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Stelarc - Art, Design, Future of Man

Stelarc Art, Augmented Reality, Enhancement, Genetic Sculpting, Bodily Experimentation, Man-Machine Mergers, and the Future of Life 28-06-2011 - Interviewer ...
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The Aesthetic Ground
Exploring the 'Middle' in a Soft Matter through Artistic Manifestations
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Strange Weather: alien flowers in the Arctic, raindrop that floats in mid-air and jellyfish snacks for all - we make money not art

Strange Weather: alien flowers in the Arctic, raindrop that floats in mid-air and jellyfish snacks for all - we make money not art | The Aesthetic Ground | Scoop.it
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Meta-Life. Biotechnologies, Synthetic Biology, ALife and the Arts - we make money not art

Meta-Life. Biotechnologies, Synthetic Biology, ALife and the Arts - we make money not art | The Aesthetic Ground | Scoop.it
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Hypnotic Art Shows How Patterns Emerge From Randomness in Nature | Science | WIRED

Hypnotic Art Shows How Patterns Emerge From Randomness in Nature | Science | WIRED | The Aesthetic Ground | Scoop.it
These digital canvases represent British mathematician Alan Turing's theory of morphogenesis -- in other words, they depict the emergence of patterns from randomness.
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A People's Archive of Sinking and Melting - we make money not art

A People's Archive of Sinking and Melting - we make money not art | The Aesthetic Ground | Scoop.it
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“We are only 10 percent human and 90 percent bacteria”

“We are only 10 percent human and 90 percent bacteria” | The Aesthetic Ground | Scoop.it
“We are only 10 percent human and 90 percent bacteria”
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Brian Eno on Scenius and the ecology of ideas

Brian Eno on Scenius and the ecology of ideas | The Aesthetic Ground | Scoop.it
During Austin Kleone's keynote at South by Southwest yesterday, he brought up the concept of Scenius, and it really got us talking after the presentation. Scenius, genius coming from a collaboratio...
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Not all documents are records - we make money not art

Not all documents are records - we make money not art | The Aesthetic Ground | Scoop.it
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UbuWeb Historical - The Blindman (1917)

UbuWeb Historical - The Blindman (1917) | The Aesthetic Ground | Scoop.it
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Donald Martiny Discusses his Artwork at FWMoA

In the 1950s, artists like Jackson Pollock and Franz Kline elevated the gesture to the position of the protagonist in abstract expressionism. In the 21st century,…
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Notes from the Fotofestiwal in Lodz - we make money not art

Notes from the Fotofestiwal in Lodz - we make money not art | The Aesthetic Ground | Scoop.it
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Expert Eye: Whitney Curator Scott Rothkopf on How to Understand Jeff Koons's Artistic Achievement | Artspace

Expert Eye: Whitney Curator Scott Rothkopf on How to Understand Jeff Koons's Artistic Achievement | Artspace | The Aesthetic Ground | Scoop.it
With the Whitney devoting its entire space to a historic survey of Jeff Koons, we spoke with the show's curator, Scott Rothkopf, about how to read the artist's celebrated career.
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An Ingenious Museum Design That Turns Visitors Into Creators | Design | WIRED

An Ingenious Museum Design That Turns Visitors Into Creators | Design | WIRED | The Aesthetic Ground | Scoop.it
A range of new interactive technologies by Local Projects that will let visitors engage with the National Design Museum in a totally novel way.
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Ken Schneider's curator insight, August 13, 9:45 AM

Awesome melding of the online experience with the physical experience; although a design museum it's a perfect example of best practices marketing. KS

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Zombies on the Walls: Why Does So Much New Abstraction Look the Same?

Zombies on the Walls: Why Does So Much New Abstraction Look the Same? | The Aesthetic Ground | Scoop.it
Because buyers like it that way.
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ArtSlant - The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust

ArtSlant - The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust | The Aesthetic Ground | Scoop.it
Details for The Art World's Intrinsic Conflict of Interest: Curating the Private Collection with the Public Trust.
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A tribute to the flemish renaissance — Fabienne Verdier

A tribute to the flemish renaissance —  Fabienne Verdier | The Aesthetic Ground | Scoop.it
Fabienne Verdier
The Spirit of painting
A tribute to the flemish renaissance
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Conference; Art and the New Biology of the Mind, Antonio Damasio - YouTube

March 24, 2006 Antonio Damasio, the David Dornsife Professor of Neuroscience and Director of The Brain and Creativity Institute, University of Southern Calif...
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Ambient Genius - The New Yorker

Ambient Genius - The New Yorker | The Aesthetic Ground | Scoop.it
In January, 1975, the musician Brian Eno and the painter Peter Schmidt released a set of flash cards they called “Oblique Strategies.” Friends since meeting at art school, in the late sixties, they had long shared guidelines that could pry apart an intellectual logjam, providing options when they couldn’t figure out how to move forward. The first edition consisted of a hundred and fifteen cards. They were black on one side with an aphorism or an instruction printed on the reverse. Eno’s first rule was “Honour thy error as a hidden intention.” Others included “Use non-musicians” and “Tape your mouth.” In “Brian Eno: Visual Music,” a monograph of his musical projects and visual art, Eno, who still uses the rules, says, “ ‘Oblique Strategies’ evolved from me being in a number of working situations when the panic of the situation—particularly in studios—tended to make me quickly forget that there were other ways of working and that there were tangential ways of attacking problems that were in many senses more interesting than the direct head-on approach.”
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Ken Schneider's curator insight, August 13, 9:29 AM

Creative Arts have a lot to teach business about problem solving. Creative genius is an event not an attribute but hopefully if it occurs more than once a career it becomes hallmark. KS

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Whitney Museum of American Art: Jeff Koons: A Retrospective

Whitney Museum of American Art: Jeff Koons: A Retrospective | The Aesthetic Ground | Scoop.it
The Whitney Museum of American Art. Explore works, exhibitions, and events online. Located in New York City.
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SÝN ONLINE | THE PETRI-DICH PROJECT by J.D DORIA

SÝN ONLINE | THE PETRI-DICH PROJECT by J.D DORIA | The Aesthetic Ground | Scoop.it
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Sketches for an Earth Computer - we make money not art

Sketches for an Earth Computer - we make money not art | The Aesthetic Ground | Scoop.it
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Cash Rules Everything Around - we make money not art

Cash Rules Everything Around - we make money not art | The Aesthetic Ground | Scoop.it
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{Software} Structures by Casey Reas et al.

{Software} Structures by Casey Reas et al. | The Aesthetic Ground | Scoop.it

Via Alessio Erioli
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From Soviet dial-less phone to post-surveillance art. Things i've seen in London this month - we make money not art

From Soviet dial-less phone to post-surveillance art. Things i've seen in London this month - we make money not art | The Aesthetic Ground | Scoop.it
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Jennifer Lyn Morone™ Inc, the girl who became a corporation - we make money not art

Jennifer Lyn Morone™ Inc, the girl who became a corporation - we make money not art | The Aesthetic Ground | Scoop.it
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We have the means to make you happy - we make money not art

We have the means to make you happy - we make money not art | The Aesthetic Ground | Scoop.it
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