's insight:

"The current ubiquity of data populating every aspect of an individual’s digitally connected existence, alongside the computational possibilities of harnessing the same to convert it into distilled information, has introduced the theme of data as one of the most debated in recent years in a variety of fields ranging from academia to business, from science to popular media, and from politics to art."

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Studio 360: Kurt Andersen's DNA Mask Revealed

Artist Heather Dewey-Hagborg uses equipment and procedures now easily available to extract DNA from strangers' hair or fingernail clippings to make life-like...
Xaos's insight:

Artist Heather Dewey-Hagborg uses equipment and procedures now easily available to extract DNA from strangers' hair or fingernail clippings to make life-like models of people's faces — people she's never met or seen. We wondered how close Dewey-Hagborg could get to the way people really look, so we gave her hairs from an anonymous source, Kurt Andersen.

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8 Laws of Artistic Experience

Review of Ramachandran and Hirstein's publication of 'The Science of Art: A Neurological Theory of Aesthetic Experience' by a Georgia Tech neurology student....
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Transformism - we make money not art

Transformism - we make money not art | The Aesthetic Ground | Scoop.it
Xaos's insight:

A couple of weeks ago, i took the bus with the Arts Catalyst in the direction of Southampton to see Transformism, an exhibition and symposium that explore the new forms and systems of life that men have devised in the past and even more dramatically in present days, using the latest advances in science and technology.The exhibition space is occupied by 2 new pieces commissioned by the Arts Catalyst to Melanie Jackson and Revital Cohen. The works investigate with radically different results how cultural archetypes and ideas interweave with science and technology to create new shapes, visual forms and structures.

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Metamorphosis Project Pitch - DA4GA award 2012

Project pitch for the first round of the Designers and Artists for Genomics award 2012. Drawing on the tradition of artists using their bodies as a site for activism,…
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Suspended stone circle II, (1974-1977, 1988) by Ken Unsworth :: The Collection :: Art Gallery NSW

Suspended stone circle II, (1974-1977, 1988) by Ken Unsworth :: The Collection :: Art Gallery NSW | The Aesthetic Ground | Scoop.it
Xaos's insight:

nsworth’s art is often ephemeral, surviving only in the memory of those who once saw it or in rumours of that memory, or sometimes as photographs or scratchy old videos. Like Joseph Beuys, whose work Unsworth passionately admires, his art is full of apparent contradictions. He reworks the great sagas of life and death while shaking the staff of a jester and yet he has created remarkable and enduring monumental sculptures. He is admired by formalists for his sculpture and for the rigorous logic of propped or suspended stones, while others respond to the expressionism of the paintings and the symbolist theatricality of his kinetic installations.

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