This blog is dedicated to a variety of social art practices including: urban interventions, utopian proposals, guerrilla architecture, new genre, public art, social sculpture, project-based community practice, interactive media, service dispersals, service design, activism and street performance. The primary material of social practice is person-to-person exchange, interaction, or participation. These situations, organizations and events can involve various media including photography, video, drawing, text, sound, sculpture,, political art, design, eco-art and performance art.
ASAKUSA is delighted to announce the exhibition Radical Democracy with artists Thomas Hirschhorn and Santiago Sierra, whose art practices engage with selected social groups, often facing ethical questions. The exhibited works articulate divisive fissures of political and economic disparities existing beyond sanctioned consensus, and provoke the agonistic practice of valuing and sustaining the dissent—democratic dialectics advocated by art critic Claire Bishop.
This summer the New Museum presents The Keeper, a major exhibition dedicated to the act of preserving and collecting objects, artworks, and images. A reflection on the impulse to save both the most precious and the apparently valueless, the exhibition brings together a variety of imaginary museums, personal collections, and unusual assemblages, revealing the devotion with which artists, collectors, scholars, and hoarders have created sanctuaries for endangered images and artifacts. In surveying varied techniques of display, the exhibition also reflects on the function and responsibility of museums within multiple economies of desire. The Keeper opens on July 20, 2016. The centerpiece of this exhibition is Partners (The Teddy Bear Project) (2002), a vast display conceived by Ydessa Hendeles.
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