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Science ouverte - Open science
Cinq thèmes sont suivis dans ce scoop.it : le libre accès (Open Access), la science citoyenne (citizen science), la science en ligne (Open Science), la science 2.0 et les cours en ligne gratuits (MOOCs).
Curated by Florence Piron
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Open Access, by Peter Suber | The MIT Press

Open Access, by Peter Suber | The MIT Press | Science ouverte - Open science | Scoop.it

The Internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work “open access”: digital, online, free of charge, and free of most copyright and licensing restrictions. Open access is made possible by the Internet and copyright-holder consent, and many authors, musicians, filmmakers, and other creators who depend on royalties are understandably unwilling to give their consent. But for 350 years, scholars have written peer-reviewed journal articles for impact, not for money, and are free to consent to open access without losing revenue.

In this concise introduction, Peter Suber tells us what open access is and isn’t, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. Distilling a decade of Suber’s influential writing and thinking about open access, this is the indispensable book on the subject for researchers, librarians, administrators, funders, publishers, and policy makers.

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Reviews of the book: http://cyber.law.harvard.edu/hoap/Open_Access_%28the_book%29

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MIT Can Honor Aaron Swartz by Fighting To Make Academic Journals Open to Everyone

MIT Can Honor Aaron Swartz by Fighting To Make Academic Journals Open to Everyone | Science ouverte - Open science | Scoop.it
Beginning in the fall of 2010, Aaron Swartz repeatedly logged on to MIT’s campus network and used an automated script to download nearly 5 million articles from JSTOR, one of the largest digital archives of scholarly journals in the world.
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Une proposition originale à la fin du texte.

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