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frequencies (a) | nicolas bernier

_ frequencies (a) is a sound performance combining the sound of mechanically triggered tuning forks with pure digital soundwaves. The performer is triggering sequences from the computer, activating solenoids that hits the tuning forks with high precision. Streams of light burst in synchronicity with the forks, creating a not-quite-minimal sound and light composition…


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The Aesthetic Ground
Exploring the 'Middle' in a Soft Matter through Artistic Manifestations
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Book review: Ways of Looking. How to Experience Contemporary Art - we make money not art

Book review: Ways of Looking. How to Experience Contemporary Art - we make money not art | The Aesthetic Ground | Scoop.it
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Meta-Life. Biotechnologies, Synthetic Biology, ALife and the Arts - we make money not art

Meta-Life. Biotechnologies, Synthetic Biology, ALife and the Arts - we make money not art | The Aesthetic Ground | Scoop.it
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Lacplesis Technology, 'looking for evil in copyright issues' - we make money not art

Lacplesis Technology, 'looking for evil in copyright issues' - we make money not art | The Aesthetic Ground | Scoop.it
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Battleships for the super rich - we make money not art

Battleships for the super rich - we make money not art | The Aesthetic Ground | Scoop.it
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These 'Fabergé Fractals' will blow your mind (Science Alert)

These 'Fabergé Fractals' will blow your mind (Science Alert) | The Aesthetic Ground | Scoop.it
Former laser physicist Tom Beddard has turned his hand to creating incredible pieces of art that celebrate the beauty and intricacy of fractals. 
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Against the Frictionless Interface! An Interview with Lori Emerson | www.furtherfield.org

Against the Frictionless Interface! An Interview with Lori Emerson | www.furtherfield.org | The Aesthetic Ground | Scoop.it
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ArtSlant - The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust

ArtSlant - The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust | The Aesthetic Ground | Scoop.it
Details for The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust.
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A tribute to the flemish renaissance — Fabienne Verdier

A tribute to the flemish renaissance —  Fabienne Verdier | The Aesthetic Ground | Scoop.it
Fabienne Verdier
The Spirit of painting
A tribute to the flemish renaissance
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Conference; Art and the New Biology of the Mind, Antonio Damasio - YouTube

March 24, 2006 Antonio Damasio, the David Dornsife Professor of Neuroscience and Director of The Brain and Creativity Institute, University of Southern Calif...
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Ambient Genius - The New Yorker

Ambient Genius - The New Yorker | The Aesthetic Ground | Scoop.it
In January, 1975, the musician Brian Eno and the painter Peter Schmidt released a set of flash cards they called “Oblique Strategies.” Friends since meeting at art school, in the late sixties, they had long shared guidelines that could pry apart an intellectual logjam, providing options when they couldn’t figure out how to move forward. The first edition consisted of a hundred and fifteen cards. They were black on one side with an aphorism or an instruction printed on the reverse. Eno’s first rule was “Honour thy error as a hidden intention.” Others included “Use non-musicians” and “Tape your mouth.” In “Brian Eno: Visual Music,” a monograph of his musical projects and visual art, Eno, who still uses the rules, says, “ ‘Oblique Strategies’ evolved from me being in a number of working situations when the panic of the situation—particularly in studios—tended to make me quickly forget that there were other ways of working and that there were tangential ways of attacking problems that were in many senses more interesting than the direct head-on approach.”
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Ken Schneider's curator insight, August 13, 12:29 PM

Creative Arts have a lot to teach business about problem solving. Creative genius is an event not an attribute but hopefully if it occurs more than once a career it becomes hallmark. KS

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Whitney Museum of American Art: Jeff Koons: A Retrospective

Whitney Museum of American Art: Jeff Koons: A Retrospective | The Aesthetic Ground | Scoop.it
The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City.
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SÝN ONLINE | THE PETRI-DICH PROJECT by J.D DORIA

SÝN ONLINE | THE PETRI-DICH PROJECT by J.D DORIA | The Aesthetic Ground | Scoop.it
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Sketches for an Earth Computer - we make money not art

Sketches for an Earth Computer - we make money not art | The Aesthetic Ground | Scoop.it
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U B U W E B - Film & Video: - Hans Namuth - Pollock Painting (1951)

U B U W E B - Film & Video: - Hans Namuth - Pollock Painting (1951) | The Aesthetic Ground | Scoop.it
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Duck Sex, Aesthetic Evolution, and the Origin of Beauty | Edge.org

Duck Sex, Aesthetic Evolution, and the Origin of Beauty | Edge.org | The Aesthetic Ground | Scoop.it
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magazine no. 25 - uncube

magazine no. 25 - uncube | The Aesthetic Ground | Scoop.it
Soft Machines
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Now is always a good time to protest - we make money not art

Now is always a good time to protest - we make money not art | The Aesthetic Ground | Scoop.it
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Letter From Paris: Joseph Nechvatal’s Velvet Love

Letter From Paris: Joseph Nechvatal’s Velvet Love | The Aesthetic Ground | Scoop.it
by Matthew Rose Galerie Richard 74, rue de Turenne Paris, France  75003 May 30 - July 19, 2014 Joseph Nechvatal, June 2014.  Image courtesy of Joseph Nechvatal and Galarie Richard / Paris. It is fair to say that Warhol owned Campbell’s Soup cans, Coke bottles and Marilyn the way Pollock owned paint drips, Hopper hotels and…
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Strange Weather: alien flowers in the Arctic, raindrop that floats in mid-air and jellyfish snacks for all - we make money not art

Strange Weather: alien flowers in the Arctic, raindrop that floats in mid-air and jellyfish snacks for all - we make money not art | The Aesthetic Ground | Scoop.it
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Meta-Life. Biotechnologies, Synthetic Biology, ALife and the Arts - we make money not art

Meta-Life. Biotechnologies, Synthetic Biology, ALife and the Arts - we make money not art | The Aesthetic Ground | Scoop.it
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Hypnotic Art Shows How Patterns Emerge From Randomness in Nature | Science | WIRED

Hypnotic Art Shows How Patterns Emerge From Randomness in Nature | Science | WIRED | The Aesthetic Ground | Scoop.it
These digital canvases represent British mathematician Alan Turing's theory of morphogenesis -- in other words, they depict the emergence of patterns from randomness.
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A People's Archive of Sinking and Melting - we make money not art

A People's Archive of Sinking and Melting - we make money not art | The Aesthetic Ground | Scoop.it
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“We are only 10 percent human and 90 percent bacteria”

“We are only 10 percent human and 90 percent bacteria” | The Aesthetic Ground | Scoop.it
“We are only 10 percent human and 90 percent bacteria”
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Brian Eno on Scenius and the ecology of ideas

Brian Eno on Scenius and the ecology of ideas | The Aesthetic Ground | Scoop.it
During Austin Kleone's keynote at South by Southwest yesterday, he brought up the concept of Scenius, and it really got us talking after the presentation. Scenius, genius coming from a collaboratio...
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Not all documents are records - we make money not art

Not all documents are records - we make money not art | The Aesthetic Ground | Scoop.it
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