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The Problem with Processed Storytelling

The Problem with Processed Storytelling | storytelling | Scoop.it

Richard Brody:  "The fulsome orthodoxy of Pixar’s twenty-two storytelling rules goes far beyond a single company’s flavor spectrum to a crisis that is endemic to the modern cinema" ...


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The Digital Rocking Chair's curator insight, March 14, 2013 3:51 AM

An interesting and rather unexpected take on Pixar's 22 Rules of Storytelling.

Henrik Safegaard - Cloneartist's curator insight, March 15, 2013 3:29 AM

I thought it was a bit like, "Whatever Works" and then it seems to be almost science. Some of the rules are psychological exercises that don’t relate to composition but to a writer’s self-knowledge.

Read more: http://www.newyorker.com/online/blogs/movies/2013/03/pixar-disney-cgi-processed-storytelling.html#ixzz2NaiOS3pr

Yael BOUBLIL's comment, April 7, 2013 5:04 PM
Quand Pixar nous apprend à écrire
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10 Lessons on Filmmaking from Director Ken Loach

10 Lessons on Filmmaking from Director Ken Loach | storytelling | Scoop.it

Ariston Anderson:  "As a filmmaker, Loach has adopted a working style not unlike that of the characters seen in his films. Unlike the traditional Hollywood model, he’s not driven by his own race to the top, but rather by a collective spirit, a desire to create harmony on the set and to appreciate his crew for a job well done."


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Angela Antle's curator insight, April 15, 2013 7:02 AM

Ken Loach on building up your community of creators!

Spencer McCrossen's curator insight, September 19, 2014 2:30 PM

Insight from a renowned director, producer, and writer Ken Loach.

Tony Estrada's curator insight, October 20, 2014 10:38 AM

Masterful insights from Filmmaker Ken Loach.

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Meograph est un outil de « storytelling » |

Meograph est un outil de « storytelling » | | storytelling | Scoop.it

Meograph est un outil de « storytelling ». On crée une histoire en suivant un pas-à-pas proposé par la plateforme (inscription gratuite)


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Rescooped by Apsita from Transmedia: Storytelling for the Digital Age
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What makes a great screenplay?

What makes a great screenplay? | storytelling | Scoop.it
From Casablanca to The Killing – the elements of a great script are essentially the same. John Yorke – reveals how and why the best screenwriting works

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The Digital Rocking Chair's curator insight, March 16, 2013 12:39 AM

How to take basic story structure and turn it into great screenwriting ....

Alexis Niki's curator insight, March 16, 2013 5:23 PM

The art and the discipline of screenwriting. A long read but worth it.

Debbie Elicksen 's curator insight, March 18, 2013 11:35 AM

The art of screenwriting.

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Why You’re Addicted to TV

Why You’re Addicted to TV | storytelling | Scoop.it
Newsweek talks to the creators of today’s most addictive shows about what they’re doing to make sure we just can’t stop.

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Dorothea Martin's curator insight, May 20, 2013 3:30 AM

Absolute Leseempfehlung! 

Das Phänomen des "Binge-watching"s (Komakucken?!) und "Hyperserien"


“I’ve always said that I don’t see my show as serialized so much as hyperserialized,” explains Vince Gilligan, creator of AMC’s Breaking Bad. “That is something that, honestly, I wouldn’t have been allowed to do 10 or 15 years ago.”

Während Serien wie Sopranos, The Wire oder Deadwood zuerst ihre Charaktere entwickelten und die Handlung erst an zweiter Stelle kam, entwerfen heutige "Hyperserien" Tableaus, die von einer zentralen Frage vorwärts getrieben werden - und noch größeres Suchtpotenzial haben:


"And that’s ultimately the biggest difference between the Hyperserials and the legendary shows that spawned them: a purer, more intense focus on one linear, series-long plotline. Hyperserials tend to do away with recaps, teasers, and exposition of any kind. They make even less sense when viewed out of order"

Rogério Rocha's curator insight, May 20, 2013 7:23 AM

IN A certain sense, all television is addictive. This should be pretty obvious, given that Americans watch more than five hours a day, on average. At that rate, a person who lives to the age of 80 will spend 21 percent of his or her adult life—the equivalent of 4,175 days, or nearly 13 years—in front of the tube.

Asil's curator insight, May 20, 2013 3:45 PM

Machinimatographers can take some tips from this thought-piece on how we consume television serials.

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Le storytelling est un art que maîtrisait et diffusait Christian Godefroy ...

Le storytelling est un art que maîtrisait et diffusait Christian Godefroy ... | storytelling | Scoop.it
C'est un message que complète l'idée que c'est en s'entrainant en permanence à raconter des histoires, que l'on progresse dans l'art du storytelling. J'entends trop d'entrepreneurs, et particulièrement des consultants, des ...
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