Social Art Practices
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Social Art Practices
Through the use of various strategies including "urban interventions, utopian proposals, guerrilla architecture, "new genre" public art, social sculpture, project-based community practice, interactive media, service dispersals, and street performance."[1] the primary material of social practice is person-to-person exchange, interaction, or participation. These situations, organizations and events can involve various media including photography, video, drawing, text, sound, sculpture, and performance art.  Within the art making process, the practice emphasizes people in relationships to each other and their surroundings, "focusing on engagement and accountability between the audience and the artist"
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Wagga Wagga City Council Internet - dLux Media Arts: dLab Retrospective

Wagga Wagga City Council Internet - dLux Media Arts: dLab Retrospective | Social Art Practices | Scoop.it
For the past eighteen months dLux Media Arts has been working with the Wagga Wagga community through the dLab National Program. Throughout the program the Wagga young people have been getting hands on with science, art and technology to create some stunning artworks showcasing traditional photographic printmaking to digital animation and video.
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Art Beyond Conflict: Social Exchange and Reconciliation Directives

Art Beyond Conflict: Social Exchange and Reconciliation Directives | Social Art Practices | Scoop.it
IDENTITY AND EQUITY Contemporary Australia and notions of multiculturalism and diversity at times are hindered by concepts of dualities such as ‘majority, minority or white and black’.1 Complex issues of identity marginalization experienced by Indigenous Australians are often reduced to what has become known as Indigenous and non-Indigenous. The limitation of two distinct terminologies risks perpetuating a counterproductive duality evident in contemporary Australia. For many people heritage informs a sense of self and place in society, and in Australia this is apparent through notions of the frontier, the arrival of British invaders and their history of ideas. However, as is well-known, settler societies wreaked havoc for traditional owners and had a rich and persuasive mythology that included deeply ingrained views of racial marginalization.
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Third Text

Third Text | Social Art Practices | Scoop.it
Third Text has established its key position at the critical interface of contemporary art practice and theory with specific focus on the impact of ‘globalization’. In its twenty-six year history the journal has created an archive of knowledge production to benefit artists, researchers and art historians worldwide. Third Text took a pioneering interest in the exclusionary zones of ‘centre’ and ‘periphery’ and challenged Eurocentric and ethnocentric notions inherent to aesthetic criteria that marginalized or neglected the work of culturally diverse contemporary artists. The journal moved on to develop its postcolonial discourse in the direction of institutional critique, and it now seeks to address the complex cultural realities that are emerging and competing for recognition in the globalized artworld. The crucial issue today is the critical appraisal of contemporary art in the context of this globalized artworld, without a centre, and yet one where the spectre of neocolonialism is ever present. What are the commercial and institutional forces that are shaping art history today? Who is deciding on the present ‘value’ of art and for which audience?
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On the Boardwalk: Jeanne van Heeswijk's Public Faculty 8

On the Boardwalk: Jeanne van Heeswijk's Public Faculty 8 | Social Art Practices | Scoop.it
Jeanne van Heeswijk's work engages places where market-driven "regeneration" is displacing resident populations, focusing on the gentrification of Hollywood.
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Andy Warhol Foundation Awards GCAC $100,000

Andy Warhol Foundation Awards GCAC $100,000 | Social Art Practices | Scoop.it
Grant to support Grand Central Art Center Artist-in-Residence Program Santa Ana, California, July 1, 2014 – Cal State Fullerton’s Grand Central Art Center has been awarded a $100,000 grant (over tw...
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Funk, God, Jazz, and Medicine: Black Radical Brooklyn - Creative Time

Funk, God, Jazz, and Medicine: Black Radical Brooklyn - Opens September 20, 2014. A partnership between Creative Time and Weeksville Heritage Center.
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Iraq and Afghanistan Veterans of America will develop new digital tools to help America’s veterans get the services and benefits they have earned with $500,000 from Knight Foundation

Iraq and Afghanistan Veterans of America will develop new digital tools to help America’s veterans get the services and benefits they have earned with $500,000 from Knight Foundation | Social Art Practices | Scoop.it
NEW YORK – July 15, 2014 – Iraq and Afghanistan Veterans of America (IAVA), the largest nonprofit organization for post-9/11 veterans and their families, today announced a plan to use new data and mobile tools to improve services to veterans and...
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ARTSPACE - Artspace

ARTSPACE - Artspace | Social Art Practices | Scoop.it
Artspace is the leading non-collecting, non-commercial organisation for contemporary art in New Zealand Aotearoa. Artspace is dedicated to commissioning and presenting new ideas in art and culture, as well as fostering critical debate and generating intellectual feedback. Artspace develops and nurtures artistic research at a national and international level through the production of an innovative programme of exhibitions and events, and risk-taking practices.
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fresh-europe.com

fresh-europe.com | Social Art Practices | Scoop.it
Fresh Arts Coalition Europe (FACE) is an international network of arts organisations that supports, promotes and informs on emerging, socially engaged, contemporary cross-disciplinary art forms. It covers fresh and ground-breaking practices such as creation in public space, site-specific arts, community and participatory projects, live art, physical and visual theatre, contemporary circus and puppetry. FACE makes accessible its expertise, facilitates the sharing of knowledge and knowhow, and encourages new partnerships within Europe and with the rest of the world. With 39 members from 20 countries, the network operates as a dynamic forum for ideas, experiences and professional exchanges, supporting its members and emerging creative professionals. FACE contributes to preparing a sustainable future for the promoters working in new artistic trends, by building bridges between its members, creating networking opportunities and enhancing the visibility of their good practices in order to encourage the making and the access to hybrid performing arts forms, created indoor and outdoor.
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Erin Gleeson, Visual Art Co-Curator

Erin Gleeson, Visual Art Co-Curator | Social Art Practices | Scoop.it
Season of Cambodia Visual Art Program Co-Curator Erin Gleeson is a curator, writer and noted specialist on contemporary art from Cambodia. She is currently Artistic Director of SA SA BASSAC, Cambodia’s first and only gallery and reading room exclusively dedicated to contemporary art exhibitions, projects and education, which she co-founded with artist collective Stiev Selepak in 2011. Since 2005, Gleeson has curated over 40 exhibitions with Cambodian artists and collaborated with numerous project and exhibition partners to extend their practices regionally and internationally. Her current exhibition and book project Phnom Penh: Rescue Archeology/ Contemporary Art and Urban Change in Cambodia opens at ifa, Berlin in March 2013. Also in 2013, Gleeson serves as a co-curator of the Singapore Biennale.
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About Local Time « Local Time

Local Time is a collective of artists/academics/writers based in Auckland / Tamaki Makaurau. Current members are Danny Butt, Jon Bywater, Alex Monteith & Natalie Robertson. The group cohered with an interest in local and Pacific concerns in the light of international dialogues in new technology & culture. Non-urban sites are important to Local Time as a group and many of our projects happen in more remote parts of Aotearoa New Zealand. Local Time collective members meet regularly to discuss projects and work in an open flexible way between projects of the Local Time collective and individual projects initiated from any given member of the collective. Since 2001, an annual 7-10 day meeting over the summer period at Omaewa (land maintained by Natalie Robertson and whanau) at Port Awanui, Ruatoria, East Cape | Ngati Porou, has evolved into a wananga/learning environment for artists writers and environmental workers.
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Home | Center for Marooned Citizens

Home | Center for Marooned Citizens | Social Art Practices | Scoop.it
Center for Marooned Citizens is the reform program of the Panoply Performance Laboratory (PPL). Seeking to better serve intentional audience members and passersby alike, we survey and analyze data on potential constituents of these groups. This data will help us produce a Prophecy; a deterministic score for artists and all those who use, abuse, and access art on the Lower East Side and beyond. Data is gathered through public, one-on-one interactions on the Lower East Side. Click HERE to see the schedule of live interactions and culturally significant locations where the CfMC will be set up. Click HERE to see the Prophecy (online after July 16, 2014)
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Sergei Tcherepnin

Sergei Tcherepnin | Social Art Practices | Scoop.it
Ei Arakawa and Sergei Tcherepnin, Archicactus 2, 2012. Courtesy Murray Guy, New York. Photo: Leo Eloy.
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Macleay River Festival

Macleay River Festival | Social Art Practices | Scoop.it
High school students from the Macleay have been busy working with dLux Media Artist Yenny Huber to create works in photo-media, cyanotype printing, film, video and stop frame animation through the Macleay dLab Program. Kempsey is one of several regional locations for dLux Media Arts' innovative National dLab Program, which aims to work within communities to move individuals from participants to collaborators. Just as art and science further knowledge and progress culture, the dLab program allows young people to re-imagine their future. The Macleay dLab Program has provided capacity building in the Macleay Valley region by giving the local facilitators and young participants the necessary tools to explore their identity and their environment. Increasing the level of digital media skills through workshops that promote the use of new technologies in conjunction with science and art.
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I had the opportunity to work with DLux and Yenny Huber- a great community based artist from Australia!
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Reclaim The Streets! From Local to Global Party Protest

Reclaim The Streets! From Local to Global Party Protest | Social Art Practices | Scoop.it
Over the years, we have become used to experiencing works of art instead of merely watching them. As spectators, we are asked to become participants in what are considered to be artistic ‘situations’. The institutional and academic worlds propose terms such as ‘relational art’ or ‘community art’.2 A certain neo-situationist theoretical current introduces quotes of Guy Debord, Jean Baudrillard, Raoul Vaneigem and Michel de Certeau into the texts that deal with these practices. In considering these developments, Claire Bishop has spoken of a ‘social turn’ in contemporary art. However, in the introduction to her book Artificial Hells (2012), she states that this might actually be a return, and that such a return belongs to a certain tradition:
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Berlin Art Week 2014

Berlin Art Week 2014 | Social Art Practices | Scoop.it
Berlin Art Week 16–21 September 2014 Opening: 16 September, 7pm Akademie der Künste Hanseatenweg 10 Berlin www.berlinartweek.de Facebook / Twitter / Instagram Share From 16 to 21 September, Berlin will...
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Excited to see that Trevor Paglen is part of this!!
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Sustainable Food Trust

Sustainable Food Trust | Social Art Practices | Scoop.it
Futurefarmers & the Flatbread Society
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Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing ... - Brooklyn Rail

Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing ... - Brooklyn Rail | Social Art Practices | Scoop.it
Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing ...
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David Thorpe: Permanent Commission ← Future Perfect Bristol

David Thorpe: Permanent Commission ← Future Perfect Bristol | Social Art Practices | Scoop.it
Artist David Thorpe has been invited to contribute to the physical fabric of Hengrove in order to create a long-term legacy for the project. His commission will be both functional and curious and will become part of the infrastructure of Hengrove. Thorpe proposes to create a community orchard on the Severn Project site made out of large growing fruit and nut trees planted according to the floor plan of a cathedral, which will provide food in abundance as well as a grand meeting place for the community. The project will include long term involvement from the City of Bristol College Horticulture Department at South Bristol Skills Academy, allowing students to develop skills and receive training in growing, fertilisation, cross-pollination and tree shaping, within a unique yet local environment.
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Open Call: Creative Time Reports Seeks Proposals!

Open Call: Creative Time Reports Seeks Proposals! | Social Art Practices | Scoop.it
We invite artists—visual artists, performers, poets, photographers, filmmakers, fiction writers and musicians included—to submit proposals for a Creative Time Reports feature or dispatch to be presented in early 2015.
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Library | Planting Rice

Library | Planting Rice | Social Art Practices | Scoop.it
Great list of articles
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Welcome to Planting Rice | Planting Rice

Welcome to Planting Rice | Planting Rice | Social Art Practices | Scoop.it
Planting Rice is an alternative platform aimed at fostering the rise of cross-pollination among artistic communities. It distributes information on vital exhibitions, events, places and influences by art professionals in Southeast Asia, Australia, the United States and Europe who maintain networks and crossovers in the Philippines. This website generates a resource of writings on current discussions and collaborations that are developing beyond available publications or mainstream spaces. Additionally it recovers an archive relevant to the present climate of cultural interchanges in contemporary art. Planting Rice is the curatorial banner of Lian Ladia and Sidd Perez.
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FIELDS brings artists and curators to Cambodia

FIELDS brings artists and curators to Cambodia to engage contemporary ritual practice. The 20-day nomadic itinerary is a proposal that traverses space, temporality, and culture through a politics of memory, inheritance, and tradition by performing a cartography that informs and alters its references. The nation’s agrarian landscape, the fieldwork of anthropologists, academics and aid workers, Buddhist notions of merit-fields, the psycho-geographical landscape referred to as the Killing Fields, and the history of art practices in the expanded field all serve as starting points.
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Data: Water Shutoffs and Delinquent Accounts in Detroit

Data: Water Shutoffs and Delinquent Accounts in Detroit | Social Art Practices | Scoop.it
The worst offender of the delinquent water accounts and overdue bills is the City of Detroit, in particular the parks. Palmer Park alone has an outstanding bill of $422,295.40. Many of the resident...
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Call for participation

Call for participation | Social Art Practices | Scoop.it
Museo de Arte Contemporáneo de Tamaulipas, México. Photo courtesy of Biennial of the Frontiers.
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