Sound for Film
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Sound for Film
Sound for film is very important for the entertainment industry. every sound needs to be heard as if it was part of the filming that day.
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Rescooped by Tara Kathleen Pfeiffer from Soundtrack
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'Frozen' Earns Most Weeks At No. 1 For A Soundtrack Since 'Titanic'

'Frozen' Earns Most Weeks At No. 1 For A Soundtrack Since 'Titanic' | Sound for Film | Scoop.it
Disney's unstoppable soundtrack to "Frozen" returns to No. 1 on the Billboard 200, collecting its fifth nonconsecutive week atop the list. (#Frozen has earned the most weeks at No.

Via Christopher Coleman
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박시연's curator insight, November 6, 2014 9:07 PM

I have not seen Frozen yet but I love the song of it, especially Let It Go. I will watch Frozen as soon as possible to enjoy that song!!!

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The Quietus | Features | Things I Have Learned | Chris Watson On Recording The Music Of The Natural World

The Quietus | Features | Things I Have Learned | Chris Watson On Recording The Music Of The Natural World | Sound for Film | Scoop.it
In Cabaret Voltaire, Chris Watson used tape loops and field recordings as a pioneer of industrial music. Now, he is a sound recordist for BBC nature programmes who also works on installations, films and his own albums.

Via Lisa Labon
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César Lemoine Valarino's curator insight, March 15, 2014 6:11 PM

Chris Watson has been studying sounds since he got his first tape recorder in the late 60's, he is now a sound artist for BBC and specializes on recording nature's sounds and working for documentaries. He also talks about the places he's liked the most to record sounds and his style. Talking a little bit about sound pollution and how it is affecting everyone's daily life by not being able to listen to everything correctly. psychological changes.

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‘Super 8’ Sound

‘Super 8’ Sound | Sound for Film | Scoop.it

Sound Design and Re-Recording for Abrams’ New Film


Via Michael Coleman
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César Lemoine Valarino's curator insight, March 15, 2014 8:10 PM

In this article, the author takes us through the journey of sound designing for the film "Super8". Throughout the article we learn what items where used to make some of the sounds in the film and how he came across these sounds, how did he get the idea. He gives examples of scenes like the sewer scene where he actually went to a sewer and recorded himself kicking things around it and moving things around, it also gave him background noise for other scenes.

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Desk - Music and Sound Design

Music and sound design for Imaginary Forces NYC for the series of brand films for Lexus.

Via Katie Levine
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Sound Design Tutorial: Shooting Single System Audio |

Sound Design Tutorial: Shooting Single System Audio | | Sound for Film | Scoop.it
Learn more about sound design for film by watching our online sound design tutorial on shooting single system. This is incredibly helpful for both documentary and fiction filmmakers.

Via Mario Pires
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Anthony Villena's curator insight, October 6, 2014 11:43 AM

A great lesson that can help any sound designer that wants to enhance his or her skill level. This tutorial is a very necessary one to know.

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How 'Frozen' Went From Small Soundtrack to Worldwide Phenomenon

How 'Frozen' Went From Small Soundtrack to Worldwide Phenomenon | Sound for Film | Scoop.it
The Oscar-winning "Let It Go" took months to develop, and that was all part of the plan

Via Christopher Coleman
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Watch free HD Sound City (2013) to Download now | Download free HD Sound City (2013) to watch now - All HD/HQ/Avi/3D, DivX, DVD High Quality movies.

Watch free HD Sound City (2013) to Download now | Download free HD Sound City (2013) to watch now - All HD/HQ/Avi/3D, DivX, DVD High Quality movies. | Sound for Film | Scoop.it

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Rescooped by Tara Kathleen Pfeiffer from Digital Art Today
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Iris Van Herpen "Voltage"

Directed by: Geoffrey Lillemon and Joost Korngold Sound by: Breek Production Support by: Random Studio A teaser film for the Haute Couture collection of Iris…

Via OB
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Vintage Horror Cinema: 'Vampyr'

Vintage Horror Cinema: 'Vampyr' | Sound for Film | Scoop.it

As our showcase of early horror classics continues, we move out of the silent era and into the early 1930s for this German/French production from legendary filmmaker Carl Theodor Dryer. A Danish director best known for his 1928 classic The Passion of Joan of Arc, Dreyer caught major critical backlash for his follow-up Vampyr (also his first sound film), due to its unconventional story structure and abstract, dreamlike visuals. Thankfully, Vampyr went on to become a cult classic, which is still being screened today; one of the coolest of these revivals took place last October at San Francisco's Silent Movie Theatre, with a new live score composed by Steven Severin of Siouxsie and the Banshees and featuring FEARnet fave artist Jill Tracy.


Via ECAL Library
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