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Klynt Interactive Workshop Review

Klynt Interactive Workshop Review | Digital Cinema - Transmedia | Scoop.it
At each of our Interactive Workshops we'll have the excellent Gemma McKinnie acting as our reporter on the ground, researching how each interactive platform

 

"The original prototype of Klynt, created in 2008, was known as ‘Webdoc Editor’, and brought a ‘choose your own adventure’ function to online documentary narrative. The Honkytonk experiment was successful: the first interactive documentary to ever feature on Le Monde’s website, Journey achieved 1.5 million page views and won the Prix SCAM 2009 Digital Interactive Artwork award. The first public release of Klynt then came in 2011, and was developed in Flash."


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mirmilla's curator insight, August 23, 5:41 AM

Klynt under the magnifying glass.

Vittorio Canavese's curator insight, August 23, 11:25 AM

Uno dei migliori tool per la transmedialità dal vivo. Mi sarebbe piaciuto esserci

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Inside the World Press Photo Multimedia Jury

Inside the World Press Photo Multimedia Jury | Digital Cinema - Transmedia | Scoop.it

"Seven jurors, six days, 373 multimedia entries. The winners of the 2014 World Press Photo Multimedia Contest have been announced today."

 

"The competition focuses on narrative and interactive multimedia created for the web with a journalistic approach. If we have been successful, this year's winners will inspire the next generation of work."


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Rescooped by Digital Cinema in Transition from Transmedia: Storytelling for the Digital Age
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Games Of Thrones And Walking Dead: Turning Great TV Into Interactive Stories

Games Of Thrones And Walking Dead: Turning Great TV Into Interactive Stories | Digital Cinema - Transmedia | Scoop.it

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The Digital Rocking Chair's curator insight, December 12, 2013 4:32 AM


Nicole Laporte:  "The creator of the acclaimed Walking Dead games has set hearts racing with news it'll interpret Game of Thrones next. CEO Dan Connors talks about how the studio brings interactivity to Hollywood properties and immersing fans in their favorite TV narratives."

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Judith Aston defines Interactive Documentary | Video Interview

Judith Aston defines Interactive Documentary | Video Interview | Digital Cinema - Transmedia | Scoop.it

"Our third interviewee is Judith Aston,  co-founder of i-Docs (i-Docs.org,  DCRC) and Senior Lecturer in Creative Media at the University of the West of England. She holds a PhD in Interaction Design from the Royal College Art and a Masters degree in Social Science from the University of Cambridge.

 

Working with the BBC Interactive Television Unit on pioneering interactive videodisc projects in the mid-1980s, she has witnessed the development of interactive documentary from the ground up. "

 

by Arnau Gifreu Castells - OpenDocLab visiting research affiliate


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Rescooped by Digital Cinema in Transition from Transmedia: Storytelling for the Digital Age
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Storyscapes: Tribeca Goes Interactive

Storyscapes: Tribeca Goes Interactive | Digital Cinema - Transmedia | Scoop.it

Randy Astle:  "TFI has been supporting digital, transmedia, and multimedia projects for years through programs like its New Media Fund and hackathons, and now TFI’s Director of Digital Initiatives Ingrid Kopp (who was recently interviewed by Filmmaker) has found a way to bring some projects into a physical space to coincide with the film festival in lower Manhattan."


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The Digital Rocking Chair's curator insight, April 24, 2013 3:13 AM

A look at the 5 interactive video projects projects from the Tribeca Film Festival's Storyscapes.  The image above is from Empire Uncut.

Jasmin Rez's curator insight, April 24, 2013 10:42 AM

 via @D_RockingChair 

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Transmedia storytelling: An interview with the makers of Love Radio

Transmedia storytelling: An interview with the makers of Love Radio | Digital Cinema - Transmedia | Scoop.it

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The Digital Rocking Chair's curator insight, May 2, 12:32 AM


Jess Linington:  "Love Radio, a transmedia documentary with interactive elements, explores the process of reconciliation in post-genocide Rwanda in a unique format; a radio soap."

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Digital interaction? Make sure it’s a two-way street

Digital interaction? Make sure it’s a two-way street | Digital Cinema - Transmedia | Scoop.it
What we really mean by digital interaction is the act of getting the viewer, reader or listener to give something back as they consume our media. The play for eyeballs, clicks and time has become a complex sport.

 

"nteractive is a stupidly vague term. But many of us (including me) are guilty of overusing it, often in place of more functional words like ‘clickable’. Apply it to the physical world instead of the internet and it becomes laughable."

 

BBC - Blogs - College of Journalism


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mirmilla's curator insight, March 3, 2:18 PM

How many times have we found the so-called interactive documentaries "asking for a passive type of interaction with pre-written multiple choice"? 

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Taking Horror Interactive: Neal Edelstein on Haunting Melissa

Taking Horror Interactive: Neal Edelstein on Haunting Melissa | Digital Cinema - Transmedia | Scoop.it

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The Digital Rocking Chair's curator insight, October 31, 2013 4:12 AM


Randy Astle:  "As the producer of films like The Ring and Mulholland Drive, Neal Edelstein is no stranger to horror films and thrillers. And with his new project, Haunting Melissa, he’s moved beyond traditional pictures with his first immersive production for iPad and iPhone."

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Story 2.0: The Surprising Thing About The Next Wave Of Narrative

Story 2.0: The Surprising Thing About The Next Wave Of Narrative | Digital Cinema - Transmedia | Scoop.it

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The Digital Rocking Chair's curator insight, October 29, 2013 4:32 AM


"Wrapping up a three-part series Jonathan Gottschall discusses the problem with interactivity and some eternal truths of storytelling."


Part 1, The Science Of Storytelling: How Narrative Cuts Through Distraction Like Nothing Else, can be read here.


Part 2, Infecting An Audience: Why Great Stories Spread, can be read here.

Neil Gains's curator insight, October 29, 2013 7:29 PM

Interesting point of view on storytelling in the digital age. Back to basics!