A 10-part series, running for a fortnight from Christmas Eve 2012, flagging up key releases and premieres of the following year
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Scooped by Michael Cornetto onto Screen Right (Screenwrite) |
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Charlie Jane Anders: 'We were lucky enough to get a chance to talk one-on-one with del Toro about Rise of the Guardians, and he explained to us why children's stories need to be dark, because "kids are neurotic."' Via The Digital Rocking Chair Delete the scoop?
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Joe Berkowitz: "Simon Rich writes novels, essays, screenplays, and sketches—and he’s written them for some of the most respected arbiters of quality in their respective fields. Here, the prolific writer talks to Co.Create about the differences between each medium, and how to choose where an idea belongs." Via The Digital Rocking Chair Delete the scoop?
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Mark Wilson: "The branching narratives of interactive books are logistical nightmares. That is, until one company released this free writing tool" ... Via The Digital Rocking Chair Delete the scoop?
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Zachary Wigon: "Hollywood’s appetite for adaptations, remakes and sequels is growing. But the absence of mid-budget films from lists of the world’s highest-grossing films, which has become increasingly conspicuous in recent years, indicates that Hollywood’s model is changing." Via The Digital Rocking Chair Delete the scoop?
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Musa Syeed: "[...] I felt that as a filmmaker, I had reason to fear technological advancements in the field. New media/interactive/transmedia was making a medium I revered as a child seemingly obsolete, banishing motion pictures from the majestic big screen to pathetic, paltry iPhones."
DRC: Read how Musa Syeed now views the interactive realm as "an essential part of making a traditional film." Via The Digital Rocking Chair Delete the scoop?
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Sunni Brown: "As I grow in my visual thinking work, it’s become abundantly clear that the story is 100 times more powerful than the visuals that support it" ... Via siobhan-o-flynn, The Digital Rocking Chair Delete the scoop?
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Joe Berkowitz: "After writing the entire series and directing “The Bourne Legacy,” Tony Gilroy knows how epic action scenes are built. Here, he discusses how environment, design and sticking with the character are key to authentic Bourne action." Via The Digital Rocking Chair Delete the scoop?
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Pamela D Lloyd's comment,
July 23, 2012 6:00 AM
I first saw this in a workshop for writing instructors. I thought it was great then, and I think it's great now. Thanks for sharing this. :)
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Charlie Jane Anders: "Joss Whedon is in the unique position of being both a cult icon and a huge mainstream creator, thanks to projects like Firefly and The Avengers. But both halves of his success spring from his ability to create addictive stories, that leave you desperate to know what happens next." Via The Digital Rocking Chair Delete the scoop?
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