Critics of the porn industry are quick to claim its deleterious effects on consumers, and too often presume exploitative abuse of performers. Yet, such arguments ignore the voices of porn performers and producers. It has been the performers and producers themselves who have refused the silencing tactics of stigmatization and shame and spoken candidly in a variety of news and social media venues about their working experiences, their attention to craft and skill, and their efforts towards more ethical, respectful labour conditions. Yet, their strategies of negotiation toward greater self-determination remain problematically undertheorized.
Media and cultural entertainment industries are under greater critical scrutiny around precarious labour, problematic gender and sexual relations, entrenched racism and other forms of prejudice and exclusion, industry convergence, and occupational health and safety. At the same time, critical media and cultural industry scholarship notes an expansion of independent and DIY production, new forms of labour exchange and commercialization, collective and collaborative networking, and audience engagement. Pornography is no different and is, in many ways, leading this entertainment revolution.
This special issue of Porn Studies invites scholars, critics, artists and producers, activists, and educators to explore the contours of Pornography and Labour. Topics may focus on any aspect of pornography production that
|Scooped by Gracie Passette|
Gracie Passette's insight:
Deadline for submissions is July 1, 2015/