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Simon Staffans: "There are as many different approaches [to audience engagement] as there are projects, but here are three major lines of approach" ...
How to engage audience effectively for one's digital audience
Engagement: It's more than attention and focus.
The poet, novelist, screenwriter, playwright and games writer will find similar rhetorical devices being applied in different ways.
What sort of emotions am I talking about? In his essay on emotion in film, film theorist Ed Tan speaks about the difference between what he describes as ‘artefact emotion’ and ‘fiction emotion’ (Tan). Artefact emotions are ‘non-empathetic’ and occur in response to sensory pleasures such as the appearance of the actors, costumes, scenery, and special effects.
If you are working with any kind of story telling this is very interesting reading. Click for full article.
VERY engrossing, well written and visually compelling explication of the narrative power/structure in a very, very good game: Journey.