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Henry Jenkins on 'Spreadable Media,' why fans rule, and how 'The Walking Dead' takes on a life of its own

Henry Jenkins on 'Spreadable Media,' why fans rule, and how 'The Walking Dead' takes on a life of its own | screen seriality | Scoop.it

Frank Rose: '"If it doesn't spread, it's dead": With this pithy dictum, Henry Jenkins summed up the nature of media distribution in the Internet age.'


Via The Digital Rocking Chair, Binary Racoon
Mattia Nicoletti's insight:

Spreadable media is ispirational for the next tv. It's about spreading contents through media. It's about web 1.0 and 2.0. It's about retro culture. 

 

In this interesting interview what comes out is that storytelling and simplicity is a winner in a spreadable world.

The Digital Rocking Chair's curator insight, January 18, 2:45 AM

You should also check out Spreadable Media's website.

Brad Tollefson's curator insight, January 23, 5:49 PM
Spreadable Media on preorder...
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Netflix launches in France, Holland rumoured

Netflix launches in France, Holland rumoured | screen seriality | Scoop.it
Rumours about impending Netflix launches in The Netherlands and France are surfacing again. This time, Belgian press speculates about a launch not only in these two countries, but also in Belgium i...
Mattia Nicoletti's insight:

I really would like to know what impact will have Netflix on French tv market.

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YouTube, Netflix suck up half of Internet traffic | IP&TV News

YouTube, Netflix suck up half of Internet traffic | IP&TV News | screen seriality | Scoop.it
The world's two largest online video services - Netflix and YouTube - accounted for half of all Internet traffic in North America in the year to date, according to US firm Sandvine, a provider of deep packet inspection and network management tools.

Via Richard Kastelein & Adriana Hamacher
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Half US adults watching video on non-TV devices | Advanced Television

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Warner launches streaming service: like Netflix, without the new stuff

Warner launches streaming service: like Netflix, without the new stuff | screen seriality | Scoop.it
Would you pay $10 a month to rewatch Gilligan’s Island? Warner Bros. thinks some people will, and launched a video service to do so.

 

Warner Bros. opened up its Warner Archive Instant service to the public this week, giving fans of vintage titles of the studio unlimited streaming access to movies and TV shows for $10 a month (hat tip to Engadget). It’s an interesting experiment, but the offering in its current form will appeal only to a few hardcore fans: to the casual viewer, Warner Archive Instant feels like a B-movie version Netflix, without any of the new stuff.

Movies currently available for streaming include titles like the Mummy (the 1959 version), Tarzan and the Mermaids and Cat People. TV shows offered include 77 Sunset Strip, Gilligan’s Island and the Adventures of Superman from 1952.

One should mention that this isn’t a big gamble by Warner Bros. on online distribution, but just another way for the studio’s archive operations to get its titles out. And there certainly is a community for this kind of stuff, which previously was mostly available on DVD. Still, one has to wonder whether there could be a bigger audience for these titles on existing subscription services, and whether reinventing Netflix with such a small catalog and specialized is really a good idea.


Via Virginie Colnel
Mattia Nicoletti's insight:

This move can be considered just a half-step towards the future of tv but we have to remember that we are talking about one of the big Studios, bound to a traditional strategy. Warner value chain is complex.

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TV Everywhere: Elsewhere Or Nowhere? - MediaPost Communications

TV Everywhere: Elsewhere Or Nowhere? - MediaPost Communications | screen seriality | Scoop.it
TV Everywhere: Elsewhere Or Nowhere?
MediaPost Communications
Some TV Everywhere apps have the same commercial load as traditional TV; others have much less. Some have recent episodes of shows; others have full seasons' worth.
Mattia Nicoletti's insight:

Tv Everywhere is just a keyword because there are lot of different tv everywhere strategies. Who will find the right one to conquer the market.

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TV Is Changing Before Our Eyes

TV Is Changing Before Our Eyes | screen seriality | Scoop.it
I believe we live in a show-based world, and that shows delivered over IP allow for the slow unbundling of television.
Mattia Nicoletti's insight:

"Who are the winners and losers in this model? Well, show creators continue to flourish. The new distributors enjoy great success. Of course, ISPs, who are often the same companies as the MVPDs, do fine in the ISP business, but I believe the decline in total cable subs will continue. In a world where shows do not contain advertising, why do we need Nielsen?"


David Pakman article reveals some important elements:

- Tv show creators have today more chances

- Tv shows may survive without ratings measurement

- Viewers will face a world full of contents. How will they choose the best ones?

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MediaPost Publications Netflix's Hastings: TV Everywhere Could Pose Major Challenge 02/27/2013

Netflix's Hastings: TV Everywhere Could Pose Major Challenge - 02/27/2013
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Netflix House of Cards: will binge TV change everything? | Rapid TV News

Netflix went live on 1 February with House of Cards, its new original series starring Kevin Spacey, and its move to release the entire season at once has many talking about the end of TV as we know it.
Mattia Nicoletti's insight:

"House of Cards would probably have been more or less the same on HBO or Starz as it is on Netflix, but part of what attracted the producers to Netflix was the promise of being a game-changer and helping to shake up the way TV shows are distributed."

 

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DreamWorks Animation Teams Up With Netflix For New Animated Series | Cartoon Brew

DreamWorks Animation Teams Up With Netflix For New Animated Series | Cartoon Brew | screen seriality | Scoop.it
The world of television animation is changing drastically, mainly by the fact that new animated shows won't appear on TV. Netflix announced a deal yesterday...
Mattia Nicoletti's insight:

Netflix and Amazon are re-inventing the tv market every single day. HBO should think very fast to its Tv everywhere strategy.

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Analytics in Motion - Some data about House of Cards

Analytics in Motion - Some data about House of Cards | screen seriality | Scoop.it
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Netflix wants at least five new shows a year: 'The goal is to become HBO faster than HBO can become us'

Netflix wants at least five new shows a year: 'The goal is to become HBO faster than HBO can become us' | screen seriality | Scoop.it
We're just days away from the debut of the Netflix original series House of Cards — the first of many original productions debuting on the service this year — and it's becoming clear the...

Via ACTV8.ME
Mattia Nicoletti's insight:

House of Cards for Netflix has been as Mad Men for AMC, an incredible return on publicity better than any other advertising campaign. 

ACTV8.ME's curator insight, February 7, 6:02 PM

Netflix takes on HBO. Let the games begin!

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The story behind DIAL: How Netflix and YouTube want to take on AirPlay

The story behind DIAL: How Netflix and YouTube want to take on AirPlay | screen seriality | Scoop.it
Watch out, AirPlay: Netflix and YouTube are working on an open second screen protocol, and they’ve already secured support from key CE makers and content platforms.
Mattia Nicoletti's insight:

there a lot of app to play contents on connected or tv connected through PS3 and other hardware which allows tv to be connected. The problem is that we need a standard. DIAL can be the first step towards standard.

Mediabrands Business Intelligence's curator insight, January 25, 11:27 AM

Netflix et Youtube ensemble pour le second écran

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How the new ‘Arrested Development’ on Netflix will confront a unique social TV challenge - Lost Remote

How the new ‘Arrested Development’ on Netflix will confront a unique social TV challenge - Lost Remote | screen seriality | Scoop.it
How the new ‘Arrested Development’ on Netflix will confront a unique social TV challenge
Mattia Nicoletti's insight:

will Arrested Development create new social tv rules?

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Rescooped by Mattia Nicoletti from Tracking Transmedia
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Netflix CEO Reed Hastings: ‘TV in future will be like a giant iPad’ | Financial Post

Netflix CEO Reed Hastings: ‘TV in future will be like a giant iPad’ | Financial Post | screen seriality | Scoop.it

Reed Hastings, the chief executive of Netflix, sat down for an editorial board meeting with the Financial Post..

 

On Canada's download caps: 

 

“It’s a deterrent to Canadian society that exists nowhere else in the world. In Britain, everything is uncapped,” he told the Post. “In the U.S., on Comcast for $45 a month [you get] 300 gigabytes and then [each extra] 10 gigabytes is like a dollar.”

 On the future of apps: 

"It will be completely compatible to have a Netflix app, to have a Rogers app, to have a movie channel app, to have YouTube as an app," he said.

 

"Because in the broadest sense, we compete for relaxation time. … You go home, the kids are in bed, you want to watch something to relax, you've got many choices."....

 


Via siobhan-o-flynn
Mattia Nicoletti's insight:

Reed Hastings vision on future of television. A huge iPad for television.

Paul K Saunders's curator insight, May 16, 10:34 AM

Seems to me that its all converging to be all driven and empowered by the internet

Eugenio Gomez-Acebo's curator insight, May 17, 5:17 AM

Great interview. The future of TV is for sure internet-centric. This has huge implications for advertising models. 

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War of the TV boxes heats up - Fortune Tech

War of the TV boxes heats up - Fortune Tech | screen seriality | Scoop.it
Old-school DVRs are fighting to stay relevant in an era of add-on devices from the likes of Apple, Roku, and others.
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Netflix earnings shine, but the business model isn’t yet proven | Rapid TV News

Following quarter after quarter struggling to make the content model work, Netflix is emerging with a new approach to its role in the competitive landscape — one that hinges on a continuing original content strategy, which sets it up to truly...
Mattia Nicoletti's insight:

Is Netflix going to grow to 60 million subscribers?

I don't know, but it would be interesting to know Netflix international development strategy because it could express its strenghts (for example in Italy). 

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Spotify Plans To Take On Netflix And HBO With Streaming Video Service

Spotify Plans To Take On Netflix And HBO With Streaming Video Service | screen seriality | Scoop.it
The next Game Of Thrones could be on Spotify.
Mattia Nicoletti's insight:

when the worlds collide.

YouTube wants to become Spotify and now Spotify wants to become Netflix.

 

 

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Netflix finally gets social with Facebook

Netflix finally gets social with Facebook | screen seriality | Scoop.it
Mattia Nicoletti's insight:

I am waiting for Facebook to introduce tv check-ins...

At that moment an earthquake will happen to social tv panorama.

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Netflix’s Content-Marketing Secret Sauce Is Wrapped Up In ‘House Of Cards’ | TechCrunch

Netflix’s Content-Marketing Secret Sauce Is Wrapped Up In ‘House Of Cards’ | TechCrunch | screen seriality | Scoop.it
Editor's note: Brandon Carter is a marketing manager at Outbrain, a content discovery platform on a mission to help readers find the most interesting content online.
Mattia Nicoletti's insight:

House of Cards is Netflix killer app. It's changing viewership habits and developing a new future for television.

House of cards has been also a wonderful way to make everybody talk about Netflix.

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Grammys, Super Bowl broadcasts translate into a big boost for music sales | Rapid TV News

When it comes to television's promotional ability, it's not just ads that sell things. According to new research from Nielsen, televised music events are having a real effect on music sales.
Mattia Nicoletti's insight:

When you can buy digital music you don't need to wait to buy one song you heard a minute before. In particular if it cost one dollar.

Using a song as a commercial soundtrack can be a sales booster in the same way House of cards publicity can be a subscriptions booster for Netflix.

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Is ‘House of Cards’ a success? Social TV has the answer - Lost Remote

Is ‘House of Cards’ a success? Social TV has the answer - Lost Remote | screen seriality | Scoop.it
Is ‘House of Cards’ a success? Social TV has the answer
Mattia Nicoletti's insight:

How many new subscribers Netflix needs to break even?

 

The Atlantic  pointed out that Netflix will need “520,834 people to sign up for a $7.99 subscription for two years to break even,” on the $100 million dollar investment.

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Stephen King's Under the Dome to debut on CBS with four-day VOD window on Amazon | Rapid TV News

Stephen King's Under the Dome to debut on CBS with four-day VOD window on Amazon | Rapid TV News | screen seriality | Scoop.it
In an in-season VOD window deal, Under the Dome, a new TV series based on Stephen King's novel and produced by Steven Spielberg's Amblin Television, will premiere on CBS Television Network in June, while Amazon Prime subscribers will gain unlimited...
Mattia Nicoletti's insight:

VOD services like Netflix and Amazon giving their customers what they want. Arrested Development and Stephen King tv series are two clever moves and a customer service killer app.

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BBC to launch programmes online first

BBC to launch programmes online first | screen seriality | Scoop.it
BBC television programmes are to be broadcast online before reaching TV screens under a new trial as the corporation attempts to rival web services like Netflix.

 

The decision, confirmed at a meeting of trustees in December, marks the first time that BBC programmes will be released on iPlayer ahead of scheduled TV broadcasts.

 

BBC bosses have previously experimented with "online-only" content and last year decided to commission a series of BBC Three comedyImpractical Jokers for television after the pilot had been shown on the BBC website.

The 12-month trial will allow up to 40 hours of broadcasting across a range of genres to be put online before reaching TV screens this year, according to minutes of a meeting published yesterday.

 

It comes after online television and film rental service Netflix launched its new version of House of Cards, starring Kevin Spacey, which was commissioned directly by the company and is not being shown on any television channel.

The entire thirteen-episode first series was made available via the company's website earlier this month and can be viewed at a cost of £5.99 from any device with a broadband internet connection.

 

Until now, the BBC's online-only content has been limited to pilots and special shows for selected audiences but the trial could see mainstream programming reach computers before televisions.

BBC iPlayer is growing in popularity and last month announced its highest ever number of programme views, with 187 million requests for content made last month on smart phones, internet TVs and computers.

But the TV app is still dwarfed by scheduled television broadcasts and only accounts for about two per cent of all of the BBC's viewing figures.

The new experiment is designed to reveal whether this proportion can be increased by introducing early online broadcasts of popular television programmes.

 

Because the shows will not be broadcast at exactly the same time as they appear on linear television stations, viewers will not need a license fee in order to watch them.

 

Ian Walker, BBC publicist for future media, said: "During 2012, the BBC brought selected online-only programmes to audiences.

"These included BBC Three comedy pilots, a Doctor Who web series called ‘Pond Life’, and curated archive programmes for BBC Four. We will build on this in 2013, and make more programming exclusively available to our audiences via BBC iPlayer.”

 

Pond Life was streamed or downloaded five million times while the seven BBC Three pilots, which also included programmes calledTapeFace Tapes, People Just Do Nothing and Dawson Brothers' Funtime, amassed 750,000 views on iPlayer.

 

Last summer the BBC announced its global iPlayer app, which offers a selection of new and archived content to viewers in 16 countries including the US, had reached one million downloads a year after being launched.

Media analyst Claire Enders said: "This is a very interesting experiment to see how much people follow specific shows. The BBC accounts for about 20 per cent of all viewing in this country and it is such a significant force that it can afford to experiment.

 

"We will see which programmes they pick but I don't see that this is going to affect EastEnders, it will be a marquee programme because they are constantly trying to experiment about what people consume and they want to be exciting."


Via Virginie Colnel
Mattia Nicoletti's insight:

The Netflix effect...

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Why The Entire TV Industry Will Be Watching Netflix's 'House Of Cards' Gamble

Why The Entire TV Industry Will Be Watching Netflix's 'House Of Cards' Gamble | screen seriality | Scoop.it
High risk, high reward.
Mattia Nicoletti's insight:

This is what will happen if House of Cards will be a great success.

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Proliferation of Online-Only Originals Points to Further Audience Fragmentation - Videonuze

Proliferation of Online-Only Originals Points to Further Audience Fragmentation - Videonuze | screen seriality | Scoop.it
Mattia Nicoletti's insight:

It will be hard to let ad investors understand that you have to pay for quality and clusters and not for number of viewers.

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