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Before we had the Internet, the closest form of written communication we had were handwritten letters posted to family, friends and pen pals. Then there are the regular phone calls, family reunion meet-ups, parties, events etc.
Social media and digital publishing platforms open up a lot of potential for institutions that want to create compelling content and stories about their exhibitions that aren't so strictly bounded by the dates and spaces of the gallery.
Twitter, Facebook et les autres réseaux sociaux sont devenus des outils habituels de communication pour nombre d'institutions culturelles.
"Le livetweet est une pratique émergente de la visite de musée. Livetweeter (également #livetweeter ou #LT), c'est raconter en temps réel ..."
Un article de Sébastien Magro.
Via Omer Pesquer
Since the early 2000s, heritage stakeholders and communities around the world have addressed this problem, identifying the need to tackle the fast obsolescence of formats, data corruption, data loss due to compression, and the question of ...
An exploration of new digital media that has already or will soon make their debut in museums. ... After seeing these exhibitions I've been pondering how digital media is used in the galleries. ... 4) Participatory Digital.
Sous un banc ou incrustées dans un mur, les Dead Drops envahissent la ville. Ces clés USB accessibles à tous permettent d'échanger du contenu de manière anonyme.
A Lisbonne, une opération d'envergure a récemment vu le jour pour promouvoir la culture et l'histoire du Portugal et de sa capitale.
Via Veille digitale
Candy Chang : Avant de mourir, je veux ...
"TED Talks In her New Orleans neighborhood, artist and TED Fellow Candy Chang turned an abandoned house into a giant chalkboard asking a fill-in-the-blank question: “Before I die I want to ___.” Her neighbors' answers -- surprising, poignant, funny..."
Via Omer Pesquer
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Don’t you just hate when you go to a museum and you try to take mobile photos of the incredible architecture, or a beautiful new installation (without flash, of course), and you promptly get scolded...
This panel discussed three different approaches to the implementation of online photography competitions developed by the Van Gogh Museum in Amsterdam, The P...
Photo by Trey Ratcliff on Flickr. N.B. I should have posted this post when I first wrote it.
Les réseaux sociaux deviennent de plus en plus présents dans la vie des Français. En effet, 8 habitants sur 10 seraient inscrits sur un réseau social et près des 2/3 les fréquenteraient quotidiennement.
Quand des fous de web et de culture débarquent dans un vénérable musée pour inventer de nouvelles manières de le visiter, le résultat est explosif : c'est le projet MuseoMix.
INTERVIEW - Michel Serres, philosophe, historien des sciences et homme de lettres français, décrypte le monde de demain pour le JDD.
Via celyagd
Partagez avec les membres du réseau social Twitter vos impressions, réflexions, découvertes et sentiments sur l’exposition Annie Favier. La poétique des ruines.
Via Clic France
Conçu en pleine période Flower Power par des barbus libertaires, Internet n'a jamais perdu – malgré les tentatives de récupération politiques et commerciales – son esprit profondément lié au partage.
Via celyagd
digital nerdosaurus adventures in and about museums, social media, e-learning, tea and cake. ...
Explore The Big Internet Museum and its ever-growing collection. It is a museum like any other with curators, a permanent collection, temporary exhibitions by guest curators, seven different wings, and more.
Facebook is the most popular social network where museums have a presence at 56 percent and weren't doing much there other than publicizing programs. And, 42 percent of history museums have no social media presence ...
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