What does it mean to be British in 2012? That's a question the London Festival of Photography has tried to answer with its headline show, "The Great British Public," opening June 1.
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In a world of diversity search for the significance of the nearby facts
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Granted the part I’m referencing is the “multiple exposure” mode, but I’ve already figured out how to use this for Architectural Photography based on how it is described in the second bullet point below…
[source: tweet] Via planetMitch, Carlos Thomas Delete the scoop?
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(Copyright: Robert Capa / Magnum) Charlie Atkinson: So I thought I would write a post about war photography and how it ties into street photography, as one of my good mates from work and I have started planning a 1 month embedment to Afghanistan. Delete the scoop?
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The post production for the event I shot for Harley-Davidson in St Tropez is now completed so I thought I’d share my thoughts on using the Canon EOS C300 on an event shoot for the first time. Previous to this event I’ve been using a Sony EX1 and Canon 5D mkII combination which have produced some nice results. The EX1 has been my main camera for event work over the last few years and even though I’ve felt the results from the 5D2 have been better at times the functionality and ease of use that the EX1 provided meant that it was just a better all around camera for my needs. Via planetMitch Delete the scoop?
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What does it mean to be British in 2012? That's a question the London Festival of Photography has tried to answer with its headline show, "The Great British Public," opening June 1.
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Photography seems to be everywhere at the moment. Not just in our image-laden environment, but in art where there are numerous exhibitions, making up a significant part of auction sales and as established branches of collections. Delete the scoop?
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