Our interview with transmedia producer Sara Thacher. Sara makes adventures that often meander between the physical and the digital.
Via Simon Staffans, Dorothea Martin
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Everybody loves a good story. So listen to the links.
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Christian Spließ
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Rescooped by Christian Spließ from Transmedia + Storyuniverse onto Social-Media-Storytelling |
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Via Simon Staffans, Dorothea Martin
Tiana Martin's comment,
October 17, 2012 7:13 AM
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Mark Wilson: "Ever wonder why all movies seem to look the same? Yeah, there’s a reason." Via The Digital Rocking Chair 
Digital Cinema in Transition's curator insight,
May 11, 12:53 PM
Also see our digital cnema study at http://www.digitalcinema.ca Delete the scoop?
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Ben Kersey: "It’s hard to wrap your head around the enigma that is Lost, a show that spans 33 years across 121 episodes and six seasons, but what if you looked at it from a different perspective?" Via The Digital Rocking Chair Delete the scoop?
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Molly Gerth: "Intrigued by [Toontastic, from Launchpad Toys'] recent success and noble mission, we connected with co-founder, Andy Russell, to learn more about the company’s vision" ... Via The Digital Rocking Chair Delete the scoop?
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Martin Bryant: "As consumer technology evolves at an ever-quickening pace, opportunities for new forms of storytelling are emerging. Experimentation is all well and good, but what do audiences actually want?" Via The Digital Rocking Chair Delete the scoop?
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Annalee Newitz: "Whenever a reboot or remake of a movie comes out, people complain that it's "not original." When creators turn a book or comic into a TV show, critics sneer at Hollywood for having "no new ideas." But they're wrong." Via The Digital Rocking Chair Delete the scoop?
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Caitlin Roper: "With tens of thousands of printed parts, millions of hours of work, and billions of pixels invested, the project represents unparalleled innovation in handmade storytelling—and a new future for a 100-year-old art form" ... Via The Digital Rocking Chair Delete the scoop?
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Tim Wood: "Bansky as most of us have seen, is the master of rich storytelling. Changing the messaging of something we are used to seeing makes Banksy’s brand voice ever so creative and powerful." Via The Digital Rocking Chair Delete the scoop?
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![“Where Is Matt Damon?” [Storytelling on Twitter] | Social-Media-Storytelling | Scoop.it](http://img.scoop.it/jWfEs_k67OxNF7WmoC3XWTl72eJkfbmt4t8yenImKBVaiQDB_Rd1H6kmuBWtceBJ)
Slate: "As the blizzard snowed in much of the northeast this past weekend, many of those stuck in their homes turned to Twitter for information, virtual company, and entertainment." Via The Digital Rocking Chair 
The Digital Rocking Chair's curator insight,
February 17, 10:33 PM
Stick with this Storify of tweets by Erin Faulk as she tries to find Matt Damon. It's worth it. Delete the scoop?
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Joe Berkowitz: "It took DreamWorks years of work and countless decisions to translate “How to Train Your Dragon” into a live experience. The result is an achievement not just in pyrotechnics, but in collaboration and brand extension" ...
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Peter Usagi: " The Power of Myth was one of the most popular TV series in the history of public television. In a series of six hour-long episodes, American mythologist Joseph Campbell peeled back the layers of mystery that had once shrouded our species ancient storytelling traditions" ... Via The Digital Rocking Chair Delete the scoop?
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Dan Crawley: "With thousands of players online simultaneously, each sinking untold hours into a title, massively multiplayer online games (MMOs) face some unique hurdles when it comes to narrative structure." Via The Digital Rocking Chair Delete the scoop?
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"What is transmedia and how is it transforming storytelling? We asked two of the international mentors at the recent Doc Lab 2012, Claire Evans (Australia) and Ele Jansen (Germany)."
Pictured: Claire Evans Via Transmedia NZ, The Digital Rocking Chair Delete the scoop?
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Mark Wilson: "The branching narratives of interactive books are logistical nightmares. That is, until one company released this free writing tool" ... Via The Digital Rocking Chair Delete the scoop?
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Charlie Jane Anders: "Joss Whedon is in the unique position of being both a cult icon and a huge mainstream creator, thanks to projects like Firefly and The Avengers. But both halves of his success spring from his ability to create addictive stories, that leave you desperate to know what happens next." Via The Digital Rocking Chair Delete the scoop?
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